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Prompted Playlist In Beta Coming To More Markets


Having previously put in the hands of users from the US and Canada, Spotify is now rolling out its Prompted Playlist feature in Australia, Sweden, Ireland and the UK.

This enables you to create custom playlists from text prompts, and could be viewed as Spotify’s attempt to address concerns that, increasingly, its algorithm is dictating what people listen to. Instead, says the company, “it’s a new way to put meaningful control of the algorithm directly in your hands, with your ideas, your logic, and your creativity.”

Prompted Playlists are based not only on “real-time information about the world of music” (trends and charts, for example), but also – gulp – your entire listening, which may lead you to discover that your tastes aren’t quite as ‘credible’ as you thought they were.

Trying to find your ‘most-played’ songs at certain times in history might also highlight another problem: if you often have Spotify’s ‘functional playlists’ on in the background (for studying and sleeping, for example), you’ll quickly realise that some of the tracks on these are the ones you’ve listened to more than any other, despite the fact that you don’t even know what they’re called.

In this case, you might have to think a little bit harder about the kind of prompts you’ve giving, as just asking for lists of favourites probably won’t give you the results you were hoping for.

As you’d expect, you can use the new feature to create broad ‘mood’ playlists, but you can also be more granular in your approach. You could, for example, use a Prompted Playlist as the starting point for a DJ set – both BPM and key information is accessible, making it possible (in theory, at least) to find collections of songs that will work well together.

“We hear from listeners all the time that they love playlists, but making their own can feel daunting,” says Sulinna Ong, Global Head of Editorial at Spotify. “Our editors spend a lot of time thoughtfully curating playlists, and that level of intention can be hard to replicate when you’re starting from scratch. Prompted Playlist offers a more intuitive entry point, letting users begin with moods, moments, or ideas in their own words, and build something that feels personal.”

Currently in beta, the Prompted Playlist feature can be accessed via the Create option in Spotify.

How it works:

  1. Open Spotify and tap Create, then select Prompted Playlist.
  2. Describe what you want to hear, whether it’s a specific vibe, scenario, or cultural moment.
  3. Spotify will generate a playlist from your idea. From there, you can also set it to refresh daily or weekly.

Find out more in Spotify blog post.

First Roland Jupiter-8 Clone (Sneak Preview)


Acme Synthworks shared this sneak preview of what they’re calling “the world’s first fully 8-voice Roland JP8 clone.”

While they say the prototype design is 95% finished, they say that they “don’t have the resources to turn this into a product right now.”

If this develops into a product, it sounds like the intent is to make it as a boutique, full-size clone, vs a mass-produced, budget copy.

Features:

  • Eight discrete voices.
  • Original voice architecture.
  • 14 Bit Interface Board.
  • The circuit follows the original Jupiter-8 design.
    All functions of the original instrument are supported.
  • The envelopes are implemented in analog form using different ICs, while preserving the original behavior.
  • The filter section uses IR3109 and BA662.

Details are still to come at the Acme Synthworks site.

 

Abbey Road x Charles Jeffrey Loverboy Release First Free Virtual Instrument, The Big Nessie


Abbey Road has partnered with British fashion house Charles Jeffrey Loverboy to release a free Kontakt instrument, The Big Nessie.

The instrument was created to coincide with the launch of Loverboy’s Spring/Summer 2026 collection, Prepared Piano, which is inspired by composer John Cage’s experimental techniques of the same name.

The Big Nessie draws on a library of sounds that includes field recordings from the Loverboy workshop in London’s Somerset House, and recordings made in Abbey Road’s Studio Two by Charles Jeffrey, his musical director Tom Furse, and the Abbey Road team.

According to a press release, the instrument features an assortment of “beautifully strange and raw sounds”, spanning “warped percussive textures, tonal fragments and experimental rhythms”. These are divided across the keyboard into five groups – Loops, Drums, Bass, Melodic and Sound effects – and can be shaped and manipulated via eight effects, spanning reverb, bitcrusher, filter, tremolo, distortion and more.

While Abbey Road has previously collaborated on products with companies such as Spitfire Audio and Waves, The Big Nessie is the studio’s first virtual instrument to be built entirely in-house.

According to a press release, The Big Nessie has been inspired by Abbey Road’s “Curve Bender” philosophy, named after the EMI TG12345 Curve Bender EQ, which “allows the studio to capture sounds, process them via their range of unique vintage equipment and acoustic spaces, and present these as playable digital software instruments for creators of all levels to experiment and play”.

“There are many beautiful examples of how music and fashion have seamlessly fused together over the years, but this feels like the first time these creative worlds have come together to present a music production creative tool,” said Abbey Road’s Head of Audio Products Mirek Stiles.

“Working with Charles Jeffrey was a truly inspiring experience that took both Loverboy and Abbey Road out of their comfort zones to make a fun and quirky sampled instrument for the creative community across the globe.”

Watch The Walkthrough Video:

The Big Nessie is a free download, but you’ll need Native Instruments Kontakt or the free Kontakt Player to run it.

The Big Nessie Audio Examples:

Download The Big Nessie at Abbey Road website.