Oddment ODD-1 Combines Granular Synthesis, Live Processing & Looping


Oddment’s ODD-1 hardware instrument and ODD-1v plug-in combine granular synthesis, real-time audio processing and synchronized looping around a shared microsonic engine.

Oddment’s ODD-1 is a compact hardware instrument designed to capture, transform and layer sound using a granular processing engine. Rather than focusing on conventional oscillator-based synthesis, it uses samples and incoming audio as the raw material for playable sounds, shifting textures and synchronized loops. Its three modes – SYNTH, LIVE and LOOPS – cover instrument building, real-time audio manipulation and hands-free loop capture.

The ODD-1v plug-in brings the same microsonic engine to your DAW. Both versions use four playheads per layer, independent time and pitch manipulation, modulation routing and spatial processing.

The hardware adds a touchscreen, physical controls, audio and MIDI connections, and CV-compatible control inputs, while the plug-in offers a software option to build and transfer patches between the two environments.

Features:

  • A shared microsonic engine powers ODD-1 hardware and the odd-1v software instrument.
  • Three modes—SYNTH, LIVE and LOOPS—support sound design, real-time audio processing and synchronized looping.
  • Two independent layers allow users to combine samples or process one layer through another.
  • Each layer has four playheads, each with independent pitch, speed and TIME PATH settings.
  • TIME PATH can move through samples forward, backward or in freeze mode, allowing playback speed and pitch to be shaped independently.
  • Grain spacing and size help move sounds from smooth, pitched playback to fragmented or rhythmic textures.
  • A frequency-selective filter is applied to individual grains, while binaural processing creates stereo spatial cues.
  • SYNTH mode builds playable sounds from loaded or recorded samples, with eight or more total voices depending on settings.
  • LIVE mode uses a 60-second rolling buffer to turn incoming audio into a playable instrument.
  • LOOPS mode records separate loops with independent lengths, speeds and tuning while keeping them synchronized.
  • Each layer includes two multimode filters, saturation stages and echo units.
  • Modulation sources include envelopes, LFOs, macros, control inputs and MIDI data, including aftertouch and MIDI CC.
  • Parameters can be connected to modulation sources directly through the instrument’s patching interface.
  • The ODD-1 hardware has a color touchscreen, physical encoders, stereo line input/output, headphone output and USB-C multichannel audio.
  • Hardware connectivity includes TRS MIDI, USB MIDI and four control inputs configurable for CV, gate, expression or sustain pedals.
  • The hardware includes a 2 GB factory sample library and supports imported WAV, FLAC and MP3 audio.
  • odd-1v provides SYNTH, LIVE and LOOPS workflows inside a DAW, with audio processing designed to match the hardware engine.
  • ODD-1 includes a license for odd-1v, allowing patches and sound-design work to move between hardware and software.

The Oddment ODD-1 is available now for $999. The purchase includes a two-year warranty and a license for odd-1v. Odd-1v is also available separately for $199, with an early-access price of $149.

Elektron Responds To Explosion Of Unofficial Firmware


Matthew Piecora (EZBOT) – in his latest video – shares his takeaways from an in-depth conversation with Elektron about the recent explosion of alternative firmware for their devices.

“I had an hour long call with Elektron about AI and its impact on the company, their thoughts on hacked firmware, and I tried some out myself,” Piecora explains. “Elektron gave me their blessing to share what we discussed on my channel. This is NOT an official statement from Elektron, this is my recount and interpretation of our in-depth meeting.”

Watch the video and let us know what you think of what’s happening with unofficial firmware for gear from Elektron and others!

 

Sequential Skip Take 5 Gets Unofficial Patch Editor


Voidcontrol MIDI has introduced an unofficial patch editor for the Sequential Take 5 synthesizer.

The Sequential Take 5 editor offers DAW automation, 16-slot modulation matrix, 64-step polyphonic sequencer, patch library with single-file or full-bank patch import/export, on-screen keyboard, and resizable UI.

  • Full parameter control: Every Take 5 front-panel control on screen, grouped like the hardware, with no side-scrolling.
  • Fine adjustment: Hold Shift while dragging any knob for precise control.
  • Auto sync: Editor and hardware stay in step. Move a control in the editor and the synth responds. Change programs on the Take 5 and the editor follows.
  • Flexible MIDI setup: The editor finds your Take 5 automatically, over USB or 5-pin DIN.
  • Full DAW automation: Every sound parameter is an automatable plugin parameter. Draw filter sweeps, automate envelope and LFO settings, record knob moves.
  • Mod matrix at a glance: All 16 slots on one screen, with 20 sources and 56 destinations. Switch any routing on or off with a single click. A dot on each control shows when a modulator is pointing at it.
  • Polyphonic sequencer: A 64-step grid with a row per voice and a velocity lane. Record in step or free mode, from your keyboard or the on-screen keys, then draw notes, drag ties, or transpose. Run it on its own or synced to your DAW.
  • On-screen keyboard: Pitch and mod wheels, transpose, low split, and a live preview of your sequence. Pick a scale and its notes are highlighted on the keys.
  • Collapsible drawer: The MOD, SEQ, and KEYS tabs sit in a drawer that collapses to a thin strip when you only need the panel. The editor remembers how you left it.
  • Program library: Every User and Factory slot, with search, favorites, and categories. Import and export SysEx at program, bank, or full-library scope.
  • A/B snapshots with morph: Capture two sounds, even from different programs, and morph between them with a slider you can automate in your DAW. Snapshots are saved with your project. Over 5-pin DIN, the morph may step rather than glide.
  • Init and Randomize: A clean starting point, or Shift-click any program’s star in the Library to make it your custom INIT. RND creates a playable random sound while leaving your sequence, modulation routings, and settings alone.
  • Resizable UI: 50% to 300%.

The Take 5 Editor is available now for $35 USD.