Cherry Audio Introduces Mercury-8 Soft Synth Inspired By Roland Jupiter-8


Cherry Audio has introduced Mercury-8, a new virtual instrument for Mac and Windows that’s based on the sound of the classic Roland Jupiter-8.

They say that Mercury-8‘s synth engine has been modeled to “capture the sound and behavior that made the JP-8 so legendary”. Mercury-8 also goes expands on the original’s design by offering expanded polyphony, versatile modulation options, studio-quality effects, and expressive performance capabilities.

Described as a “faithful replication” of the original hardware, Mercury-8 nonetheless implements a handful of modernized features that augment its creative potential. “Mercury-8 is not just another recreation of the legendary classic synthesizer,” reads a press release from Cherry Audio. “It transforms one of the greatest analogue synths of all time into a fresh and inspiring tool for today’s musicians and producers.”

Mercury-8’s virtual analogue synth engine leverages “advanced circuit and behavioural modelling” to deliver its take on the Jupiter-8 sound, integrating analogue drift and aging controls to more effectively capture the vintage vibes we all know and love. Multi-voice modes allow for per-voice variations in pitch, filtering, panning and envelopes to introduce additional analogue-style character.

Expanding the polyphony of the original, Mercury-8’s dual-layer architecture allows for 16 polyphonic voices per sound layer, each of which can be split or stacked across the keyboard. Analogue-modelled high- and low-pass filters imitate the curves of the original synth and offer a choice of 12dB and 24dB slopes in true Jupiter fashion, and modulation capabilities have been bolstered by a four-slot modulation matrix with 25 sources and 43 destinations.

In addition, Cherry Audio has implemented a powerful effects engine made up of three independent effects chains that can each host up to five effects from a selection of 20, including new chorus, pan and pulse effects alongside flanger, compressor, reverb, delay, distortion, ring mod and EQ. And there’s a syncable and transposable arpeggiator onboard, along with a 16×4 polyphonic step sequencer per layer.

Mercury-8 ships with a selection of 600 “out of this world” presets, including recreations of the Jupiter-8’s original bank of 64 factory patches. If you’re lucky enough to own a MIDI-modded Jupiter-8 retrofitted by Encore Electronics, you’re even able to import and export patch data via SysEx between software and hardware.

Features:

  • The “ultimate JP-8 emulation”, based on circuit and behavior modeling techniques.
  • Dual-layer voicing architecture, with 16 polyphonic voices per layer. Keyboard split and stacked layer modes allow two simultaneously playable layers, with separate per-layer controls for all parameters, including synthesis, modulation, patterns, and effects
  • Two oscillators per voice for each layer deliver thick, vibrant tones with classic waveforms, sync, and accurate exponential FM cross-modulation
  • Triangle, ramp, sine sawtooth, noise, and square or variable pulse waveforms with pulse width modulation
  • High-pass and resonant low-pass filters for each layer faithfully recreate the legendary Jupiter curves, with 12 dB and 24 dB slope options
  • Two full ADSR envelopes per layer with velocity, independently assignable to filter, amp, and modulation for expressive control and dynamic sound shaping
  • Tempo-syncable LFO for each layer, with retrigger option
  • Analog Drift and Condition Controls to fine-tune the “age” of the synth from pristine new to unstable vintage, with adjustable VCO, VCF, VCA drift, and envelope slop
  • Solo, Unison, Poly-1 and Poly-2, Multi, and single-key Chord Memory assign modes
  • Multi-voice mode that adds adjustable “mini synth” trimmers to provide subtle or extreme voice variation in pitch, panning, filter, and envelopes to tones and patterns
  • Repurposed “digital display” interface with clickable access to extended features such as trigger and note priority, unison voices, multi-voice modes, condition, and drift
  • Over 600 original presets, along with the recreation of the 64 original JP-8 factory patches (with enhanced versions) and the eight factory setups, all accessible in a convenient preset browser. Also included are template presets that serve as ideal starting points for sound design in Mercury-8, and a MIDI controller mapping compatible with the Jupiter-X hardware synthesizer
  • Comprehensive modulation matrix with four slots and simple click-to-assign functionality: 25 sources and 43 destinations with optional “Via” controls, including Mercury-8’s integrated effects
  • Syncable and transposable arpeggiator for each layer with Arp, Leap, Order, and Random modes, and Swing, Chance, and Feel to add degrees of randomness to arpeggiated patterns
  • Syncable and transposable 16×4 polyphonic step sequencer for each layer with Start, Stop, Auto Start, and humanize options, with accurate DAW clock and step synchronization
  • Three independent customizable chains of effects, one for each layer plus a global layer, with an individual effects modulator for each layer
  • 20 studio-quality effects that can be arranged, saved, and recalled within their effects chains, which are compatible and can be shared with Cherry Audio’s Trident Mk III synthesizer:
    • BBD Flanger, Compressor, Digital Delay, Digital Reverb, Distortion & EQ, Dual Delay, Dual Ensemble, Dual Phaser, Envelope Filter, Flanger & Chorus, Galactic Reverb, Lo-Fi, Lushverb, Ring Modulator, Seven Band EQ, Spring Reverb, and Tape Echo. New in Mercury-8 are DCO Chorus, Panner, and Pulser.
  • Persistent mini UI Effects controls for on/off, solo, bipolar modulator amount slider, and dry/wet mix for each effect. Global FX on/off, level, and stereo expand
  • Utility panels to easily copy, paste, swap, and move layers, effects chains, and sequencer data between presets
  • Directly import original JP-8 patch bank SysEx data (Encore Electronics format) via drag-and-drop
  • Export Mercury-8 preset data to SysEx data (Encore Electronics format)
  • Standalone virtual instrument and plug-in versions included
  • User-adjustable oversampling control
  • Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global)
  • Cherry Audio’s popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
  • Complete documentation available directly online from the instrument or in downloadable PDF format

Mercury-8 Audio Demo:

Mercury-8 Comprehensive Walkthrough:

Mercury-8 is available now for $69. It is also available as part of the company’s Synth Stack 6 collection, which bundles 36 instruments worth a combined $1,687 together for only $599.

 

Sinevibes Cache Real-Time Multi-Effects Processor Lets You ‘Play’ Effects Via MIDI


Sinevibes has introduced Cache, a new multi-effects processor for Linux, Mac and Windows that lets you ‘play’ effects in real-time via MIDI.

Cache for Desktop builds on their Cache for KORG NTS-3 kaoss pad, expanding on the concept with 12 MIDI key zones and 12 different buffer-based effect algorithms, which you can combine in any way you please.

Cache constantly records all incoming audio, and processes it live through multiple buffer-based algorithms, including repeat, robotize, time stretch, stop, reverse, rewind, scratch and more.

The plugin lets you set up any custom combination of 12 effects and then trigger them via MIDI note events.

Here’s another example of Cache in action:

Cache is available now for $49.

 

Valhalla Supermassive Update Adds A New Algorithm, Sirius


Valhalla Supermassive 5.0 is capable of everything from clean delay to “nearly eternal space reverbs”, and it’s still completely free.

Valhalla DSP’s Supermassive is one of the modern freeware greats. Originally launched in 2020, Supermassive is an algorithmic delay capable of creating both standard echos and epic washes of reverb thanks to its ability to densely layer feedback loops.

Rather than being a ‘lite’ version of another Valhalla plugin, Supermassive is a characterful and fully-featured effect in its own right. At launch it was pitched as an unnatural, uncanny effect to sit alongside the more realistic offerings elsewhere in Valhalla’s lineup, although annual updates have added a variety of new algorithms that have expanded the sound significantly.

Now Valhalla DSP has dropped another free update, bringing Supermassive up to version 5.0 with the addition of a new algorithm named Sirius. This mode is said to have a fast attack, smooth decay, a broad range of echo density from low to very high, and a filtered feedback loop.

“The Sirius mode is a true workhorse,” Valhalla DSP said, announcing the release. “With a clear and clean decay, Sirius is great at creating any size of room, hall or cathedral reverb, and can range from tiny ambiences to nearly eternal space reverbs. Turn up the feedback and turn down the density to create lush modulated echoes, or strange bouncing ball delays.”

Supermassive 5.0 isn’t ValhallaDSP’s only recent release – the developer dropped its latest paid effect, FutureVerb, earlier this month. Futureverb is said to be based on eight years of research and development, a process which also gave rise to Supermassive’s latest algorithm.

“Sirius was originally created as part of our massive research and development project for Valhalla FutureVerb,” the developer explains. “We ended up using different algorithm approaches for FutureVerb, so we’ve decided to leave our R&D work in Sirius for your sonic explorations.”

Along with the new Sirius mode, version 5 of Supermassive also adds next/previous arrows for quickly jumping between its various modes.

Supermassive 5.0 is available to download for free from the ValhallaDSP website.