Arturia MatrixBrute Noir Analog Matrix Synthesizer Now Available

Arturia MatrixBrute Noir Analog Matrix Synthesizer

 

Arturia has announced that its MatrixBrute Noir Edition – a new version of their MatrixBrute analog monosynth with ‘Noir’ styling and updated firmware is now available.

 

Quite simply a black edition of the MatrixBrute, this offers the same all-analogue signal path like the original. The Noir Edition also features three Brute oscillators, a dual Steiner-Parker & ladder filter, and a modulation matrix that gives you masses of sound-shaping potential.

 

In addition, there are also 64 new presets, which Arturia says range from “soft, eerie whispers to full-on earth-shaking bass.” A further two new sound banks – Kinescope and Brute Alchemy – are being released, too.

 

The MatrixBrute Noir Edition is a limited edition to 500 units.

 

The Arturia MatrixBrute Noir Edition is available now. Find out more on Arturia website.

 

 

The new Yorick Tech Low Frequency Expander 3.0 Adds New Modulation Options To Your Synths

 

Yorick Tech has introduced the Low Frequency Expander 3.0, a major update to their external modulation source for synthesizers.

 

The Low Frequency Expander 3.0 features new front panel designs and a major firmware upgrade, including polyphonic modulations using MPE for the P6 and OB-6. The firmware upgrade is free to all users.

 

The LFE is a standalone, hardware modulation expander that supports the OB-6 and Prophet 6, Rev 4 Prophets 5 and 10, Moog Voyager, Korg Prologue, Nord Wave 2 and a generic ‘CC- Synth’: any device that can be controlled by midi CC messages. It uses MIDI to provide 3 complex LFOs and a 6-stage envelope – which can also be configured as a 2 to 16-step modulation sequencer – to add considerably more complexity, movement and playability to these synthesizers.

 

Additionally, the LFE also acts as a 4-slot modulation matrix, allowing you to route velocity, key, aftertouch, mod wheel, CV in (optional) and others up to 80 destinations, depending on the synth.

 

Selecting a new patch on the synth makes the LFE automatically recall the same-numbered LFE patch from its memory, so the two have their patches locked together. The LFE will also display the synth patch’s name and category for Sequential synths.

 

What’s new in the LFE 3.0:

 

  • New front panel designs.
  • MPE Midi Polyphonic Expression. For the OB-6 and Prophet 6, the LFE can send modulations to each of the synth’s voices independently, so it will send polyphonic rather than global modulations.
  • Each of the LFE’s 4 modulators on its front panel now operates 7 modulators ‘under the hood’ (1 global and 1 per voice), so the LFE is actually running 7 independent envelope/sequencers and 21 LFOs.
  • The LFE also allows MPE to work in Poly Chain mode, giving you 12 voices of MPE and 13 envelope/sequencers and 37 LFOs.
  • MPE Spread settings allow each of the LFOs run at slightly different frequencies and the envelopes to run with slightly different slope times, allowing ‘vintage’ type variations between voices.
  • Aux MIDI channel. The LFE can now split its modulations between two different Midi Channels, so you can for example, send LFO 1 and LFO 3 to channel 1 and LFO2 and the envelope to channel 13.
  • You can also set up the LFE to send a new Bank and Program number on the Aux channel every time the LFE changes patch. This allows you to change the Program of an attached FX unit or second synth, to your own choice of Program number, every time the primary synth changes patches. Arpeggiator.
  • The LFE now has an Arpeggiator, primarily for Prophet 5 / 10 and Voyager users. It has Up, Down, Up-Down, Down-Up, Random and Played-Order modes, 1 to 4 octaves, the usual clock sync multipliers and a Key Hold function. There is also a Gate length control, adjustable up to 200%, for overlapping notes.
  • OLEDs are available in white, blue, green or yellow.

 

See Yorick Tech on Facebook for additional details.

 

New Behringer LmDrum Drum Machine, its long-awaited LinnDrum reboot

 

Behringer today shared a teaser for its upcoming LmDrum Hybrid 8/12-bit Sampling Drum Machine, but it might not quite be what you were expecting

 

It has been almost two years since Behringer first raised the possibility of creating a LinnDrum clone, but only now are we getting our first peek at what it is going to look like. Behringer’s latest drum machine is an original design that supports sampling and on-board sample editing.

 

Although this is a prototype of the so-called LmDrum, we are told that the user interface development is completed, so this should be pretty much what you get when the product is released.

 

The original LinnDrum was released in 1982, serving as the more affordable successor to the legendary LM-1. It was used extensively by numerous artists throughout the ‘80s.

 

The company shared few details about the LmDrum in their announcement

 

“We love to share with you the progress of our first sampling drum machine. We’re super excited that the unit has passed all audio tests today and much of the user interface development is now also completed. Man, this thing grooves;-)

However, this is still a prototype and a long way from production.

Rest assured that our drum machine development team is working overtime to complete this exciting instrument as quickly as possible in order to get it into your drumming hands.”

 

While details are still to be announced, it looks like Behringer’s original plans for a LinnDrum knockoff – announced in 2017 – have evolved substantially. This makes sense, because the heart of the LinnDrum is its samples, which can’t be reused without permission. And making a sample-based drum machine with only 15 samples, like the LinnDrum, made sense 40 years ago, but would be unnecessarily limiting today.

 

It seems likely that the LmDrum will ship with some LinnDrum ‘sound-alike’ samples and reproduce them through cloned circuits, for people who just want a ‘cheap LinnDrum’.

 

The Behringer LmDrum is being positioned by the company as a LinnDrum knockoff, with a knockoff name and knockoff styling, instead of as an original design. Because the LmDrum is not a LinnDrum, it’s not going to have the LinnDrum sounds and making it look like a LinnDrum just highlights the fact that Behringer doesn’t think they can sell this drum machine on its own merits.

 

This is going to be the most interesting and capable drum machine that Behringer has ever created. Behringer would get a lot less push-back from musicians if the company positioned this as an affordable, modern drum machine, instead of as a knockoff of a 40-year old classic.

 

What is clear is that the LmDrum isn’t a 1:1 remake. The buttons are different, for a start, and the LmDrum has a display. The presence of a waveform on here suggests that sample editing will be possible, and it looks like you’ll have the option to import your own samples, too.

What do you think of the Behringer LmDrum?