Synthesis Technology Closing Up in Style, with Free Firmware Update, Open Sourcing + More


Synthesis Technology founder Paul Schreiber, recently announced that he is retiring and closing up shop after 27 years.

And he is doing it with style, releasing a major free update to one of his powerful Eurorack modules, open sourcing firmware for another module, and bringing modules to VCV Rack, the open software modular synth platform.

“After 27 years, I have retired from the synthesizer business,” he announced. “I still have a #day_job, which will last until Dec 1st. The last set of 16 modules shipped to Patchwerks in Seattle, including the last E520 Hyperions.”

Paul Schreiber and Synthesis Technology have played an important part of the modular synth scene for nearly three decades.

The MOTM Analog Modular Synthesizer

In the late 1990s, Schreiber introduced the MOTM analog modular synthesizer, which took inspiration from the classic Moog modular design, but updated it with a ‘no compromise’ approach to electrical and mechanical engineering.

The modules have tank-like build quality, with panels of 1/8″ powder-coated aircraft aluminum; quiet and long-lasting sealed Spectrol and Bourns pots; and Switchcraft jacks. And they are still sought after for their sound, including stable oscillators, a wide range of great-sounding filters, microtonal support and more.

MOTM modules were available pre-built and also as kits. The kits were designed with the same attention to detail as the modules themselves, making them a fantastic starting point for people new to synth DIY.

SynthTech’s MOTM system – along with Roger Arrick’s Synthesizers.com system and Dieter Doepfer’s Eurorack system – was an important part of the millenium’s renaissance of modular synthesis.

With the rising popularity of the Eurorack format, Schreiber focused his attention there, releasing a wide range of high-end analog and digital modules. But most of his MOTM designs are still available, assembled or as kits, from SynthCube.

MOTM Electrical Specifications:

  • 1V/Oct (one volt per octave) response for VCOs and filters
  • Positive-going trigger and gate voltages (+1.5V threshold)
  • Audio levels of 10V peak-to-peak (except out of the final mixer)
  • VCAs respond from 0 to +5 volts
  • Uses +/-15V DC (some modules use internal regulators)
  • Power supply connector is a standard AMP MTA-156 4-position

Synthesis Technology Eurorack Modules

Like his MOTM designs, the Synthesis Technology Euro modules reflect Schreiber’s no compromise approach.

Some of the line’s modules are Euro-format ports of older MOTM designs, including: the E300 Ultra VCO, an analog oscillator based on the MOTM-300 5U module; and the E440, a filter that’s based on the 5U MOTM-440.

But the bulk of the line is a collection of high-end digital modules that have brought new capabilities to modular synthesis, including:

  • The E352 Cloud Terrarium, a powerful wavetable-based oscillator;
  • The E370 Quad Morphing VCO, which supports morphing wavetables, ‘cloud oscillators’, FM synthesis, noise, sample playback and more; and
  • The E520 Hyperion Stereo Effects processor – a powerful cv-controllable multi-effects processor.

At this point, SynthTech has ended production of their Euro line, but some modules may still be available from their retail partners.

The Synthesis Technology Retirement Party

While Schreiber has retired and closed up shop at Synthesis Technology, he’s done it in style, preserving the legacy of his work with customer-friendly moves:

  • The company has released a free firmware update for the powerful E520 Hyperion Processor, adding new reverb algorithms, new features for existing algorithms, UI improvements and more.
  • They’ve open sourced the design of the SynthTech E951 Circuit Bent VCO Expander, including source files, front panel drawings, schematics and Gerber files.
  • Finally, Synthesis Technology has released a selection of their most popular Eurorack modules in software form for VCV Rack, the open software modular synth platform. This includes, the E340 Cloud Generator; the E350 Morphing Terrarium; the E355 Morphing Dual LFO; and the E440 Discrete OTA VCF.
  • He’s partnered with Matthew Averill’s Field Services for ongoing authorized repair service for Synthesis Technology modules.

 

The Future for Synthesis Technology

Perhaps there may still be more to come from Paul Schreiber + Synthesis Technology.

Schreiber has announced that he’s looking for someone to take over SynthTech’s IP, which could mean that the modules could live on under a new owner. And, Schreiber has said that he and his development partner Eric Brombaugh are sailing off into other “stuff”, noting that “Nixie tubes may be involved.”

 

Dubreq launches Stylophone BEAT ‘Pocket Drum Machine’

This retro-inspired beatmaker sports the same stylus-based interface as Dubreq’s flagship Stylophone instrument.

The Stylophone BEAT enables you mix and match 4 drum kits and 4 bass sounds, from classic sounds to beatbox samples. Other features include automatic tempo lock, the ability to record multiple layers and mute sounds.

Stylophone BEAT is available to pre-order and has ‘limited units available’, priced at $39.95/£29.95/€34.95

Listen to a sound demo below and pre-order Stylophone BEAT from Dubreq website.

Simmons announces ‘Flagship’ Titan 70 Electronic Drum Kit


Simmons has announced the Titan 70, a new electronic drum kit that the company calls the flagship product of its Titan range.

The full-sized kit includes multi-zone pads for expressive and responsive performance (Variable Attack Response), “album-ready produced sounds”, and interactive features to customize the kit and improve timing accuracy for beginners to advanced players.

Features:

  • Drum Kit
    • Dual-zone, 10″ tension-able mesh snare pad with rimshot detection
    • Four 8″ mesh dual-zone toms
    • 10″ hi-hat cymbal with variable pedal
    • Two 10” crash cymbals with choke sensor
    • 12″ three-zone ride with bow, bell, and edge crash zones and choke sensor
    • Dual layer, durable mesh heads with natural playability and high sensitivity
    • Variable Hi-hat controller with sounds from closed to mid and open
    • Kick pedal with 7″ kick pad, optimized for single and double-kick pedals
    • Included adjustable kick drum pedal
  • Module
    • 75 Preset and User Drum Kits
    • 4 Preset and 6 User Songs
    • 314 Drum Sounds
    • Practice Mode measures timing accuracy with several songs, exercises, and scoring
    • Custom LED and Drum Kit LED indicators for simple editing and setup
    • Bluetooth Audio and MIDI
    • USB Audio and MIDI – Functions as a 2×2 audio interface with MIDI I/O
    • Detachable, padded Tablet shelf securely holds iPhone, iPad, and other devices during practice
    • Two dual-zone 1/4″ inputs for pad expansion
    • 1/8″ stereo aux input
    • Stereo 1/4″ line outputs
    • 1/8″ stereo headphone output


What they say about it:

 

“The kit is centered around a sensitive 10-inch dual-zone mesh snare pad with accurate rimshot detection. Four dual-zone mesh tom pads include rim sensors for assigning alternate sounds like percussion. Its three-zone 12-inch ride cymbal is another highlight, with sensors on the bow, bell and edge crash for a variety of sounds. The kick drum features an all-new pedal design – the most substantial and robust Simmons kick drum tower to date – that allows highly nuanced playing (a very light touch for jazz, all the way up to aggressive rock, with the option for an added double-kick). The hi-hat is controlled by a variable pedal for closed, open and every sound in between. For dramatic accents, the two crash cymbals include a choke sensor. All pads have been designed with sensitivity and feel in mind, from the low-profile rims to the dynamic curve. And the versatile square rack has rectangular steel supports to keep pads locked in place.

The Titan 70’s high-definition acoustic drum sound library was newly captured in a renowned professional recording studio, and the stereo big-room ambience can be heard on nearly all of the kits, snares and cymbals. Samples were taken at different dynamic levels, and sounds ring out at their natural decay time. The result is a produced yet realistic and responsive drum sound.

Other features of the Titan 70 module include Bluetooth Audio and MIDI for wireless connection to mobile devices. Pair your phone or tablet and play along with videos and music through the same headphones or speakers as the drums. Bluetooth MIDI attaches to apps, like Simmons Drums 2 for iOS which selects kits, edits sounds and mixes, and plays music at slow speed to help learn new songs. The built-in, play-along practice mode also works with the app to work on timing accuracy, and the module includes a detachable, padded shelf for a phone or tablet.”

Simmons Titan 70 electronic drum kit is available now, with a street price of about $800.