Meet Nopia MK1


Back in 2023, Argentinian developers Martin Grieco and Rocío Gal shared a video showcasing a pastel-coloured prototype instrument named Nopia. That video went astronomically and unexpectedly viral, racking up almost 3m views in just over a week.

Two years on, and the team behind Nopia has unveiled Nopia MK1, a production-ready version of this MIDI harmony generator and synthesizer that’s currently in an “exhaustive” testing stage after development was completed in mid-2025.

No release date or price has yet been announced, but you can see and hear Nopia MK1 in the vibey, ASMR-esque teaser video embedded below – it’s even more aesthetically pleasing than its prototype.

A semi-modular chord generator and synthesizer, Nopia is described by its creators as an instrument designed to “tap into the mysterious phenomena of how our ears intuitively experience the language of harmony”.

To that end, its one-octave keyboard (the “chord builder”) can be used in conjunction with a set of 12 keyboard-style buttons (the “tonal selector”) to play chords and create sequences that follow the principles of tonal harmony. The chord builder generates chords from the key signature determined by the tonal selector, based on the note or scale degree that’s played. A dial above the keyboard can be used to change chord types and add extensions.

Nopia’s chord builder then feeds this information to several distinct modules (Bass, Keys, Arp and Pad) that draw on the instrument’s internal sound engine, a synth capable of both sample-based and virtual analogue sound generation. Along with the keyboard, Nopia MK1 has been equipped with a capacitive touch sensors for strumming chords and introducing chromatic and microtonal pitch-bend.

Nopia now has an OLED display to show you what chords you’re playing and display parameter values, and the makers have added a dedicated TRS MIDI output for each of its modules, something that could make Nopia a powerful way to spread chords and progressions across multiple instruments in your set-up via a single intuitive interface.

Nopia is pitched as both a performance-ready instrument and a compositional tool, offering an accessible route towards harnessing the creative potential of tonal harmony for those unfamiliar with its complexities. “You don’t need to know theory; Nopia takes care of that,” reads a statement on Nopia’s website.

“We encourage you to compose, improvise, and have more tools to weave harmony, and train your perception! Of course, if you’re familiar with functional harmony, we think you’ll get a lot out of it.”

Check out the original demo video from 2023 below:

To stay updated on Nopia’s progress, join the waitlist on the official website.

 

Tonverk OS 1.2.0 Adds New Effects + More


Elektron has released Tonverk OS 1.2.0, a free firmware update that adds new effects, more options with the existing effects, a random mode for the arpeggiator, bug fixes and other improvements.

New in Tonverk OS 1.2.0:

“New effect: Steel Box Reverb

A third reverb comes to Tonverk, and it’s a whole other flavor. Steel Box Reverb draws on early digital and ’90s plate reverbs, with deliberately wide parameter ranges that let you push sounds from tight metallic rooms to sprawling, resonant spaces. It can clang, bloom, or decay endlessly, making it equally suited to metal can tails or big, characterful ambience.

New effect: Filter Folder

Filter Folder combines wavefolding with filtering and distortion to reshape sound at a more fundamental level. By folding the waveform before it passes through a multimode filter and drive stage, it adds harmonics, grit, and movement that go far beyond traditional filtering. From subtle edge and density to aggressive, overtone-rich transformations, Filter Folder excels at turning simple signals into something far more complex.

More FX availability

If those two additions weren’t enough (for now) we’ve also extended Tonverk’s FX powers in other ways too. Daisy Delay can now be used on all tracks – and Frequency Warper can now be wielded on all audio tracks, bus tracks and mix. Use these two awesome options wherever your echoing, warped heart desires.

Random Arp

Random Arp introduces controlled unpredictability to arpeggiated patterns, reshuffling note order on the fly to generate evolving melodies and unexpected variations.

And more

There’s a few other stocking fillers too. Pattern mute, improved gain reduction and new sidechain sources for the compressor, shorter samples available to use on Grainer, and improved tempo stability when simultaneously receiving clock and large amounts of MIDI data from an external source, such as Octatrack. Plus various other fixes and improvements.

Visit the Elektron site for details or to download.

 

Arturia Pigments 7 A Free Upgrade, Adds New Effects + More


Arturia has introduced Pigments 7. Pigments 7 adds experimental filters, a noisy effect, punchier envelopes and a stylish new look for the Play View

Its last major update, Pigments 6, landed in January of this year, adding features including a physical modelling engine and a vocoder. Now, a little less than eleven months later, Arturia has unveiled Pigments 7, a major update to their flagship software synthesizer.

Pigments 7 they say delivers “punchier sound, sharper control, and deeper playability”. It features the audio-reactive Play View, new filters, Corroder FX, streamlined modulation, and 250 fresh presets, samples and wavetables.

For one thing, Pigments 7 adds several new sound design tools to the synth’s already-comprehensive suite of features. The most notable of these are a trio of new filter modes, named Rage, Ripple and Reverb filters.

The first of these, the Rage filter, includes a feedback loop in order to create distortion effects, with a variety of saturation styles on offer. Coupled with the ability to boost the resonance, Arturia suggests that this can create gritty acid tones by modulating or sequencing the cutoff.

The Ripple filter, is a phase-based modulation filter that Arturia says can “achieve frequency based phase offset, creating laser transient sounds to ringing high ends, great for modern sound design.”

Completing the trio is the Reverb filter, a particularly interesting module that combines elements of filtering and spatial effects. Arturia describes this as capable of “timbre-thickening space and weight designed for modern bass design”.

It’s also capable of creating swept non-tonal FX by modulating the cutoff and, at higher resonance levels, can create metallic-sounding tones.

Alongside these new filter modules is a new Corroder effect. This is a new distortion tool that combines elements of noise and frequency modulation that can be targeted at a specific frequency band using the onboard filter.

Pigments 7 also introduces an overhauled design for the Play View. This is the simplified UI window that offers users top-level control over presets without the complications of the full synth engine.

Here, it’s reworked to offer an audio-reactive representation of the sound on offer, designed to provide quick visual cues for the character of each preset. According to Arturia, this new Play View is aimed at allowing users to “quickly grasp tone, timbre and intention behind each preset, helping you browse presets and find your sound.”

There are under-the-hood improvements throughout Pigments as well. According to Arturia, this version now offers “updated default amplitude behaviour with smoother, S-shaped envelopes that reduce clicks and deliver cleaner, harder-hitting transients.” It’s said to be lighter on the CPU too, optimised for creating layered, complex and effects-rich sounds.

Along with these updates, Pigments comes with fresh content including 150 new presets, 50 wavetables, 30 samples and 20 noises. There are also new in-app sound design tutorials that will teach users the fundamental theory behind its synth sounds.

What’s new in Pigments 7:

  • Redesigned Play View: A new audio-reactive interface that helps users preview and understand a sound’s character, with responsive type-specific animations and quick-edit controls.
  • New Creative Filters:
    • Rage: Feedback-fueled distortion for powerful, driven textures.
    • Ripple: Phase-based motion for fluid movement and character.
  • Reverb: Timbre-thickening space and weight designed for modern bass design.
  • New FX module: A modulation-driven Corroder effect that adds controlled grit, from FM-tinged edges to filtered grain and wide distortion, while preserving the identity of the dry signal.
  • Enhanced punch & presence: Updated default amplitude behavior with smoother, S-shaped envelopes that reduce clicks and deliver cleaner, harder-hitting transients.
  • Modulation & CPU improvements: Visual modulation range displays for easier editing, plus optimized processing for more headroom in complex, layered, FX-heavy patches.
  • New creative content & tutorials: 150 presets, 50 wavetables, 30 samples, and 20 noises, alongside new in-app, use-case sound design tutorials.

As with previous updates, Pigments 7 is available for free for existing users, who can update now via Arturia’s Software Center app.

For new users, Arturia Pigments 7 is available now with an intro price of $99 (normally $199) until 6 January 2026.