Behringer Unveils SDS-3, Simmons SDS-3 Drum Synth Knockoff


Today, Behringer has announced the release of SDS-3, a knockoff of the Simmons SDS-3 Drum Synthesizer from 1978 that the company promises is going to “blow your mind”.

Simmons developed the SDS-3 while working for the St. Albans-based company Musicaid, a four-voice analogue drum synth played via a custom set of four Premier pads that paved the way for his later innovations.

The Behringer SDS-3 can be used as a standard analog drum module, but also features Mic inputs that let you trigger the drum channels using drum mics. The module also supports basic MIDI control for sequencing.

Like its predecessor, the Behringer SDS-3 offers four identical mono voices of analogue drum synthesis alongside a fifth channel reserved for modulation. Each voice is equipped with a self-oscillating diode ladder filter and a noise generator that can be blended together, between them covering all the familiar percussive territory – kicks, snares, toms, cymbals and hi-hats – along with hybrid sounds and experimental tones.

Each voice is equipped with controls for adjusting pitch – a dual-purpose control that adjusts the pitch for the tone generator and acts as a low-pass filter for the noise generator – and introducing impact click, along with pitch bend and decay. These are joined by level sliders along the bottom and a microphone sensitivity control up top. Finally, on each channel you have both on/off switches and an amount knob for SDS-3’s LFO and Run Time effect.

Assigned to the pitch of each voice, the LFO offers both square and sine waves and can also do audio-rate modulation. When engaged, the Run Time effect also introduces pitch modulation, but this continues over time rather than retriggering with each hit – you get a rate control for this also.

Each voice can be triggered via audio on 3.5mm TS jacks, so you’re able to use real drums to play the SDS-3, just like the original. You can also sequence the synth via its 5-pin MIDI In port and USB-B connection, if you’re no Buddy Rich behind the kit. Each voice has a trigger output and its own audio output, and a 3.5mm master output on the mixer panel too is complemented by a 1/4″ output on the rear.

Features:

  • “Authentic reproduction” of Simmons SDS-3 circuitry from the ’70s
  • Percussion sound capabilities including Toms, Bass Drums, Cymbals, Bells, Gongs, Vibes, Thunder, Jumbo Jets, etc.
  • Special effects channel for sound modulation effects
  • 4 drum channels with separate controls for clock, decay, bend, pitch, noise and assignable decay kill
  • Sounds can be triggered via analog control input, MIDI and USB
  • 4 independent analog outputs for external processing and recording
  • 57 controls give you direct and real-time access to important parameters
  • Compatible with standard Eurorack cases
  • MIDI implementation with MIDI channel, Velocity and Voice Priority selection

The Behringer SDS-3 analog drum synthesizer is available to pre-order now and priced at $249 outside the US.

Find out more on Behringer website.

Geddy Lee Minimoog Price Drop $2500


The Official Geddy Lee Reverb Shop has slashed its price on the custom Geddy Lee MiniMoog Model D, dropping the price by $2,500 to $2,999.

The instrument features a unique satin red finish, inspired by Rush’s Grace Under Pressure tour setup.

It’s a big price drop for an instrument that was introduced in March.

Here’s what makes the Moog Music Geddy Lee Minimoog Model D unique:

  • Numbered Certificate of Authenticity, personally hand-signed by Geddy Lee
  • Satin red finish exclusive to this edition
  • Hot-rodded VCA circuit for extra sonic punch
  • Custom “Starman” badge on the front and matching sticker on the rear
  • Limited-edition 10″ red translucent vinyl featuring Rush’s “Xanadu” and “Jacob’s Ladder”
  • Exclusive Geddy Lee Minimoog Model D poster

Visit the Reverb site for details.

Free Instrument, Slower Fragment, Captures The “Evocative Warmth & Warped Textures” Of Half-speed Tape Recordings


If you are curious to explore tape’s creative potential but are not yet willing to fork out the cash for a paid-for product, German software developer e-instruments is hoping to give you a taste of its “evocative warmth and warped textures” free of charge.

e-instruments has just released Slower Fragment, a virtual instrument that’s designed to capture the unique sound of analogue tape when it’s been slowed down to half speed. By recording sounds to tape and reducing the playback speed, we can shift the pitch down an octave and introduce a colourful and expressive lo-fi tone.

Here’s the Official Walkthrough:

In developing Slower Fragment, e-instruments has recorded a number of sound sources through four different tape machines, ranging from the Studer A812 – a top-end master recorder that you’d find in a professional studio – to a Tascam Portastudio 424, Uher 4400 and even a Sony M650v handheld dictaphone.

Slower Fragment features a selection of six presets covering pianos, synths, strings and flutes, and three macro controls can be used to tweak delay, reverb, modulation and more, depending on the preset selected.

This new free instrument delivers instant inspiration straight out of the box. Slower Fragment is built on the acclaimed Slower instrument, Slower, a paid-for plugin features 230 presets built from 65 sound sources, along with expanded modulation and effects capabilities. Slower is priced at €149.

Head over to e-instruments website to download the free plugin and find out more.