Forever 89 Teases ‘A New Way’ to Mold, Fold, Bend, Blend, Push, Pull, Make, Break, Shape & Explore – The First Musical Instrument Coming Soon


Two music technology veterans, Svante Stadler and Rikard Jönsson, have announced that they’re launching a new company, Forever 89, and are teasing their first product.

This is currently in beta and very much under wraps at the moment, but a teaser trailer points to it being related to drums and percussion, and we’re told that resynthesis is also “a big part of the core experience”. More broadly, we can expect “a new way to mold, fold, bend, blend, push, pull, make, break, shape and explore.”

Forever 89 arrives with impeccable pedigree. Svante Stadler has previously worked for Teenage Engineering, Reason Studios, Auxy, XLN Audio, Mellotron, and Pacemaker. Some of his product credits include the OP-1, Auxy’s iOS app, and the XO VST/AU.

Rikard Jönsson was, for a time, Ableton’s sole Product Marketing Manager, helping to ensure the success of multiple Ableton Live campaigns. He went on to join Ableton subsidiary Cycling ‘74 as a Product Manager for, its latest product, RNBO, and prior to all of that he spent time at Spotify when it was still a start-up.

Forever 89 is named in homage to the late ‘80s and early ‘90s era that Stadler and Jönsson say was characterised by “groundbreaking innovation”.

“It reflects the rapid transformation of the world during that time,” the duo say of their company moniker, “marked by milestones such as the emergence of the internet, breakthroughs in genetic engineering, the widespread availability of GPS systems, the historic fall of the Berlin Wall, and many other significant events, all taking place during the pivotal years around the transition from the ‘80s to the ‘90s.”

Drawing on the sprit of those times, Stadler and Jönsson say that they now want to support the next generation of musicians. “We want to be a source for both playful exploration and a reliable tool for musical results,” says Jönsson, with Stadler adding that “We both grew up in a time when technological advances made last year’s innovations look outdated. Our vision is to create opportunities for similar progress again.”

Stadler concludes by saying that “We looked at our own needs as musicians and based our first product on that. We want to be a guiding star for modern musical instruments and also believe it’s important to contribute with innovation in our sector.”

Suffice to say, we are very keen to find out more. You can sign up for newsletter updates on the Forever 89 website.

New Module brings Particle Physics to Eurorack


In Orbit Labs has launched a Kickstarter project to fund production of Particles, a touchscreen creative physics simulator in Eurorack format.

Each particle in the simulation can be given unique values for acceleration, velocity, gravity, mass and starting XY position, offering a flexible range of possibilities. Particles can travel through portals, be removed from the simulation by black holes and collide with the environment and each other to generate gates.

The particle’s XY position can be mapped to the CV outputs to create waveforms or quantized to create melodies. Collisions may also be switched off for any or all particles allowing them to travel freely around the display without colliding with other sim elements.

Simulations can be drawn from scratch with the touchscreen or setup in fine detail by manually inputting positional values in the UI. Surfaces can be animated to create structures that move the particles around the display in a controlled manner, funneling into choke points for dense collisions or directing the particles along a user-drawn path towards specific quantized voltages.

Internal timed resets or external reset inputs can be used to sync the module or to create repetition and rhythm. Alternatively, no resets can be used for free flowing, ongoing compositions that generate musical events based on collisions and current particle locations.

Particles is available to project backers for about $532. Delivery is targeted for July 2024.

 

Korg PS-3300 FS Synthesizer Hands-On Demo


At NAMM, Composer and synthesist Anthony Marinelli shared this hands-on demo of the Korg PS-3300 FS, a reissue of the classic vintage polyphonic synth from 1977.

Marinelli says that the PS-3300 featured in the video is currently the only one of it’s kind in the world, and was going back to Japan after the show.

Check out Marinelli’s preview and share your thoughts on the Korg PS-3300 FS in the comments!

Topics:

00:00 Playing the 1st Sound I made

00:30 Introduction by Korg’s Luke Edwards

01:13 Anthony’s overview breakdown of the 3 Basic Modules

02:09 Anthony’s overview breakdown of the Modulator Section

03:02 Anthony’s overview breakdown of the Utility & Output/Mixer Section

05:01 Anthony’s overview breakdown of the MIDI/USB and Librarian Section

05:34 Anthony’s overview breakdown of Patching and Normals

06:00 Anthony Plays & shows how to Patch Your Own Sounds

08:08 Let’s Hear the “Amazing” 3 Band Resonators

09:20 Exploring the Envelope Generator & Long Release Times

10:25 Creating a Multi-Timbral Sound from “Scratch”

12:01 Anthony breaks-down Luke’s Favorite Preset Patches

14:42 Anthony Shows how to trouble-shoot when you can’t hear the sound (trouble-shooting)

15:58 Anthony Breaks-down how to make a “Monster Pad” Sound

17:43 Luke shows us 2 more presets

18:03 Anthony’s Summary – Why the PS 3300 FS is so powerful!

19:07 Anthony Explains How You Can Program the PS-3300 & some extra functions

21:30 Discovering the Damper Pedal Feature

22:03 Discovering the Librarian & MIDI

22:24 Closing Remarks