New Loop Library features 75 takes on the famous ‘Amen Break’

The classic loop reimagined with multiple tonal variations – A drummer has recorded 75 new versions of the Amen Break for you to use in your music.

The Beat Shed has introduced The Amen Break Re-recorded, a new loop library that offers 75 new takes on the famous ‘Amen Break’.

Don’t mess with classics, they say, and drummer Merlin Mathews – co-founder of drum and percussion loop/sample library The Beat Shed – is happy to agree that you can’t improve on the “perfect” Amen break, which is regularly cited as the most sampled drum loop in history. But what if you could hear it differently, with subtle tonal variations?

This idea inspired Mathews and his business partner Kimberley Rew to create The Amen Break Re-recorded, a new sample library that features 75 new versions of the classic loop. This was created using three kick drums, five snares and five ride cymbals, each of which went through a recording setup designed to achieve the “maximum possible sonic contrast”. The break was then performed using every possible combination of these sounds.

The sample pack contains 77 drum loops, all of which clock in at 136bpm, and there are also 11 additional percussion loops. It’s available in multiple different formats – WAV, REX2, Apple Loops, Stylus RMX and full multitrack – and prices range from £22.50 to £29.50. You can find out more about the gear used and the recording process on The Beat Shed website.

The producers note that, because the Amen break is such a ‘busy’ groove, you may hear audible artefacts if you decrease the tempo by more than 10bpm when using one of the ‘sliced’ formats, which may be something to be aware of.

If you haven’t heard of the Amen Break, the original Amen Break is a six-second, four-bar drum solo performed by Gregory C. Coleman in the Winstons’ 1969 song Amen Brother, a B-side to the single Colour Him Father. It’s been sampled in thousands of songs, and is one of the foundation of several electronic music genres , such as drum & bass, and jungle.

If you do not want to use a sample, another option would be to re-record the break yourself. The Amen Break Re-recorded is available now, priced starting from £22.50.

OVUM, New synth designed for Exploratory Sound Synthesis

Crows Electromusic, a new synth company from Vancouver, Canada, has introduced OVUM, a standalone all-analog tool for exploratory sound synthesis.

OVUM gives direct control of five independent triangle-core oscillators, with individual controls for each function. The developers say that OVUM’s un-quantized interface is perfect for exploring pure tones, drones, and microtonal sound textures. OVUM is available now for $129.

What they say about it:

“During development of OVUM we’ve had the pleasure of handing the instrument to people who’ve never touched a synth in their life – and then watch their eyes light up as they discover how easy it is to make strange and beautiful sounds when they’re unconstrained by conventional time signatures and musical scales. We think people of all ages, musical abilities, and experience levels are going to love this instrument.”

OVUM Sounds Demo:

Features:

  • 100% analog circuitry
  • Five voices
  • Triangle and square wave triangle-core oscillators
  • One-control-per-function interface
  • Unique control system
  • Fully standalone, just add headphones
  • Wood and aluminium enclosure
  • USB powered

 

 

Audio Damage releases Replicant 3 Multi-effects Plugin


Audio Damage Replicant 3 multi-effects plugin is a sound-mangling glitch powerhouse.

The very first edition of Audio Damage’s Replicant released in 2007.

Replicant included: this glitch-happy effects processor is now on its third iteration, and updates with a slick new GUI and a ton of new features, making it something of a one-stop shop for stuttered, IDM-esque glitchiness that’s actually capable of so much more.

Following a ground-up redesign, Replicant’s interface has been vastly improved, and everything’s laid out in an orderly fashion, making it relatively easy to use. The plugin enables you to loop, slice, reverse and rearrange audio in real-time. Alongside the original STUTTER slice effect, it’s been outfitted with DELAY, REDUKT (bitcrusher) and RINGMOD (ring modulator) effects.

The plugin’s REPLICATOR sequencer now has an arbitrary number of steps (from 3 to 16 per measure) meaning complex rhythmical effects can be applied. The Event FX panel has been bolstered with a new envelope feature that allows for cross-fading audio slices. There’s also an onboard filter, controls for pitch and panning, and several dials for parameter randomization that can create unpredictable, probability-based patterns.

There’s more than a few presets included in the revamped preset manager, so you will be able to get start getting glitchy with very little preamble. The new version of Replicant will play nice with MIDI, and it’s even available as an iOS app, meaning touchscreen-based performances are only a download away.

Watch a sound demo from YouTuber 2 small figures below:

Replicant 3 is available in AU, VST3, AAX and CLAP formats. Replicant 3 cost new customers $69 but is only $20.00 for owners of the previous versions. The iOS app will only cost you $2.99 and is available from the App Store.

Find out more on Audio Damage website