Free Iconic Audio Editor, Audacity 4 Enters ‘New Era’ With Biggest Modern Architecture Update


Audacity enters a “new era” with the biggest update in the free and open-source audio editor’s 26-year history.

Audacity launched in 2000, is one of the world’s most popular apps for audio editing and recording, having accrued hundreds of millions of downloads over its 26-year lifespan.

It’s not hard to see why: not only is it free, open-source and cross-platform, Audacity has become increasingly powerful in recent years, inching ever closer to becoming a fully-fledged DAW while preserving the simplicity and ease-of-use that it’s known for.

Today, Muse Group is launching Audacity 4, bringing with it a host of significant improvements in what its creators are describing as “the biggest update” in the software’s history. Audacity’s latest update overhauls the software’s editing workflow, polishes up its interface and introduces new ways for users to organize their work, all with the aim of making the app easier and more intuitive to use.

Open up Audacity 4, and you’ll be able to see the difference straight away: the software now opens on a dedicated home screen and has been outfitted with a refreshed user interface that has a more modern feel. (If you like the classic Audacity look, you can switch back over.)

The update isn’t just skin-deep though, and Muse Group says it has improved “nearly every aspect” of Audacity’s audio editing workflow in an effort to provide greater flexibility when working on complex projects. Clips can now overlap on the timeline and be combined in groups, and they’ve also been equipped with new handles for trimming and stretching. Audio editing is now non-destructive, so trimming clips no longer deletes the underlying audio.

A new Split tool has been introduced that allows you to slice up clips with ease and precision, and the Envelope tool has been improved. What’s more, each track in Audacity 4 now has its own level meter that can also monitor audio input when recording, and the main playback meter can be switched to a vertical orientation.

Audacity 4 also introduces Workspaces, which allow you to switch between multiple versions of its interface designed for different use cases. The interface is now more customizable, and you’re able to save customized iterations of the UI as Workspaces that suit your personal workflow.

The update has also refreshed the software’s catalogue of audio effects to make them more intuitive to use, and the application now supports a broader range of third-party VST3/AU/LV2 effects.

“Audacity has been helping creators record and edit audio for more than 25 years, and our goal with version 4 was to prepare it for the next 25”, Muse Group’s Chief Product Officer Julia Sazhina said in a press release.

“At Muse Group, we’re always looking ahead at how technology can help creativity. It was important for us to bring one of the world’s most iconic audio editors into the new era. We are not changing what creators love about Audacity, but giving it the modern architecture needed to support the intelligent tools and connected workflows of the future.”

What Audacity 4 offers:

  • Modern Editing Workflow: Edit faster with gain envelopes, trim and stretch handles, direct sample editing, and loop regions
  • Customizable Interface: Personalize workspaces, themes, accent colors, clip colors, and toolbar layouts
  • Built-In Audio Tools: Record, edit, restore, and mix music, podcasts, voice recordings, and audio for video
  • Cloud Integration: Save, manage, and publish projects directly through audio.com
  • Plugin Support: Use LV2, VST3, and Audio Unit plugins, including thousands of effects from MuseHub
  • Cross-Platform Compatibility: Available free for Windows, macOS, and Linux with native support for Audacity 3 project files

What’s new:

  • Audacity 4.0 introduces a redesigned interface and a new clip-editing workflow.
  • Select, move, trim, stretch and group multiple clips
  • Customize toolbars, themes and workspaces
  • Improved playback, recording, looping and device controls
  • Per-track meters and rebuilt effects
  • Support for VST3, Nyquist, LV2 and Audio Unit plugins
  • New .aup4 project format, with conversion from Audacity 3 projects
  • Some Audacity 3 features are not yet available, including Time Tracks, MIDI tracks, Mixer, macros, scripting, VAMP, LADSPA and play-at-speed.

Audacity 4 is now available for macOS, Windows and Linux. Head over to MuseHub for a download.

Free Virtual Band Room, Normal By Proxy, Lets You Jam Online With Your Friends


Developer Sanel Mittal let us know about Normal By Proxy, a free virtual band practice room, where you can jam online with your friends.

Normal By Proxy puts you in a virtual jam room – first person, with a bunch of synths and drum machines.

It’s free to play, without any sign-up.

“Just create a room and share the room number with your friends,” explains Mittal, “and start jamming on synced up machines while talking shit to each other through proximity chat.”

Normal By Proxy is available now, as a free, browser-based practice room.

Free Korg MS2000 Editor Librarian


In the video, sound designer and synthesist Ian Dixon introduces his free Korg MS2000 patch editor and librarian.

His Korg MS2000 Editor Librarian is a free, browser-based Web MIDI editor and librarian for the Korg MS2000. It’s designed to make it easier to manage patches, audition sounds, load SysEx banks and edit programs in real time.

Here’s what he has to say about the MS2000 Editor Librarian:

“The MS2000 is a brilliant virtual analogue synth, but managing lots of patches from the front panel can be slow.

This editor lets you enable Web MIDI, read the programs from the synth, save and reload larger patch libraries, load compatible MicroKorg SysEx banks, send sounds to the MS2000 without overwriting memory, tweak oscillator, filter, envelope, LFO, effects and motion sequencer settings, and try controlled randomisation for new happy-accident sounds.

Topics covered:

00:00 Korg MS2000 editor-librarian intro
00:31 Free browser-based Web MIDI tool
00:56 Enabling MIDI and choosing ports
01:08 Reading programs from the MS2000
01:34 Saving an MS2000 patch library
01:48 Loading compatible MicroKorg SysEx banks
02:22 Sending patches to the synth
03:00 Auditioning sounds without overwriting memory
03:27 Real-time editor overview
03:48 Oscillator wave selection and DWGS waves
04:56 Filter controls
05:14 Visual filter and amp envelopes
05:42 LFOs and virtual patch routing
06:11 Sending full edits, voice modes and effects
06:50 Motion sequencer controls
07:10 Randomizer and happy accidents
07:31 Naming, sending and writing patches
07:53 Making the MS2000 feel like a modern patch browser
08:05 More editor requests and outro

Dixon’s Korg MS2000 Editor Librarian is available now as a free, web-based application.

Image by John Athayd