Developer Robin van Soelen let us know about gesture.live, a free, browser-based application that turns your webcam into an instrument.
gesture.live lets you play with hand gestures through your webcam. Use you left hand to play chords and the right hand to play melody, bass, drums or FX.
Check it out and let us know what you think of it in the comments!
Dusk Audio has released Tape Echo 2, a free three-head tape delay and spring reverb plugin that models the tape transport, record and playback chain, tape aging, regeneration, and mechanical behavior of a tape echo.
Tape Echo 2 is a free, unofficial copy of the Roland Space Echo that they say is modeled from the record head through the output amplifier. Its three playback heads share a single ‘motor’, with their positions determined by fixed mechanical ratios. Changing the Repeat Rate therefore changes the timing of all active heads together, with motor inertia producing a glide between speeds.
The plugin also models tape saturation, wow, flutter, hiss, level variation, tape splice dropouts and self-oscillation. A spring reverb uses three unequal modeled springs, and 12 modes provide different combinations of the three playback heads and reverb.
Features:
Three playback heads driven by a single modeled motor
Twelve echo modes covering individual heads, multiple-head combinations and spring reverb
Head 1 delay range of approximately 70 to 178 ms
Heads 2 and 3 use fixed mechanical ratios relative to Head 1
Combined multi-head modes produce rhythmic repeat patterns
Motor inertia produces gradual changes in repeat speed
Eleven host-tempo synchronization note divisions
Tempo synchronization respects the physical range of the modeled tape transport
Three Tape Age conditions: New, Used and Old
Tape Age simultaneously affects wow, scrape flutter, hiss and playback-level variation
Modeled tape saturation and record/playback chain
Regeneration control ranging from a single repeat through cascading repeats and self-oscillation
Self-oscillation is modeled through tape saturation, record-chain compression and tape-flux behavior
Spring reverb modeled with three unequal springs
Two allpass diffusers create a denser spring-reverb tail
Twelve echo/reverb routing modes
Record Input switch can mute the tape feed while leaving the spring reverb active
Independent Echo and Reverb volume controls
Independent Echo and Reverb panning
Bass and Treble controls for the echo return
Dry/wet Mix control
Record-path VU meter with analog-style ballistics
Peak indicator referenced to digital full scale
Automatic tape splice dropout as the modeled tape join passes the heads
13 factory presets
Resizable interface
Full parameter automation support
Supports sample rates from 44.1 kHz to 192 kHz
Linux support with VST3, LV2 and CLAP formats
Windows support with VST3 and CLAP formats
macOS support with VST3, AU, LV2 and CLAP formats
Requires a 64-bit DAW supporting a compatible plugin format
Open-source software released under the GPL-3.0-or-later license
Tape Echo 2 is available now as a free download. Dusk Audio states that all of its plugins are free and open source. Version 1.0.0 supports Linux, Windows and macOS in the plugin formats listed above.
Arturia Pigments Play is a free version of one of the best soft synths around.
Arturia has released Pigments Play, a free version of Pigments, its flagship multi-engine software synth.
Pigments Play follows the same approach the company took with Analog Lab Play, which arrived in 2023 as a free, stripped-down edition of Analog Lab, built around a simplified Play View and a curated set of 100 presets.
The instrument is based on the updated Play View that Arturia introduced with Pigments 7 last December, which features an audio-reactive visualiser and an interface designed for browsing presets and making quick adjustments rather than getting into the weeds with complex sound design.
Pigments Play’s 100 presets cover a variety of genres, including modern pop, R&B, garage, house, drum and bass, trap and ambient.
It features the same six synthesis engines as the full version, spanning virtual analogue, wavetable, sample-based, granular, harmonic and modal, and is equipped with the same 68 filter modes and 20 effect algorithms.
Each Pigments Play preset has four macros for immediate sound-shaping that are unique to each preset, and you can find simplified oscillator, filter and envelope controls at the bottom of the interface for both of its dual sound engines, which can both be swapped out to customize each preset. Alongside these, there’s a Utility engine that can be used to add a noise generator or sub-oscillator.
Pigments Play’s effects section has two slots, giving you access to all of the same effects you’ll get in the paid-for version, covering various flavours of delay, reverb, distortion, dynamics and modulation effects.
Sounds can be filtered by type and instrument in the browser, and the plugin is linked up to Arturia’s Sound Store, where you can find 200 additional sound banks organised by artist and genre, both free and paid-for. And if you own an Arturia controller or keyboard, it’ll be mapped to Pigments Play’s main controls automatically.
Pigments 7 was released last December, bringing three new filter modes (Rage, Ripple and Reverb), a new Corroder distortion effect, refined envelopes and a bundle of new content. It also redesigned Pigments’ Play View (the same one you’ll find in Pigments Play) introducing a visualiser that represents the sonic character of each preset, reacting graphically to both sound and parameter changes.
Features:
Number of presets 100
Audio-reactive play view ✓
Synthesis types 6
Filter modes 68 68
Effect algorithms 20
Parameter control limited
Arturia Pigments Play is available now as a free download for macOS and Windows in VST/AU/AAX formats or as a standalone app.