Author Archive

E-mu Modular System Back After 45 Years


Mos-Lab has announced the availability of their E-mu Modular replica – described as “a faithful interpretation of the legendary E-mu modular system.”

The original E-mu modular – designed by Dave Rossum and Scott Wedge – was introduced in 1973, and was in production until 1981.

Two preconfigured systems are available:

Main System (top photo):

  • VCO x3
  • Universal Active Filter
  • VCA x2
  • Dual Envelope Generator
  • Lowpass VCF
  • Resonant filter x2
  • Filter Controller
  • CV LFO x2
  • Ring Modulator
  • Digital Noise
  • Sample & Hold
  • Mixer
  • Multiple
  • KOV _ MIDI to CV / GATE


Top System (above):

  • T/S/P VCO x3
  • Universal Active Filter
  • VCA
  • RING MODULATOR
  • CV LFO
  • Digital Noise
  • Sample & Hold
  • Dual Envelope Generator
  • KOV _ MIDI to CV / GATE

In addition to the systems, individual modules area available.

“Every detail has been carefully considered to respect the spirit, sonic character, and technical rigor of the original E-mu Systems designs,” they note. “We are delighted to finally share this completed project.”

The Mos-Lab E-mu Modular replica is available now, with modules priced starting at 130,00 €, and the Top System priced at 3620,00 € and the Main System at 6340,00 €. Custom systems are also available.

Look Mum No Computer – Eins, Zwei, Drei


Synth DIYer and Youtube influencer Look Mum No Computer (Sam Battle) is representing the UK in this year’s Eurovision Song Contest. Battle has released his entry to the competition with his song Eins, Zwei, Drei.

The Eurovision Song Contest is an annual international song competition held since 1956, organized by the European Broadcasting Union (EBU).

Eins, Zwei, Drei (German for “One, Two, Three”) is described as “a song about escaping the soul-crushing boredom of the nine to five, into a world of dreams and endless possibilities.”

Participating countries—primarily in Europe, but also including others like Israel and Australia—choose a musician or band to represent the country, and submit a song to be performed live. They compete to be the finalist in two semifinals, and then a Grand Final:

  • First semifinal: Tuesday, May 7, at 3 p.m. ET.
  • Second semifinal: Thursday, May 9, at 3 p.m. ET.
  • Grand Final: Saturday, May 11, at 3 p.m. ET.

In the U.S., the shows are available to watch on Peacock.

 

Apple Music Launches Transparency Tags For AI-generated Music


Apple Music is introducing a new initiative that it hopes will provide greater transparency regarding AI-generated music.

The platform has launched what it is calling Transparency Tags — a system of disclosure labels that record labels and music distributors can begin applying to content delivered to Apple Music immediately, and will be required to use when delivering new content in future.

The tags cover four main elements: artwork, track, composition, and music video.

The artwork tag, applied at the album level, flags when AI has been used to generate a material portion of static or motion graphic artwork.

The track tag is used when AI generates a material portion of a sound recording, and the composition tag covers any AI-generated lyrics. As you’d expect, the music video one covers any visual content. Labels and distributors can use multiple labels on the same track.

In a newsletter announcing the changes, Apple said that “similar to genres, credits, and other metadata,” it will defer to the actual providers to determine what qualifies as AI-generated content.

“Proper tagging of content is the first step in giving the music industry the data and tools needed to develop thoughtful policies around AI,” they state, “and we believe labels and distributors must take an active role in reporting when the content they deliver is created using AI.”

You might well say, what’s to stop nefarious individuals from just, er, not bothering to put any tags on? This rather looks like self-policing. Not a system that’s worked very well, whether that’s regulating financial markets or the water industry.

Apple said that they hoped the tagging requirements provide: “a concrete first step toward the transparency necessary for the industry to establish best practices and policies that work for everyone.”

The scale of the problem of AI slop seems to grow with every passing month. Deezer revealed in January that it was receiving 60,000 new fully-generated AI tracks, a day. That’s compared with just 10,000 in January 2025.

At the end of last year, the platform reported that 85% of those were fraudulent. “We know that the majority of AI-music is uploaded to Deezer with the purpose of committing fraud, and we continue to take action,” said Alexis Lanternier, CEO of Deezer.

The Paris-based platform has been building its own AI detection software over the past year and claims to have detected and tagged 13.4 million AI tracks in total. Deezer has also started to license its detection technology to other platforms, including the French collecting society SACEM.

By contrast, Apple’s approach suggests a company that is still in denial about the scale of AI fraud worldwide.

Apple’s transparency tag system does not include any visible enforcement mechanism or cross-verification process, and the technical specification, which you can see here, and below, describes the tags as optional for now, noting that if omitted, none is assumed.