Soundtoys Releases SpaceBlender ‘Experimental Reverb’ And It’s Free Through May 22


Pro audio effects creator Soundtoys today announced the release of SpaceBlender, an experimental reverb that they say lets you create unreal and imaginary spaces, with shapes, textures, and tones that would be impossible in the real world.

Described as an “imaginary space machine”, SpaceBlender is an experimental reverb that brings together a unique and innovative approach, inspired by the tape looping techniques used by pioneering ambient musicians, with a nod to vintage digital reverbs such as the Lexicon 224, Ursa Major Space Station and Eventide DSP4000.

Whether enhancing a track’s sense of space or creating dynamic, evolving effects, SpaceBlender is a fun and intuitive tool for sound designers, musicians, and producers looking for creative yet easy-to-use spatial processing.

Unlike many reverb plugins, SpaceBlender isn’t based on feedback delay networks or convolution, but a newly-developed algorithm inspired by swarm synthesis. As such, Soundtoys says the plugin is far more than “just another reverb”: it’s a sound design tool that lets you “create imaginary spaces and effects that don’t exist in the real world”.

Despite its unconventional approach, SpaceBlender has a simple and intuitive interface, centred around an interactive visualiser. Displaying incoming signals in purple and reverb in blue, the visualizer lets you shape the reverb’s envelope by dragging a cursor across the display: the X axis controls the envelope shape, while the Y axis adjusts the amount of envelope shaping applied.

The dial below the visualizer adjusts reverb time, which can stretch from 100ms to an entire minute and sync to your DAW’s tempo. Here you’ll also find a Warp button, which modulates the pitch and speed of the reverb and introduces classic tape echo-style smoothing when the Time control is tweaked.


The Color knob controls how the tonal balance of the reverb changes over time; turning it clockwise makes the sound grow brighter as the signal passes through the reverb, and vice versa. The Texture dial adjusts reverb density, much like a diffusion control, and the Mod control adjusts the depth of SpaceBlender’s lush, chorus-like modulation effect (the shape and rate are set at fixed values).

You’ll also find a Freeze button that captures and loops the current sound – ripe for ambient experimentation – and a Mix knob that does what you’d expect it to. SpaceBlender arrives with a healthy selection of presets, and the interface is resizable, something many Soundtoys fans have been requesting for a while.

SpaceBlender is unique, inventive and – despite being relatively light on controls – hugely versatile: it can do expansive ambient spaces, snappy gated reverbs and fun reverse effects, while also handling more conventional applications. It also sounds phenomenal – check out the preset demo video below:

Features:

  • Interactive control – move between gate, reverse, decay, and bloom reverb shapes and everything in-between, in real time.
  • Visualizer – see your sound move through the reverb shape as you adjust its sonic envelope.
  • Simple control of spectral evolution; reverbs can get darker or brighter over time.
  • Deeply embedded modulation creates rich, constantly moving ambient effects.
  • Smoothly change the reverb texture from dense and lush to sparse and grainy.
  • Extreme range from super short 100-millisecond nonlinear effects to absurdly long 60-second meditations.

Soundtoys’ SpaceBlender is available now for free – a $99 value – through May 22 at this link.  SpaceBlender will be available for purchase from authorized resellers worldwide for $99 US beginning May 23.

Learn about Soundtoys’ system requirements and host compatibility here.

 

Bastl Instruments Launches Kastle 2 Wave Bard Ahead Of Superbooth 2025


Kastle 2 Wave Bard is a “semi-autonomous” patchable sample player for discovering new rhythms and riffs.

Ahead of Superbooth 2025, scheduled for May 8-10 at the FEZ-Berlin, Bastl Instruments has launched a new ‘experimental’ compact sample player and patchable groovebox , inspired by its popular Kastle Drum synth launched in 2020.

Bastl Instruments says this compact and portable sample player is designed to “empower you to discover new rhythms and riffs through modulation and modularity”. Onboard you’ll find a CV and Gate-based pattern generator with physical controls to modulate its output creating your own bespoke beats, triggered from the in-built LFO which can sync to your other gear or run wild, controlling the show.

Bastl describe the Wave Bard as being “semi-autonomous”; being a unit that given enough freedom will essentially compose for you, with in-built inspiration coming from the onboard sound bank lovingly put together by electronic artist Oliver Torr.

Take a closer look below:

But, of course, Wave Bard really comes into its own when you make it your own. Load the unit with your own samples, apply them to the pattern generator, tweak the sound with pitch and mod knobs and remix the patterns on the fly. A sample knob allows you to switch samples while the length control will adjust decay while turning left will allow you to adjust the attack, going all the way to reversing the sample should you go so far.

There are controls to manipulate the sequencer as it plays and the effected output is under your full command with controls for the stereo delay, chorus/flanger FX and built-in resonant filter with low- and high-pass modes. There’s even a mini patchbay on board so you can manipulate the playback by physically wiring its components together into whatever order you like.

Wave Bard has room for eight samples per bank and six factory-loaded banks, with up to 32 banks available in its computer-based editor software should you need more room to breathe. And, by virtue of being battery-powered (on three AAs) in addition to that ubiquitous USB-C port, you really can use it anywhere.

Getting samples inside is accomplished via a simple web-based app – where you can also inject new scales and rhythms to try out – and there’s a generous 89 seconds of mono sample time (that’s 44 in stereo) at a high-quality 44kHz rate. Of course, if you’re after more time or simply love that lower sample-rate sound, you can downgrade and have room to spare.

The Kastle 2 Wave Bard is available now for €190. Both Kastle 2 instruments – the Wave Bard along the FX Wizard – will be presented at Superbooth 2025 at booth #0385. Find out more on the Bastl Instruments website.

 

Datamind Audio Releases Concatenator, AI-powered Audio Mosaic Tool


Datamind Audio released Concatenator, an AI-powered audio mosaicing tool that turns any sound into a playable instrument.

Distinctly different from sampling, Concatenator can use any microphone, instrument or audio file as real-time input to create complex and idiosyncratic sounds and textures.

Using proprietary machine learning techniques that analyze live audio input in real-time, the Concatenator plug-in re-constructs the signal using fragments of the samples you load into it. The result is a sonic potential as broad as whatever is thrown at it.

Concatenator uses a little known synthesis method called Concatenative synthesis which uses machine learning to analyze an incoming sound, and then tries to recreate it in real time, using fragments from samples that you load into it. It’s great for complex sample layering in sound design applications, but it also affords the user the chance to get really creative with it by manipulating how the algorithm selects and plays back the samples you put into it.

Datamind Audio Concatenator Features:

  • Lightning Fast Load Time – Your computer’s RAM size is the only limitation for how many samples can load into Concatenator.
  • Machine Learning control – Modulate how the audio matching algorithm “weighs-in” the spectral and amplitude components of the input signal.
  • Flexible modulation – 5 LFOs, 5 Envelope Followers, 5 Sidechain-enabled MIDI Envelopes
  • Total control – Control sample repetition with “Variation”, re-scatter the probabilities for chosen slices with “Particle Reset”, and then modulate how likely the sample is to hold once selected with “Stickiness”.
  • Dynamic Presets – Presets can be used with any sample combination, while additionally Corpus Presets store the currently loaded samples.

Datamind Audio Concatenator is available now for $149. A free one-week trial of Concatenator is also available.

For more information and demonstration videos, visit the Datamind Audio website.