Archive for January, 2025

Stylophone CPM DF-8 Analog Dynamic Multi-Filter Coming To 2025 NAMM Show


Ahead of the 2025 NAMM Show, Stylophone has introduced the CPM DF-8 Analog Dynamic Multi-Filter, the second in their Compact Portable Modular line.

It joins the Stylophone DS-2 Analog Drone Synth, introduced last year, around this time.

The official intro video:

What they have to say about the Stylophone CPM DF-8:

Dubbed “Beauty and the Beast,” the DF-8 offers unparalleled flexibility. The 2045 filter delivers a silky 24 dB/octave Lowpass mode, while the GEN R-8 snarls and howls in all four modes—Lowpass, Bandpass, Highpass and Notch. Together, these filters unlock three additional combination types: Bandpass+, Band Reject+, and a wide Notch+ mode, providing an expansive palette of unique filter sounds.

Both filter channels have all eight filter types and are controlled by two full ADSR envelopes with multiple trigger modes to cater for every need. They can be triggered by a gate signal, by an audio signal threshold, by a manual trigger button and they can even auto-repeat in a loop mode acting as LFOs.

The DF-8 is so much more than a dual filter box—it’s a complete sound design tool. Equipped with two white noise sources, a Sample & Hold modulation source with adjustable slew, and a crunchy PT2399 delay with modulation, it serves as a sound source capable of everything from subtle atmospheres to all out sonic chaos.

Features:

  • Multiple power options, including AA batteries, external PSU, or Eurorack power bus
  • A built-in 2W speaker for instant listening without amplification, plus stereo outputs
  • Stylophone’s enclosure design with side ribs allow multiple CPM units to be locked together, for stability
  • 2 Analog multi-mode filter channels with high resonance self-oscillation
  • 8 Filter types per channel:
    • 4 types of GEN R-8 (12 dB/oct) filters with LP, BP, HP and NOTCH modes
    • 1 type of 2045 (24 dB/oct) filter with LP mode
    • 3 combination types (12/24 dB/oct) with BP+, BR+ and NOTCH+ modes
  • 2 ADSR envelopes with linear and exponential response
  • 4 Envelope trigger/gate modes:
    • Analog CV trigger/gate signal input
    • Audio signal input with adjustable trigger/gate threshold
    • Manual trigger/gate button
    • Auto-repeat AR envelope loop mode
  • 2 VCAs with envelope inverters
  • 2 White noise sources with volume controls
  • 3 Envelope depth attenuverters
  • 4 Bypass switches for filters and VCAs
  • 1 Sample & Hold modulation source with sync input and adjustable slew
  • 1 Vintage PT2399 tape-style delay with modulation
  • 14 Modular patch points for audio, envelopes, filters, VCAs and S&H
  • 3-Into-1 mixer with stereo or mono output
  • 2 Stereo outputs (line level/phones) with seperate volume controls
  • 1 Built-in 2 Watt speaker
  • 6 AA battery compartment
  • 1 Eurorack power bus connector
  • 42 HP Eurorack front panel format

Stylophone says that details on the release date and pricing for the CPM DF-8 Analog Dynamic Multi-Filter will be coming mid 2025. They have a waiting list at their site.

XILS-lab The Eighty vs Yamaha CS-80 Head-To-Head Comparison


The latest episode Jose’s Vintage Keys is a head-to-head comparison of the XILS-lab The Eighty software synth against the hardware synth that it’s based on, the Yamaha CS-80.

Can A Virtual Instrument Match The Yamaha CS-80?

He describes XILS-lab The Eighty as being ‘damn close’ to the original CS-80. View the video, and let us know what you think!

The Kurzweil K2061 & K2088 Synthesizers Coming To 2025 NAMM Show


At the 2025 NAMM Show, Kurzweil will be showcasing their K2061 & K2088 synthesizers, originally introduced last year.

Both synths feature an updated version of the company’s Dynamic Variable Architecture Synthesis Technology (V.A.S.T.).

Kurzweil K2061/ K2088 – Song Demos:

Features:

  • K2061 (61- note synth action) or K2088 (88-key fully-weighted hammer action) w/ aftertouch
  • New industrial design with an aluminum+steel enclosure
  • Resculpted K2000 synth library
  • Compatible with K2 era libraries
  • 32 layers per program
  • Customizable algorithms
  • Flash sample playback, VA, FM and KB3 engines
  • 2 GB of factory sounds
  • 2 GB user sample memory
  • Versatile FX chains and master FX section
  • 256 voice polyphony
  • 480×272 color screen
  • 16-zone MIDI controller
  • Over 30 physical controllers per zone including an integrated ribbon
  • 16 Arpeggiators
  • 16 MIDI CC sequencers
  • 16 RIFF generators

Details are available at the Kurzweil site:

  • K2061 (61- note synth action)
  • K2088 (88-key fully-weighted hammer action) w/ aftertouch