muSonics Previews Four Voice 5U Modular Synth At Knobcon 2025


At Knobcon 2025, held Sept 5-7 in the Chicagoland area, muSonics previewed their latest creation, the Four Voice polyphonic synthesizer in MU format.

The muSonics Four Voice is a fully-modular system, with internal normalization. It builds on the company’s previously introduced Vanilla Synth, a MU format synth, inspired by classic Tom Oberheim designs.

The Four Voice essentially combines four Vanilla Synth voices in a single case, with a few additional models to handle polyphonic control.

The muSonics Four Voice features four of the company’s Vanilla Synth voices, plus some new modules, like the Polyphonic Envelopes module, that let you play the system as a polysynth

Like the Oberheim Four Voice that it takes inspiration from, the muSonics Four Voice is built from four completely independent synth voices.

This means that each voice has its own dedicated set of controls, and that creating a polyphonic patch requires adjusting the setting on each of the voices. This is more work than tweaking a computer-controlled poly design, but the result is that each voice has slight variations, creating a very rich and interesting sound.

It also means that you can configure the voices with distinct sounds and use the system as four multi-timbral voices and in other combinations.

Unlike the Oberheim Four Voice, the muSonics Four Voice is fully modular, and made up of individual MU modules. This means that you can treat it as four individual modular synthesizers, expanding the sonic possibilities immensely.

And you can treat the system as a large modular system, using modules from multiple voices to create complex patches to expand your sound design options.

The muSonic Four Voice is a dotcom-style Moog format design, meaning it offers the traditional look and usability of ‘man-size’ modules, but with modern power and CV/Gate standards and connectivity.

Large controls let you precisely dial in sounds. Clear layout makes it easy to understand the signal flow. And knobs are sized hierarchically, with the largest knobs reserved for parameters that you’re more likely to want to adjust in performance.

It’s clear that muSonic’s Suit and Tie Guy has put a tremendous amount of thought into the design. All this would be meaningless, though, if it sound great – which it does.

A video overview, via CatSynth TV, with muSonic’s Matt Baxley:

The system that muSonics introduced at Knobcon is a prototype and the format may change. Suit said that he’s considering reducing the width of the case and making the system a little taller, so that all controls are in easy reach of one hand.

Details on pricing and availability are still to come at the muSonics site.

New Documentary On Synths + Synthesists, Wavelengths


Wavelengths is a new mini-documentary about synthesizers and the people that love them, by Ian Gilbert.

While other synth documentaries have focused more on the instruments or the history of electronic music, Gilbert’s film looks at the people that are into synths and how they are expanding the synth community.

The modular synth community is largely white and male, and there can be a high barrier to entry because modular synths are relatively expensive instruments, with a high learning curve. The documentary look at how some synthesists are pushing against these boundaries and creating their own spaces to connect with audiences and other electronic musicians.

DIY synth maker Juanito Moore (Modular for the Masses) talks about making modular gear as inexpensively as possible, using tuna cans and junk parts. Jonas Quirin talks about creating a synth scene in Grand Rapids, Michigan, where synths haven’t traditionally been a part of the music scene.

Steff Rosalez talks about expanding the community with women and GLBTQ musicians. Jesse Kaczmarczyk talks about getting into the world of synths through his relationship with Rosalez and their band, How To Live Together, and how the band and their songwriting deepened their relationship.

“Electronic music is important and synth music is cool,” notes Quirin, “People should be able to experience that.”

Punchline, New iOS Drum Machine ‘Inspired By Pocket Operator PO-12’


Developer Charles Vestal has introduced Punchline: an iOS drum machine and fx audio unit.

Vestal says that Punchline is inspired by the Teenage Engineering Pocket Operator PO-12, but with some “extra bits”.

“It’s both a fun time for a train ride,” he notes,” but also a unique way to get some interesting loops out of your iPhone or iPad.”

Features:

  • 16-Step Sequencer – 4×4 step grid with pattern chaining, retrigs, and live recording modes for complex beat programming. Select a step for razor-sharp parameter-locks or set per-sound pattern lengths for unique polyrhythms.
  • 16 Drum Sounds –  drum samples including bass drum, snare, hi-hats, toms, and percussion with pitch, filter, and level controls. Import your own WAV files and create custom sample kits. Save and share kits as .punchlinekit bundles. Browse sample kits.
  • Real-time Automation – Record knob movements and effects automation in real-time.
  • 16 Punch-in Effects – Curated effects including reverb, delay, distortion, filters, and modulation for creative sound design.
  • Pattern Chaining – Create complex song structures by chaining multiple patterns together for extended compositions.
  • AudioUnit Integration – Use in your favorite DAW as an AUv3 plugin for adding beats, or as a sequenced gate insert effect with the same punch-in FX.
  • AudioUnit Integration – Use Punchline in your DAW with full-featured AudioUnit v3 plugins for seamless workflow integration.

It runs as an AUv3 plugin, too, so you can use the same UI there, but it also runs as an audio effect. Using the same sequencer, you can create a sequenced gate (or leave it open), and use the same punch-in fx and parameter sequencing for global gate length, and a Moog-style resonant filter.

Punchline is available now for $8.99