Behringer IGNITE Sequencer Open-Source Project Details MIDI, CV/Gate + Internal Sound Engine


Music Tribe has updated its Github site with a new repo for the Behringer IGNITE – a 64-channel multitrack sequencer.

IGNITE combines a touchscreen interface, step-entry controls, extensive MIDI connectivity, eight CV outputs, eight Gate outputs, and an internal General MIDI sound engine.

The release gives developers access to substantial parts of the system, including the application, audio engine, and communication protocol used to interact with the hardware. Its documentation notes that some third-party components were removed and must be replaced before the project can be built.

Features:

  • IGNITE is designed around 64 channels of multitrack sequencing, organized through songs, scenes, tracks, and patterns. Patterns can extend to 16 bars, while scenes can contain up to 200 bars.
  • Recording and performance functions include real-time recording, undo, fill, solo and skip controls, as well as gang and sculpt functions. Transposition and support for up to 10 user-defined scales provide additional options for arranging and editing sequences.
  • An internal General MIDI sound engine allows the system to generate sounds without relying entirely on external instruments.
  • MIDI connectivity includes five five-pin DIN MIDI input/output pairs, USB MIDI, and USB host MIDI support for up to five additional devices. The system also supports MIDI clock synchronization, MIDI Machine Control, and remote control.
  • For modular synthesizers and other CV-equipped instruments, IGNITE provides eight CV outputs and eight Gate outputs, with calibration options. Dedicated sync input and output connections provide additional synchronization possibilities.
  • Wireless connectivity is provided through Wi-Fi. The documented rear-panel connections also include USB-C, a line/headphone output, and a 12V DC power input.
  • The front panel features a touchscreen, 16 RGB step pads with individual encoders, eight assignable knobs, a jog wheel, row and bar encoders, and dedicated transport and sequencing controls. The 16 physical step pads serve as an interface for entering and manipulating sequences across the larger 64-channel architecture.
  • The public repository includes the main application, the AudIO audio engine library, the ComProtocol hardware communication layer, and a Buildroot tree for the device’s Linux image. Music Tribe’s own application, audio engine, and communication-protocol code are published under the GNU Affero General Public License, version 3 or later. The Linux build tree uses Buildroot components under their applicable licenses, and third-party components retain their respective licensing terms.
  • The release is intended to support community experimentation and development, but it is not yet a ready-to-install custom-firmware package. The repository notes that some third-party material could not be redistributed and that replacements are needed to build certain parts of the project.

The Behringer IGNITE source code is publicly available through Music Tribe Open Source on GitHub. The repository does not currently provide an official firmware release, and details on pricing and availability are still to be announced.

Behringer Teases EMS VCS3 Matrix Synthesizer Copy For 9th Year


Today, Behringer shared this teaser image for the VCX3 – an unofficial copy of the classic Electronic Music Studios EMS VCS3.

The photo shows one of their ‘mad jet propulsion scientists’ with a set of VCX3 synths.

The EMS VCS 3 (Voltage Controlled Studio version 3) is a portable analog synthesizer, introduced in 1969 by Electronic Music Studios (EMS). While rare, the iconic instrument played an important role in ’70s music from Brian Eno, Jean-Michel Jarre, Klaus Schulze, Pink Floyd and others.

Behringer originally announced plans to make a VCS3 copy in 2017. The company shared progress update, but have not announced when it will be released or pricing.

“This beast has taken far longer than expected,” the company notes, adding “We’re finally getting there!”

Features (subject to change):

  • Analog synthesizer with triple VCO design
  • Reproduction of original “VCS3” circuitry
  • Analog signal path with VCO, VCF and VCA
  • VCOs featuring multi-turn knobs for precise frequency control
  • Variable oscillator shapes with variable pulse widths
  • 24 dB low pass filter with resonance
  • 16 x 16 pin patch bay serves as signal routing matrix by inserting pins into holes
  • Ring modulator adds insane spice and edge to your sounds
  • Dedicated and fully analog triangle/square wave LFO
  • Noise generator dramatically expands waveform generation
  • Two-axis joystick serves as performance controller
  • 42 controls give you direct and real-time access to all important parameters
  • External audio inputs for processing external sound sources
  • MIDI implementation with MIDI channel and Voice Priority selection
  • 3-Year Warranty Program

Electronic Music Studios is still around, and bills itself as “The World’s Longest Established Synthesizer Manufacturer.” Original Synthi As & VCS3s are still in production, but they are priced at £5950, with a years-long waitlist – making them unobtanium for most electronic musicians.

New Sounds For Old Synths: 64 Berlin School Presets For Roland JD-XI


LFO Store has released Roland JD-XI – “Berlin Legacy”, a collection of Berlin School inspired patches, created by sound designers Nick Klimenko and OttO K. Schwarz.


They say that the “Berlin Legacy” soundbank offers a set of universal sounds that are suitable for writing ambient, cinematic music, classical electronics, and classic Berlin electronica “with the spirit of sir Klaus Schulze”.


Features:

  • Classic Leads
  • Modular Arps
  • Complex Berlin Sequences
  • Beautiful Polys
  • Evolving Pads
  • Massive Strings

Roland JD-XI – “Berlin Legacy” is available now for €20.