Archive for October, 2024

Tom Cruise Gets A Royal Albert Hall Organ Lesson From Anna Lapwood After A Surprise Appearance At Top Gun: Maverick in Concert


Tom Cruise stuns fans with surprise appearance at Top Gun: Maverick Orchestra Concert

Tom Cruise has driven and piloted some serious machinery in his time – a stock car in Days of Thunder; an F-14 fighter jet in Top Gun – but he met his match recently when faced with the mighty Grand Organ at London’s Royal Albert Hall.

Cruise was in the big round house for a special showing of his 2022 blockbuster Top Gun: Maverick, during which the Royal Philharmonic Concert Orchestra provided a live accompaniment. The performance was conducted by Lorne Balfe, a producer and composer on the original soundtrack.

At the end of the show, Cruise was filmed at the organ in the company of organist Anna Lapwood, who previously made headlines at the Royal Albert Hall when she guested during a Bonobo gig in 2022.

In a clip captured by conductor Ben Palmer she can be seen explaining to Cruise how the organ works. “This is why I think it’s like flying a plane,” says Lapwood as she shows the star the numerous controls, with the awestruck star replying that, “that’s incredible… that is nuts.”

He might not be much of an organist – at one point he describes his playing as “appalling” – but Cruise does know a thing or two about the nuts and bolts of soundtracking a movie, and prior to the Top Gun: Maverick performance he made a surprise speech to the audience. What’s more, he took the opportunity to get a little bit technical, educating the crowd on some movie history and the importance of the leitmotif.

“Live music has been available for silent film accompaniment since moving pictures were first presented in vaudeville theatres over 120 years ago,” he explained. “But it wasn’t until 1914, around then, where a full symphony orchestra, precisely synchronised with the picture, played a live score that was conceived on the operatic composition of leitmotifs.”

Diving a little deeper, Cruise added that “Leitmotifs are, for those who don’t know, recurrent themes throughout a musical or literary composition associated with a particular person, idea, or situation. And the use of leitmotifs redefined cinematic storytelling, and large symphony orchestras became a necessity at fancy movie palaces.”

The score for Top Gun: Maverick, of course, has a few leitmotifs of its own, none more recognisable than the iconic melody from Top Gun Anthem. And who should pop up to guest on this during the Royal Albert Hall showing than Anna Lapwood, who added some “turbo organ charge.” Eat your heart out, Steve Stevens – she is good, Rooster, she’s very good.

 

Analogue Solutions TC5000 Monster Synth First Look


In this Sonic State video from Synthfest UK, host Nick Batt talks with Analogue Solutions founder Tom Carpenter about their latest creation, the TC5000.

The Analogue Solutions TC5000 is an analog modular synthesizer, with a full-width pin matrix for patching, above and below a center row of synth modules. The TC5000 modules are original designs, based on Analogue Solutions’ own circuits. Some modules are adapted from the company’s existing synths, and some are new designs, specific to the TC5000.

While the individual module designs are new, the look and build of the TC5000 takes inspiration from the ARP 2500.

The Analogue Solutions TC5000 is available now to pre-order, priced at 22,000 GBP (exc. tax and shipping), with shipping expected towards the end of 2024.

 

Vangelis – Rachel’s Song, From Blade Runner (Synth Cover)


Synthesist Benjamin Dehli shared this faithful arrangement of Rachel’s Song, from the Vangelis soundtrack for Blade Runner.

Dehli uses Therevox ET-4.3 for the main lead.


What they shared about the technical details:

 

Instruments:

Korg MS-20: Filter and noise for vocal

Korg Polysix: Synth pad

Logan / Hohner String Melody II: Strings

Mellotron M4000D: Choir and chimes

Moog Minitaur: Bass

Rhodes Mark I Stage Piano: Electric piano

Roland D-50: Chimes

Roland SH-09: Quarter note beeps and noise

Sequential Circuits Pro-One: Brass and lead synth

Suzuki Omnichord OM-84 System Two: Harp

Therevox ET-4.3: Vocal

Yamaha DX7: Chimes

 

Amplifiers:

Fender Twin Reverb: Rhodes

Tandberg Model 2 T: Therevox

 

Microphones:

Shure SM57

Royer R-121

 

Effects:

Hairball Audio FET/RACK Revision D

Roland PA-120 (preamp, EQ and spring reverb)

Roland Dimension D SDD-320

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

 

Tape recorder:

Fostex X-28H