Superbooth 2021: Bastl Instruments Buddy 4-Channel Eurorack Mixer

 

Ahead of Superbooth 2021, Bastl Instruments has introduced Buddy, a four-channel Eurorack stereo mixer that is optimized for hybrid setups.

 

  • Channels A and B are optimized for Eurorack sources (either mono or stereo) with a slight boost (×2 / +6dB).
  • Channels C and D are line-level pre-amps that can boost the signal up to ×10 / +20dB and feature stereo TRS jack inputs for directly connecting desktop units without further adaptors.

 

All channels feature a clean boost via the high-quality, low-noise NE5532 op-amp (same as on the Dude), which delivers smooth overdrive – that can be used to overdrive clean stereo signals.

 

In addition, multiple Buddy mixers can be chained via jumper cables on the back to expand the number of channels, without losing panel inputs.

 

Setup examples:

 

  • Use your eurorack as an effects processor – Buddy can boost your desktop gear to correct levels and be used as an aux send mixer.
  • Use Buddy as a stereo mixdown module for all your stereo/mono voices.
  • Use external stereo sound processors with Eurorack voices. Buddy will boost their levels back to modular levels.
  • Use the Buddy stereo mixdown attenuator to lower the level for line-level devices.

 

Buddy is available now for €119.83.

 

 

Superbooth 2021: Arturia intros SQ80 V, “Ensoniq’s Classic ‘80s Cross-Wave Synth Reborn”

Superbooth 2021: Arturia has introduced SQ80 V, a new virtual instrument for Mac & Windows that is based on the Ensoniq SQ-80 from 1988.

 

The original Ensoniq SQ-80 is a hybrid synth, which offered more waveforms and a better keyboard, and now Arturia has revived this in the form of the SQ80 V plugin.

 

With SQ80 V, Arturia has recreated the sound of the original using hardware modeling. But they’ve also expanded on the original’s design with a variety new features, including:

 

  • The arpeggiator – including arp direction, sync, octave range, and hold.
  • Unison – SQ80 V offers up to 16-voice polyphony – twice that of the original hardware instrument – plus ann 8-voice unison option for creating massive sounds.
  • Dispersion – subtle variations and inconsistencies in the behavior of its emulated circuitry that mean no two notes will ever be exactly the same,.
  • Envelopes expanded – Arturia included 2 additional envelope modes: DADSR and MSEG. The former adds a delay stage to the traditional ADSR for staggered strikes and interesting rhythmic patterns. The latter is a fully-customizable looping function generator.
  • The Mod Mixer – Combine any 2 modulation sources, from envelopes to keyboard controls, to distort, mangle, and refract your patches in interesting and unexpected ways. With 6 different modes of modulation mixing, the combination possibilities are enormous.
  • MPE compatibility – SQ80 V supports MPE-compatible controllers for advanced expression.

Features:

 

  • 3 digital oscillators based on the original DOC chip
  • Over 400 waveforms across 4 unique banks
  • Amplitude Modulation and Hard Sync
  • 4 analog DCAs; 1 for each oscillator, 1 master output
  • Analog resonant low-pass filter based on the original CEM chip
  • 4 polyphonic envelope generators with 3 modes; SQ80, DADSR, MSEG
  • 3 LFOs with 6 waveforms
  • 8 MIDI sources
  • Modulation mixer for combining 2 modulation sources
  • Built-in 7-mode arpeggiator
  • Up to 16-voice polyphony with Unison mode
  • 4 FX slots across 2 busses, configurable in series or parallel]
  • 15 master effect types
  • Advanced Brightness, Timbre, Time and Movement macro controls
  • 200+ factory presets, including 40 from the original SQ-80 instrument
  • MPE compatibility

 

The official video overview:

 

Billed as a digital/analogue Frankenstein synth that’s bursting with grainy character, the SQ-80V emulates all the features of the original – including the three digital oscillators and analogue filter and amp – and brings the instrument up to date with modern enhancements.

 

These new features include hundreds more waveforms, an arpeggiator, MIDI modulation, 15 built-in effects with two busses, and MPE compatibility.

 

The SQ-80’s crunchy sound has been recreated by emulating its 8-bit DOC chip, while the facility to combine wavetables, instrument-style transients and hidden waveforms means there’s plenty of sound design potential.

 

This is designed to be a “quick-fire” synth, too; although the SQ-80’s architecture was pretty complex, thanks to the new streamlined workflow, the theory is that you’ll be able to get hands-on and make the sounds your own pretty easily.

 

Speaking of which, those sounds include resonant bells, vocal-like formants, crushed basses and delicate strings. In fact, Arturia claims that the SQ80 V’s sound is unique, being “unlike anything you’ve ever heard”.

 

To mark the release of the synth, the company has also put together two soundbanks. Dust Factory focuses on smooth, saturated patches, while Raw Machinery is grittier, with a distorted edge. The SQ80 V also ships with 100 presets as standard – 40 from the original synth, and 60 created by Arturia.

 

The SQ80 V is available now for PC and Mac in VST/AU/AAX formats, and is currently priced at $99, a 50% discount (this offer runs until 5 October and includes the two soundbanks).

 

Find out more on the Arturia website.

 

 

Superbooth 2021: SoundForce Announces New Eurorack Modules

 

At Superbooth 2021, SoundForce is announcing 2 new Eurorack Modules: a 2021 version of the DCO, with added built-in MIDI interface and new Juno-themed colors (shipping October 2021) and the uVCF 6, a compact Juno low-pass only version of my VCF/VCA 6 (shipping November 2021).

 

The SoundForce DCO, above, is an oscillator for Eurorack based on the architecture of the Juno-60/106 oscillator section. They describe it as “a modern homage to that sound using technology from the future.”

 

It provides true analog waveforms with digital stability. The new updated 2021 version includes a mini-jack (either type A or type B) MIDI interface for even better tuning and allows you to avoid lossy digital -> analog -> digital conversions. The tuning has been improved further with little more stability at both extremities of the VOCT range. The audio path is the same as the original DCO and you can expect the same pleasing sound quality.

 

 

Whereas, the uVCF 6 is an upcoming Eurorack module from SoundForce, a Eurorack interpretation of the Juno 60/106 VCF section. It is the little brother of the VCF/VCA 6, without the VCA and HPF in a compact(er) 6HP format.

 

If you are visiting SuperBooth, you can stop by the Soundforce booth and see the new modules.