Buchla Ziggy Synth Combines Analog Sound With Digital Control


Ahead of Superbooth 2026, Buchla USA has introduced Ziggy, a self-contained analog synthesizer designed to distill key elements of West Coast synthesis into a desktop form factor.

Ziggy features a ‘West Coast’ complex oscillator paired with a modulation oscillator, a low pass gate, and depth-focused modulation sources, including the unique Cycler and an extra LFO. Cycler can function in a variety of ways, from producing punchy percussive envelopes to cycling like a classic LFO, and can also be triggered for single-cycle modulation via MIDI or CV. It also has an ‘uncertainty’ parameter, for creating randomised modulation variations. A further XLFO provides an additional triangle wave modulation source.

Digital control over its analog signal path enables onboard preset memory and external editing via WebMIDI, while integrated effects broaden its sonic palette.

At the heart of its sound engine is a complex oscillator, a sine wave generator that can be shaped via audio-rate modulation of either its amplitude or frequency. This is paired with a second modulation oscillator with a wide frequency range that allows it to function like both an LFO and audio source.

The oscillators are shaped using a low-pass gate, another classic feature of West Coast synth design, which is based around a Sallen-Key filter and combines the functionality of both an amp envelope and low-pass filter.

According to Buchla, “Ziggy incorporates many of the Buchla innovations that have long been taken for granted: digital control over the analogue audio, additive synthesis, unique and musical interactions, and the focus on making an ‘instrument’ rather than a ‘synthesizer.”

The instrument accepts MIDI (USB-C, 5-pin DIN, and TRS), 1V/oct CV, gate, and modulation inputs for integration with modular setups and external controllers. Stereo audio outs, headphone output, and an auxiliary input complete its connectivity.

Here’s the official intro video:

Features:

  • Fully analog Complex and Modulation oscillators. The Modulation oscillator can operate at low frequency or audible rates. The shape is selectable from Sawtooth, Square, or Triangle.
  • The Complex Oscillator’s initial shape is a sine wave. It can be frequency or amplitude modulated by the Modulation Oscillator, distorted by the Timbre wavefolder, and blended into a spike, square, or sawtooth wave.
  • Create, Save, and Recall over 100 available factory and user programs.
  • The low pass gate (LPG) operates as a VCA, Filter, or Both, with a Sallen Key filter architecture.
  • Envelopes are blended shapes, rather than traditional ADSR, encouraging discovery, rather than precision.
  • The Cycler modulator has a variety of shapes that can be mixed. The Cycler is easily assigned to parameters to create living, breathing, electronic music. Uncertainty can modify the Cycler as much or as little as you like, encouraging surprise. The XLFO is an extra LFO with a triangle shape, applicable anywhere.
  • CV modulation, gate, and 1v/oct pitch make it easy to coordinate with eurorack synthesizers and the Buchla LEM218 controller.
  • MIDI control through USB-C, five pin DIN, and type A mini gives you complete control over playback and sound.
  • External audio can be mixed into the LPG with a mono 3.5mm input jack.
  • Creative tuning and quantization for western and non-western scales.
  • Digital effects include reverb, delay, chorus, pitch shift, and flanger variations, with a wet/dry control and simple macro “size” parameter.
  • Stereo sound is accessed through 3.5mm headphone output and two ¼” jacks.
  • Powered over USB-C – use a power bank, computer, or wall adapter (not included). (When adapting USB-C to older USB connections with less power, Ziggy’s second USB-C input is provided for power if necessary)
  • A web browser with WebMIDI can be used to edit and archive patches as well as update firmware as we improve it.

The Buchla Ziggy is available for preorder with a list price of USD $999/£915. The first units are estimated to start shipping in August/September of this year.

Ziggy is also designed to pair with Buchla’s own LEM218 touch keyboard, and can be ordered as a bundle for $1,999.

 

Unusable Engineering Introduces Science-Driven Audio Plugin Series


Unusable Engineering has launched a set of audio plugins for macOS, that they say are built around physical and scientific modeling concepts, rather than conventional DSP categories.

The company describes its approach as focusing on systems where the underlying model directly influences both sound and control behavior.

The current lineup includes a set of individual instruments and effects, along with bundled collections organized by theme. These products cover synthesis, modulation, filtering, dynamics, spatial processing, distortion, and degradation-style effects.

The lineup includes:

  • Synthesizer:
    • Curves & Membranes: Monophonic synthesizer using Bézier-based waveform shaping, orbital modulation concepts, and a membrane-style filter model
  • Effects:
    • Spectral Pressure Chamber: Multiband dynamics processor based on spectral pressure modeling concepts
    • Cavitation Fractures: Distortion processor based on fluid-dynamics-inspired behavior
    • Frequency Guillotine: Multi-band spectral slicing and gating effect
    • Ensemble Diffuser: Modulation effect combining ensemble-style movement and phasing behavior
    • Harmonic Dissector: Dual filter system for parallel stereo filtering and harmonic shaping
    • Tension Reactor: Spring-style reverb modeled with reactive behavior characteristics
    • Entropy Encoder: Digital degradation effect simulating codec loss, jitter, and signal corruption
  • Bundles:
    • Emulated Effects Pack: Collection of five effects focused on modulation, filtering, spatial processing, and digital degradation
    • Scientist Suite: Bundle including Curves & Membranes, Spectral Pressure Chamber, and Cavitation Fractures
    • Full Suite: Complete collection of available synthesizer and effects plugins

The plugins range in price from €29.00 to €89.00. Visit the Unusable Engineering site for details.

 

Oddment Audio ODD-1 Granular Synthesizer Now Available To Pre-order


Superbooth 2026: Oddment Audio ODD-1 is a new desktop hardware granular Synthesizer with a hands-on user interface and CV connectivity: almost ready to ship.

The ODD-1 granular Synthesizer has been in development for over two years. Oddment Audio is also showcasing the ODD-1 at Superbooth (W206) this year.

It is a granular Synthesizer with up to 8-voice polyphony, shared across 2 multitimbral layers, and eight simultaneous stereo samples up to 60s at 48kHz. You have four independent playheads per layer with flexible assignment to the four samples.

You can use the synth as a multi-timbral synth, expressive sampler, multi-track looper, or even a real-time effect processor.

Features:

  • Desktop lab for sound synthesis featuring a one-of-a-kind, limitless patching system.
  • Custom microsonic (aka granular) processing designed for the powerful quad-core ARM A72 CPUs achieves thousands of small pieces of sound (grains) per second with high-quality over-sampling.
  • Create movement and depth with per-grain spatial audio rendering and ear-inspired filtering
  • 18 infinite encoders with integrated switches and LEDs enable a knob-per-function feel in a travel-friendly size, with as much depth as any granular synthesizer on the market.
  • Thoughtfully-designed interactions on the 2.8” capacitive touch screen enable depth without menu diving.
  • 8 simultaneous stereo samples up to 60s at 48kHz.
  • 8-voice polyphony shared across 2 multi-timbral layers.
  • 2 layers can independently behave as a multi-timbral synth, expressive sampler, multi-track looper or real-time effect processor
  • 4 independent playheads per layer with flexible assignment to the 4 samples.
  • Stretch a sound to infinity without losing its natural articulation using our one-of-a-kind, variable-speed Time Path.
  • Patch without limits – Connect 4 LFOs, 3 Envelopes, 4 Macros, 4 Control signals, and any MIDI control to any parameter on the device just by holding it down.
  • MPE capable for expressive control.
  • 4 control signal inputs for connecting modular gear, expression and sustain pedals.
  • Hundreds of amazing factory patches
  • 2GB library of custom samples, created exclusively for the ODD-1 by musicians like Joshua Van Tassel and Lee Clarke.
  • 4GB of user storage for samples and patches.
  • Capture new stereo samples from analog input, microphone input or USB audio input.
  • Connect as a USB drive to transfer samples, patches and painless firmware upgrades.
  • Dual stereo filters per-voice with classic resonant filter designs. Can be set in series or parallel.
  • Saturation per-voice and per-layer with distortion, bit crush, and compression.
  • Two echo units per-layer include distortion and filtering in the feedback loop to achieve anywhere from crisp digital delay to warm feedback.
  • Design and achieve your own effects sounds by modulating the core synthesis, filtering, delay elements. Chorus, phasor, flanger, tremolo, tape emulation, and on from there.
  • Custom sample analysis enables unique pitch and timing control modes.
  • Capture the audio of a performance or experimentation session directly on device.
  • Powder-coated aluminum enclosure is as durable as it is beautiful.
  • Companion ODD-1V plug-in with identical sound processing and factory library, for those times when you’ve accidentally left home without your ODD-1.

The good news is that development is in its final stages.  It’s great to see that the ODD-1 is now almost finished.

According to the developers, the ODD-1 will ship in August 2026 and is still available for pre-order for $999.