AJH Synth Matrix VCF, ‘The Most Versatile Eurorack Filter Ever’

 

 

 

AJH Synth has introduced the Matrix VCF, a new Eurorack module that features sixteen different filter types and two different resonance options on each, for a total of 32 assorted resonant filters.

They say that the Matrix VCF may be the most versatile VCF ever, offering an unparalleled degree of sonic flexibility in a single 14 HP analog Eurorack module.

Each filter and filter type selection can be controlled manually through CV control, and an LED matrix provides visual feedback on current filter selection. The module also includes an integrated VCA, with dedicated input and output controls, a peak level LED and CV control of resonance.

“After two years of development we have finally released what we consider to be the most versatile Eurorack VCF & VCA ever,” said Allan Hall, founder of AJH Synth. “As with our many other modules, we used the very best vintage analogue circuitry as the starting point for the design. Then we chose to emulate the filter from the rare and highly desirable Oberheim Matrix 12 synthesizer, while vastly expanding both the sonic pallet and feature set.”

The core circuitry of the Matrix VCF is based on the rare Oberheim Matrix 12 synthesizer. The Oberheim Matrix 12 VCF originally offered a total of 15 filter types, but the AJH Matrix VCF expands this to 16, with the addition of AP4: a full four pole all pass phaser mode.

A switch on the front panel imparts a highly resonant distortion circuitry, by the filter from the Soviet Polivoks synthesizer — which has been updated and improved with vintage analogue components. Best of all, this Polivoks-inspired distortion character can be applied to all filter types on the Matrix VCF, completely altering the sonic character for a ‘Jekyll and Hyde’ effect. The resulting waveforms are harmonically rich and wide-ranging in scope.

Finally, since a VCA is hard-wired to the output stage, users can simply patch in envelope or an LFO to the VCA input and connect a VCO to the audio input for a complete synth voice (with a choice from 32 different filters) using only three modules.

The official user guide:


The Matrix VCF includes the following filter modes, each of which can be altered via the P-Vox switch for a total of 32 different filtering options.

  • Four Pole Band Pass
  • Three Pole High Pass combined with One Pole Low Pass
  • Three Pole All Pass combined with One Pole Low Pass
  • Two Pole Notch combined with One Pole Low Pass
  • Two Pole Low Pass
  • Four Pole All Pass (Phaser)
  • Four Pole Low Pass
  • Two Pole Band Pass
  • Two Pole High Pass combined with One Pole Low Pass
  • Three Pole High Pass
  • Three Pole All Pass
  • Two Pole Notch
  • One Pole Low Pass
  • Two Pole High Pass
  • Three Pole Low Pass
  • One Pole High Pass


The AJH Synth Matrix VCF is available now for £310.

 

Soundtoys Releases SpaceBlender ‘Experimental Reverb’ And It’s Free Through May 22


Pro audio effects creator Soundtoys today announced the release of SpaceBlender, an experimental reverb that they say lets you create unreal and imaginary spaces, with shapes, textures, and tones that would be impossible in the real world.

Described as an “imaginary space machine”, SpaceBlender is an experimental reverb that brings together a unique and innovative approach, inspired by the tape looping techniques used by pioneering ambient musicians, with a nod to vintage digital reverbs such as the Lexicon 224, Ursa Major Space Station and Eventide DSP4000.

Whether enhancing a track’s sense of space or creating dynamic, evolving effects, SpaceBlender is a fun and intuitive tool for sound designers, musicians, and producers looking for creative yet easy-to-use spatial processing.

Unlike many reverb plugins, SpaceBlender isn’t based on feedback delay networks or convolution, but a newly-developed algorithm inspired by swarm synthesis. As such, Soundtoys says the plugin is far more than “just another reverb”: it’s a sound design tool that lets you “create imaginary spaces and effects that don’t exist in the real world”.

Despite its unconventional approach, SpaceBlender has a simple and intuitive interface, centred around an interactive visualiser. Displaying incoming signals in purple and reverb in blue, the visualizer lets you shape the reverb’s envelope by dragging a cursor across the display: the X axis controls the envelope shape, while the Y axis adjusts the amount of envelope shaping applied.

The dial below the visualizer adjusts reverb time, which can stretch from 100ms to an entire minute and sync to your DAW’s tempo. Here you’ll also find a Warp button, which modulates the pitch and speed of the reverb and introduces classic tape echo-style smoothing when the Time control is tweaked.


The Color knob controls how the tonal balance of the reverb changes over time; turning it clockwise makes the sound grow brighter as the signal passes through the reverb, and vice versa. The Texture dial adjusts reverb density, much like a diffusion control, and the Mod control adjusts the depth of SpaceBlender’s lush, chorus-like modulation effect (the shape and rate are set at fixed values).

You’ll also find a Freeze button that captures and loops the current sound – ripe for ambient experimentation – and a Mix knob that does what you’d expect it to. SpaceBlender arrives with a healthy selection of presets, and the interface is resizable, something many Soundtoys fans have been requesting for a while.

SpaceBlender is unique, inventive and – despite being relatively light on controls – hugely versatile: it can do expansive ambient spaces, snappy gated reverbs and fun reverse effects, while also handling more conventional applications. It also sounds phenomenal – check out the preset demo video below:

Features:

  • Interactive control – move between gate, reverse, decay, and bloom reverb shapes and everything in-between, in real time.
  • Visualizer – see your sound move through the reverb shape as you adjust its sonic envelope.
  • Simple control of spectral evolution; reverbs can get darker or brighter over time.
  • Deeply embedded modulation creates rich, constantly moving ambient effects.
  • Smoothly change the reverb texture from dense and lush to sparse and grainy.
  • Extreme range from super short 100-millisecond nonlinear effects to absurdly long 60-second meditations.

Soundtoys’ SpaceBlender is available now for free – a $99 value – through May 22 at this link.  SpaceBlender will be available for purchase from authorized resellers worldwide for $99 US beginning May 23.

Learn about Soundtoys’ system requirements and host compatibility here.

 

Bastl Instruments Launches Kastle 2 Wave Bard Ahead Of Superbooth 2025


Kastle 2 Wave Bard is a “semi-autonomous” patchable sample player for discovering new rhythms and riffs.

Ahead of Superbooth 2025, scheduled for May 8-10 at the FEZ-Berlin, Bastl Instruments has launched a new ‘experimental’ compact sample player and patchable groovebox , inspired by its popular Kastle Drum synth launched in 2020.

Bastl Instruments says this compact and portable sample player is designed to “empower you to discover new rhythms and riffs through modulation and modularity”. Onboard you’ll find a CV and Gate-based pattern generator with physical controls to modulate its output creating your own bespoke beats, triggered from the in-built LFO which can sync to your other gear or run wild, controlling the show.

Bastl describe the Wave Bard as being “semi-autonomous”; being a unit that given enough freedom will essentially compose for you, with in-built inspiration coming from the onboard sound bank lovingly put together by electronic artist Oliver Torr.

Take a closer look below:

But, of course, Wave Bard really comes into its own when you make it your own. Load the unit with your own samples, apply them to the pattern generator, tweak the sound with pitch and mod knobs and remix the patterns on the fly. A sample knob allows you to switch samples while the length control will adjust decay while turning left will allow you to adjust the attack, going all the way to reversing the sample should you go so far.

There are controls to manipulate the sequencer as it plays and the effected output is under your full command with controls for the stereo delay, chorus/flanger FX and built-in resonant filter with low- and high-pass modes. There’s even a mini patchbay on board so you can manipulate the playback by physically wiring its components together into whatever order you like.

Wave Bard has room for eight samples per bank and six factory-loaded banks, with up to 32 banks available in its computer-based editor software should you need more room to breathe. And, by virtue of being battery-powered (on three AAs) in addition to that ubiquitous USB-C port, you really can use it anywhere.

Getting samples inside is accomplished via a simple web-based app – where you can also inject new scales and rhythms to try out – and there’s a generous 89 seconds of mono sample time (that’s 44 in stereo) at a high-quality 44kHz rate. Of course, if you’re after more time or simply love that lower sample-rate sound, you can downgrade and have room to spare.

The Kastle 2 Wave Bard is available now for €190. Both Kastle 2 instruments – the Wave Bard along the FX Wizard – will be presented at Superbooth 2025 at booth #0385. Find out more on the Bastl Instruments website.