“There’s a new free DAW in town”: openDAW Promises To Open The Door To Music Production For Beginners, Students & Professionals On A Budget


openDAW aims to provide a seamless and intuitive platform for both beginners and professionals to explore music production without financial or technical barriers.

openDAW is a new free browser-based DAW that developer André Michelle says is designed to make music creation “accessible to everyone, from beginners to professionals”.

Though still in development – an initial release is scheduled for launch later this year, but a prototype version is available now – openDAW looks like it could be on the way to becoming a capable music-making platform with a few interesting quirks that set it apart from free web-based tools such as Soundation and Bandlab.

openDAW’s main view will be recognizable to anyone that’s used a DAW before, but looks simple enough for beginners to navigate. Its central timeline, populated by audio and MIDI tracks, sits next to a browser that can be used to find devices and samples. Instruments and effects are loaded into a panel at the bottom of the screen, in a similar fashion to Ableton Live or Bitwig Studio.

Currently, only two devices are available – Vaporisateur is a basic subtractive soft synth and Tape is a device that essentially loads up an empty audio track – and three audio effects are currently on offer: Delay, Reverb and Revamp, a parametric EQ. openDAW also features a fully-fledged mixer with sends and auxiliary busses, along with a Note Editor that offers some interesting features such as probability-based sequencing and microtonal pitch adjustment.

So conventional, but what’s more interesting is openDAW’s Modular System, which Michelle says will allow the user to custom-build their own instruments and effects by combining various modules, much like Bitwig Studio’s The Grid. Even more intriguing is what Michelle is calling “discoverable toys”, which are intended to provide fun, unique and “non-classical” interfaces for creating sequences and modulations.

Prior to founding openDAW, Michelle was the brains behind Audiotool, another browser-based music creation platform. After leaving Audiotool in 2023 due to a “difference in vision”, Michelle chose to set up openDAW with the goal of “democratizing electronic music production”.

“For me, the idea to democratise electronic music production dates back to the mid-90s,” reads a statement on openDAW website. “At that time, I was in my mid-twenties and couldn’t afford proper hardware to run my own music studio. I was DJing, mostly earning just enough to pay for rent and food. I promised myself that if I ever got rich, I would build music studios in major cities for folks like me, full of passion and creativity, however struggling to keep a job.

“I still have an undying dream of a free music studio with a huge, supportive community that builds upon its own growing knowledge. For me, openDAW is the new beacon on the horizon. It is the continuation of my journey I started more than 25 years ago. I am fully committed to bringing it to students, musicians, and newcomers.”

Though it’s currently still in development, Michelle hopes to officially launch openDAW later this year before making the software open-source. Click here to play with the prototype or watch a video walkthrough from Polarity Music below.

openDAW is funded through community contributions and donations.

Although the software is free, there are many ways in which you can support the platform and play a role in the community. Every Friday at 18:00 (CEST), you can tune in to a weekly video call on Discord for details on the latest features and a chance to share your own ideas on how to improve the platform.

In addition, you can also support openDAW by subscribing to André Michelle’s Patreon.

Full Bucket Music Paralogy Is A Free Software Synth Based On Crumar Trilogy & Stratus Keyboards


Full Bucket Music has introduced Paralogy, a free software synth for Windows + Mac that’s inspired by the Crumar Trilogy and Stratus synths of the ’80s.

Features:

  • ‘Close’ simulation of the original hardware
  • Fully “polyphonic paraphonic madness”
  • Organ, Synthesizer and String sections
  • Additional Phaser and Delay effects
  • Resizable user interface
  • MIDI Learn – all parameters can be controlled by MIDI CC
  • Plug-in supports Windows and macOS (32 bit and 64 bit)

Paralogy Synthesizer Video Demo:

Paralogy is available now as a free download.

Free Universal Audio Luna Gets Major Update


Ahead of NAMM 2025 Universal Audio has announced Luna v1.8, with some big updates to a DAW that was already free. So how much more of a bargain do you want? There’s got to be a catch, right?

Luna is Universal Audio’s free DAW, although UA doesn’t really like us using the term ‘DAW’. That’s because Luna offers a near latency-free recording environment, very much based on hardware studios of old, with a slick vintage feel and one of the most seamless recording experiences yet.

Yes, it is pushing the UA ecosphere and plugins, but the base version is free, no longer requires you to partner with UA hardware, runs third-party plugins and records unlimited tracks. To our feeble brains, then, Luna has enough qualities to call it… a DAW. An attractive and slick one at that.

There is, of course, a more fully-endowed, paid-for version of Luna should you wish to part with some cash, but the v1.8 updates apply to the free version as well so all the new goodies are yours for nowt, and these include some worthy additions.

Yes, many of these you might already find in your (very likely) much older and mature DAW, but Luna is very much the new kid on the block – a mere five years old, compared to some DAWs which have been around for decades – so we can forgive these features not arriving until now.

First up there’s Bounce in Place, allowing you to render your tracks to audio at the touch of a button. A once essential practice in the old days of slow processor speeds, this enables you to free up CPU headroom by losing active plugins.

Track presets, meanwhile, enable you to save plugin chain setups and routing configurations for easy recall and time saving. An enhanced browser – very much ‘the thing’ of many recent DAW updates – is also present and correct, with Browser Tabs enabling you to home in on sounds and plugins.

Various bug fixes and workflow enhancements have also been included in the 1.8 update, so should you be heading over to the UA website for the freebie version?

Well, that free version gets you unlimited tracks (OK, limited by your processor grunt), full analogue summing, Tape Machines recording, plus channel strips, bus and parallel compression built into the Luna mixer. Needless to say, it’s very easy to buy UA plugins to fit into the Luna environment – which UA would obviously love you to do – but the free Luna option does deliver a very pleasing and slick recording environment.

The Pro version (above) adds a bundle of over a dozen classic UA plugins to effectively recreate a vintage studio in your DAW. Think Pultec, API, Ampex… you can almost smell the reel-to-reel tape. The Pro Luna bundle usually retails for $399, but as part of the 1.8 Luna launch, you can currently get it for just $99.

Which only leaves us to insert some puns featuring the words ‘sheer lunacy!’, which thankfully we’ve resisted. Head on over to the UA website for more (information that is, not lunacy).