Elektron Tonverk Officially Announced, And Out Now


We have known about the existence of Elektron’s Tonverk since leaked images of a prototype unit appeared online almost a year ago.

Today, Elektron officially introduced Tonverk, a new polyphonic multisampler and audio processor.

The Elektron Tonverk has eight audio tracks that can be used in a variety of ways. There are a further eight tracks for buses, sends, and mix. Each of the 16 tracks has its own sequencer.

Tonverk offers polyphonic stereo sampling, multisampled instruments, tracks within tracks, flexible routing, a kaleidoscope of effects and modulation, and the extended 256-step Elektron sequencer.

The Elektron Tonverk features three sound creation machines, plus another for MIDI.

  • Each audio track can work in one of three ways, making use of Elektron’s system of playback ‘machines’. The first of these is the Single Player machine, which lets users record and playback both mono and stereo samples polyphonically, with the ability to adjust sample length and playback behaviour, as well as set loop points and crossfading.
  • The second machine mode is labelled Multi Player, which allows Tonverk to create and load multi-sampled instruments that can be played back polyphonically. To make full use of this, Tonverk introduces an Auto Sampler function, which uses MIDI to automatically multi-sample hardware instruments.
  • The final audio track mode is called Subtracks. This allows each audio track to play host to eight individual monophonic sample players, each with its own sample parameters and sequencer track. This allows a single audio track to be used as a full drum kit or a means to layer monophonic ideas.


Audio tracks can also function as a MIDI track for controlling external gear.

Each of these tracks can make use of what Elektron describes as ‘a kaleidoscope of effects and huge modulation possibilities’. In practice, that equates to features including two assignable LFOs and two effect LFOs per audio track, an assignable envelope for each audio track, plus two LFOs for each bus/send track. There’s also a flexible mod matrix for routing pitch bend, mod wheel, breath control and aftertouch.

On the effect front, Tonverk has a total of 17 modules available across its various track types (options differ from track to track). Many of these are new for Tonverk, and feature enticing titles such as Infinite Flanger, Phase 98, Dirtshaper, Chrono Pitch and Supervoid Reverb.

In typical Elektron fashion, each of Tonverk’s tracks can be controlled using a deep and flexible step sequencing workflow. Tonverk’s sequencer can program up-to 256 steps per track and comes equipped with functionality including parameter lock automation, an arpeggiator, probability-based sequencing, per-track sequence lengths and micro-timing adjustments.

According to Elektron: “Whether you’re multi-sampling your favorite synth, crafting drum kits, routing things all over the place or sending sounds out and back in for further alchemy, Tonverk is made for expansive sound design and immediate play.”

With its ability to save fully-fledged multi-sampled instruments and multi-part drum kits, as well as its routing and sequencing tools, Tonverk looks like the closest thing Elektron has released to a true ‘DAW in a box’ system.

The obvious question is whether or not Tonverk is intended as a replacement for Elektron’s similarly-priced Octatrack. On paper, Tonverk looks a lot like an upgrade to the Octatrack’s eight-track design; keeping the stereo sampling but expanding it with new modes and internal routing options.

in addition, Tonverk lacks some popular Octatrack features such as its crossfader and, at first glance at least, appears to put less emphasis on live performance and more on studio functionality.

In terms of the Tonverk hardware itself, the rear panel features four balanced jack outputs, two balanced jack inputs, a stereo headphone output, and MIDI in, out and through ports. There’s also an SD card port providing expandable memory, along with two USB-C ports.

Tonverk can function as a class compliant USB audio device. There’s currently no word on compatibility with Elektron’s Overbridge software.

Tonverk will come loaded with a sound library containing single samples, multi-sampled instruments, drum kits and preset projects.

Here’s an overview of the Tonverk:

Features:

  • 8 voices per audio track
  • 4 × selectable machines per audio track:
    • Single Player
    • Multi Player
    • SubtracksMIDI (also selectable on the bus tracks)
  • 8 × stereo audio tracks
  • 4 × bus tracks
  • 3 × send effect tracks
  • 1 × mix track
  • 1 × digital base-width filter per track/subtrack
  • 2 × assignable LFOs per track
  • 1 × assignable modulation envelope per voice
  • 2 × assignable FX LFOs per audio track
  • 2 × assignable LFOs per effect bus, send effect, and mix
  • Modulation setup per track for pitch bend, mod wheel, breath control, aftertouch
  • Step Edit
  • Extensive routing options
  • Diverse sound library (single samples, drum sets, multi-sampled instruments, and pres
  • MIDI track features:
    • 16 note polyphony per step
    • 16 × assignable CC controls
    • 2 × assignable LFOs per track
  • Performance features:
    • 2 × Trig modes
    • Tracks
    • Velocity
    • Keyboard mode with 36 different scales
    • Song mode
    • Chord mode
  • Sequencer features:
    • Up to 256 steps per pattern and track
    • Arpeggiator per audio & MIDI track
    • Polyphonic sequencing
    • Individual pattern length per track
    • Individual time scale multiplier per track
    • Parameter locks
    • Trig conditions & trig chance
    • Retrig (audio & MIDI tracks only)
    • Micro timing
    • Sequencer lanes
  • Effects:
    • Comb +/- Filter
    • Filterbank
    • Low-pass Filter
    • Multimode Filter
    • Infinite Flanger
    • Panoramic Chorus
    • Phase 98
    • Warble
    • Chrono Pitch
    • Frequency Warper
    • Compressor
    • Degrader
    • Dirtshaper
    • Daisy Delay
    • Saturator Delay
    • Rumsklang Reverb
    • Supervoid Reverb
  • Hardware:
    • 128 × 64 pixel OLED screen
    • 4 × ¼” impedance balanced audio out jacks
    • 2 × ¼” balanced audio in jacks
    • 1 × ¼” stereo headphone jack
    • 48 kHz, 24-bit D/A and A/D converters
    • 2 × USB-C port
    • MIDI In/Out/Thru with DIN Sync out
    • SD Card slot
  • Physical specifications:
    • Sturdy steel casing
    • Dimensions: W 286 × D 176 × H 63 mm (11.3? × 6.9? × 2.5?) (including knobs and feet)
    • Weight: approximately 1.85 kg (4.08 lbs)
    • 100 × 100 mm VESA mounting holes. Use M4 screws with a max length of 7 mm
    • Miscellaneous
    • Class Compliant USB Audio
    • External Input mixer with routable outputs
    • 3 year Elektron warranty
  • Included in the box:
    • 64 GB SD card
    • Power Supply PSU-5
    • Elektron USB-C cable
    • Exclusive artwork

Tonverk is the first device of in Elektron’s latest platform and the say “certainly not the last”.

Check out the details and share your thoughts on the Tonverk in the comments!

The Elektron Tonverk is priced at $1,599 / €1,399/ £1,199.  It’s currently listed as ‘out of stock’ at the Elektron site, but retailers are starting to list it for pre-order.

 

 

Win A Vintage Minimoog Signed by Todd Rundgren


The Bob Moog Foundation has unveiled its fall fundraising raffle.

Now through September 29, the BMF is raffling a fully-restored vintage Minimoog Model D synthesizer, serial number 4605, originally manufactured in Moog Music’s Williamsville, NY factory in the early 1970s. This Minimoog was restored by current Moog Music engineer Tim Johnston.

The legendary sound of the iconic Minimoog spans decades of popular music, including the early synthesizer works of Todd Rundgren, who signed the Minimoog while also inscribing “Moog = Synthesizer” on the back of the synth. The Minimoog is valued at $6,500.

Since its first commercial use in 1970, the famed Minimoog has been a timeless interplay of engineering, artistry, and creativity. It offers a wonderfully accessible configuration of targeted modules similar to those used in famed Moog modular synthesizers, one of which, the Moog System 55, was employed with epic effect in the mid-1970s by Rundgren and keyboardist Roger Powell while recording and performing in the band Utopia, as well as in Rundgren’s solo efforts.

Todd Rundgren is a prized member of the musical community, having written and performed on seminal classic hit songs including Can We Still Be Friends, Hello It’s Me, and the iconic Bang the Drum All Day. His production credits include a mind-bending collection of notable artists and bands. Among them are The Tubes, Patti Smith, Grand Funk Railroad, Hall & Oates, Badfinger, The Psychedelic Furs, Sparks, Cheap Trick, and Meatloaf (Bat Out of Hell). The Minimoog that carries Todd’s signature represents his storied history that helped to shape an entire generation of music.

“The Moog modular synthesizer and the Minimoog helped define my sound,” noted Todd Rundgren. “I am thrilled to have signed this fully restored vintage Minimoog for the Bob Moog Foundation in support of their educational efforts, including Dr. Bob’s SoundSchool, which inspires thousands of elementary school students through sound every year.”

Raffle tickets are $25 each, 5 for $100, 12 for $200, and 35 for $500. Buy tickets here.

Funds raised from the raffle will be used to expand the Bob Moog Foundation’s hallmark educational project, Dr. Bob’s SoundSchool, which has inspired over 35,000 elementary school students through the science of sound. The raffle also helps support the Bob Moog Foundation Archives and the Moogseum, an immersive, experiential museum located in Asheville, NC, which brings the science of sound and synthesis alive for people of all ages through Bob Moog’s pioneering legacy. The Moogseum opened in May 2019 and has since welcomed over 45,000 visitors from all over the world. The museum is still recovering from the long-term financial impact of Hurricane Helene.

The raffle begins Monday, September 8th at 7:00 am EST and ends 11:59 pm EST Monday, September 29th, 2025. Raffle tickets are $25 each, 5 for $100, 12 for $200, and 35 for $500 and can be purchased at this link. The raffle is open internationally. More information is available on The Bob Moog Foundation website.

 

Terrain Synth Explores New Territory For Sound Design


At Knobcon 2025, held Sept 5-7 in the Chicagoland area, Conductive Labs previewed a new instrument, Terrain Synth, along with an interesting new approach to synthesis.

Conductive Lab CTO Steve Barile explained that Terrain Synth is new hardware synth that’s based on Terrain synthesis.

Here’s how Terrain synthesis works:

  • Terrains are essentially 3D maps of a landscape. You can think of Terrains like a topographic map that reflects the altitude of the land it maps.
  • As you move a point across the Terrain, you can sample the ‘altitude’ of the map. This series of samples creates a waveshape – similar to the way that exercise trackers can map over time the altitude of hikes or rides that you take.
  • The resulting waveshapes are a function of both the Terrain map and the path that you take across the Terrain.

The Terrain Synth lets you select from a library of Terrains and a library of paths, which results in a huge variety of waveshapes to start with. But it also lets you modulate the Terrain and path, and even to customize these options.

It gets much deeper than this, too. You can control the angle of your path, combine two terrains per voice, use multi-layer terrains and more. Other synthesis options include suboscillators; deep modulation options with LFOs, envelopes and more; several varieties of noise; a wide range of effects; layering; and more.

The Terrain Synth is also four-part multi-timbral, with 8 voices per part. This makes it a great partner for Conductive Labs’ NDLR, which is designed to let you sequence four different parts.

The Terrain Synth also has a dedicated mixer, so you control panning, volume and effects for each voice. It also lets you control how the four parts map to your keyboard, supporting splits, layering and more.

Conductive Labs have also designed the Terrain Synth to fit into modern electronic music studios, with support for DIN & USB MIDI, along with 6 CV/Gate patch points.

Here’s an overview with Conductive Labs CTO Steve Barile, via CatSynth TV:

Features:

  • Unique terrain oscillators
  • 32-note polyphony, with 8-voices per timbre
  • Four timbres that can be split or stacked
  • Two morphable terrains per voice
  • Up to 7x unison per voice
  • Two sub-oscillators (-1 & -2 octaves) per voice
  • White Pink, Blue & Brown Noise
  • Oscillator sync, phase distortion, mirroring and windowing
  • 17 math-based terrains with infinite resolution
  • Dozens of image-based terrains
  • User-loadable terrains
  • 18 morphable paths with infinite resolution
  • Dedicated mixer for timbre layers
  • LFO, Envelope and Expressive-matrix per parameter
  • On-board effects, including Delay, Ping-Pong Delay, Reverb, Shimmer Reverb, Chorus, Flanger, Phaser, Stereo Phaser, Overdrive and Decimator
  • Dedicated sequencer, arpeggiator and audition buttons
  • Hundreds of sortable presets
  • Onboard preset librarian
  • 36 quick access patch favorites
  • Multi-level patches, Init, Copy & Paste
  • Infinite encoders
  • 7″ IPS display
  • Selectable terrain view angles and color schemes
  • MIDI IO via 5-pin DIN, USB Host and USB Device ports
  • 6x CV/Gates
  • 3x expression pedal inputs
  • Left/Right balanced stereo and headphone (w/volume control)
  • Desktop/4U rack configurations

Terrain Synth Audio Demos:

Conductive Labs is planning to fund initial production of the Terrain Synth via a crowdfunding project. Barile said that they expect to open up orders within the next couple of weeks. You can sign up to be notified when this launches at the Conductive Labs site.

In the meantime, check out the details and overview, and share your thoughts on the Terrain Synth in the comments!