Cinematic Tape System 9 Debuting At Superbooth 2025


Ahead of Superbooth 2025, scheduled for May 8-10 at the FEZ-Berlin, Error Instruments has announced the Cinematic Tape System 9 – a powerful tape-based system designed for ambient, soundscape, and experimental music.

They describe it as “wild, lo-fi, and cinematic—perfect for pushing boundaries and exploring new sonic territory.”

Features:

  • Four independent tape players – each with individual speed control
  • A central mixer for blending textures
  • Lots of CV inputs for deep modulation and performance
  • Built-in effects to shape and mangle your sound
  • It’s “wild, lo-fi, and cinematic—perfect for pushing boundaries and exploring new sonic territory.”

They’ve shared a preview of the Cinematic Tape System 9 in action on Facebook.

Details are still to come at the Error Instruments site.

 

Melbourne Instruments & Bitwig Announce Integration For Roto-Control


Melbourne Instruments and Bitwig are pleased to announce that Roto-Control’s deep integration with Bitwig Studio is now available as a public beta.

This is the second and most advanced DAW integration for Roto-Control, allowing Bitwig Studio users to take full advantage of this innovative controller’s features. Melbourne Instruments brings its revolutionary touch-sensitive motorized knob technology, high-res LCD displays screens, and adaptive haptic control to Bitwig Studio projects.

Roto-Control, launched in January 2025, follows Melbourne Instrument’s motorized synths NINA and DELIA. Powerful, compact, and portable, Roto-Control features three main modes of operation: MIX, PLUGIN and MIDI with Motion Recorder. Bitwig Studio users can streamline their creative workflow and quickly develop ideas with responsive physical control through Roto-Control’s MIX and PLUGIN Modes.

In MIX Mode, the colors and track names in your Bitwig Studio project will instantly appear on Roto-Control’s displays, and those names and colors will update automatically when connected to an active Bitwig session. That means there’s no need to save or edit labels in the device.
In PLUGIN Mode, plugin parameters and labels are taken directly from Bitwig Studio with one touch, one time. That means Roto-Control only needs to learn plugin parameters once — and you can select parameters to map directly from a third-party plugin’s GUI. Since all learned parameters are stored locally on Roto-Control, it will remember the mappings the next time you open Bitwig Studio — even if you’re in a different project file. And all remote controls in Bitwig Studio get mapped to Roto-Control automatically, including step parameters.

The Bitwig Studio integration for Roto-Control is a public beta, please visit this link for more info and to download the beta firmware.

Bitwig Studio’s integration for Roto-Control is a public beta. Please visit the Melbourne Instruments website for more information and to download the beta firmware. You need Bitwig Studio 5.3 or higher to make use of the Roto-Control integration.

The Bitwig Studio / Melbourne Instruments Roto-Control integration will be on display at Superbooth in Berlin next week at the Melbourne Instruments (H220) or Bitwig booths (Z105).

 

AJH Synth Matrix VCF, ‘The Most Versatile Eurorack Filter Ever’

 

 

 

AJH Synth has introduced the Matrix VCF, a new Eurorack module that features sixteen different filter types and two different resonance options on each, for a total of 32 assorted resonant filters.

They say that the Matrix VCF may be the most versatile VCF ever, offering an unparalleled degree of sonic flexibility in a single 14 HP analog Eurorack module.

Each filter and filter type selection can be controlled manually through CV control, and an LED matrix provides visual feedback on current filter selection. The module also includes an integrated VCA, with dedicated input and output controls, a peak level LED and CV control of resonance.

“After two years of development we have finally released what we consider to be the most versatile Eurorack VCF & VCA ever,” said Allan Hall, founder of AJH Synth. “As with our many other modules, we used the very best vintage analogue circuitry as the starting point for the design. Then we chose to emulate the filter from the rare and highly desirable Oberheim Matrix 12 synthesizer, while vastly expanding both the sonic pallet and feature set.”

The core circuitry of the Matrix VCF is based on the rare Oberheim Matrix 12 synthesizer. The Oberheim Matrix 12 VCF originally offered a total of 15 filter types, but the AJH Matrix VCF expands this to 16, with the addition of AP4: a full four pole all pass phaser mode.

A switch on the front panel imparts a highly resonant distortion circuitry, by the filter from the Soviet Polivoks synthesizer — which has been updated and improved with vintage analogue components. Best of all, this Polivoks-inspired distortion character can be applied to all filter types on the Matrix VCF, completely altering the sonic character for a ‘Jekyll and Hyde’ effect. The resulting waveforms are harmonically rich and wide-ranging in scope.

Finally, since a VCA is hard-wired to the output stage, users can simply patch in envelope or an LFO to the VCA input and connect a VCO to the audio input for a complete synth voice (with a choice from 32 different filters) using only three modules.

The official user guide:


The Matrix VCF includes the following filter modes, each of which can be altered via the P-Vox switch for a total of 32 different filtering options.

  • Four Pole Band Pass
  • Three Pole High Pass combined with One Pole Low Pass
  • Three Pole All Pass combined with One Pole Low Pass
  • Two Pole Notch combined with One Pole Low Pass
  • Two Pole Low Pass
  • Four Pole All Pass (Phaser)
  • Four Pole Low Pass
  • Two Pole Band Pass
  • Two Pole High Pass combined with One Pole Low Pass
  • Three Pole High Pass
  • Three Pole All Pass
  • Two Pole Notch
  • One Pole Low Pass
  • Two Pole High Pass
  • Three Pole Low Pass
  • One Pole High Pass


The AJH Synth Matrix VCF is available now for £310.