Johnny Morgan, in his latest video, takes a look at the creation of the Sequential Prophet-5 synthesizer.
Johnny Morgan puts the creation of the Prophet-5 into context, discussing how the instrument required Dave Smith and his team to bring together advances in analog voice chips, computer control and keyboard scanning.
His video also discusses how the resulting instrument helped revolutionize synthesis, and was quickly adopted by acts like Abba, Pink Floyd & Genesis.
Tracktion Corporation has introduced KULT, the latest synth design from Peter V (AKA Dawesome). This is Peter’s 4th instrument, following on from the widely acclaimed Novum, Abyss and Chop Suey.
KULT merges classical syntheses with new concepts. At the heart of the new synth are two independent, powerful oscillators. These so-called ‘Strange Attractors’ are based on the mathematical theory of chaos. There are more than thirty oscillator models to choose from, ranging from classical waveforms to chaotic sculptures of sound. KULT’s OSC’s add a vast range of sonic timbres, which can be shaped with FM and AM synthesis.
In addition, included is a complex filter selection: Formant Filter, 2 x Comb Filters and 2 x ‘Analog’ Filters.
Additional options include a creative arpeggiator, full MPE support and a formidable modulation system.
KULT is available now, with an intro price of $64.50 (normally $129), including 90-days free trial.
Korg’s ‘California Trio’ of digital synths – the Opsix, Wavestate and Modwave – were introduced just as the world went into pandemic mode, and may have not gotten as much attention as they might have otherwise, as a result.
But, with Korg’s recent sale on the Opsix, and as more demo and performance videos have gotten out, people are starting to realize that each of the three synths features a powerful synth engine that offers a modern take on a classic digital approach to synthesis.
Here is a short synth jam that showcases some of the power of the Korg Wavestate, a live performance of the Blade Runner End Titles, from the score by Vangelis. The performance features patches by sound designer Maik Schott.
