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Bitwig takes its flagship DAW to ‘another level’ with Bitwig Studio 6, bringing improved automation, key signature awareness and a host of workflow enhancements.

Bitwig has introduced Bitwig Studio 6, a major update that they say improves and expands on core DAW functions.

Launching today in public beta, Bitwig Studio 6 brings with it an overhaul of automation editing, a new Clip Alias feature, project-wide key signature support, a visual refresh and much more.

Apparently, the most noteworthy of Bitwig Studio 6’s updates is the software’s new approach to automation editing, which completely revamps the way that automation is handled within the DAW, making it both more sophisticated and more flexible.

Bitwig Studio 6 introduces a dedicated Automation Mode that instantly overlays every track on the timeline with an automation lane for the most recently tweaked parameter. The Detail Editor Panel now provides access to all of the automation on any given track, replacing the standalone Automation Editor Panel.

A trio of improved automation gestures make editing quicker and more intuitive, while new behaviours open up new avenues for creative automation. The Spread feature applies a randomised value within a chosen range to individual automation points on each pass, while the Hold option tells a point to remain at a flat value until the next one is reached.

These are complemented by an upgraded algorithm that translates automation drawn with the Pencil tool into smooth and easily editable curves.

In addition, Bitwig Studio 6 introduces Automation Clips, which store automation data in a self-contained format. This makes it possible to access the same clip features as Audio and Note Clips, such as stretching, looping and setting independent start times, and Automation Clips can even be saved to Bitwig’s library to be used in other projects.

Bitwig’s latest update also brings with it a long-requested feature that streamlines the arrangement process and solves one of the software’s most common workflow gripes: Clip Aliases. These are specialised duplicates of a Clip that share the same content, or Pattern – when one clip is edited, all clips sharing that Pattern across the Project will be updated accordingly. Clip Aliases can be used in both the Clip Launcher and Arranger, and can be created for Audio, Note and Automation Clips.

Another major new feature in Bitwig Studio 6 is project-wide key signature awareness, which opens up a variety of creative possibilities for working within scales and keys.

A project’s key signature can now be selected alongside tempo and time signature in the Transport section. Users are able to choose between a selection of 23 scales for any root note, including modes and blues scales, along with traditional major and minor scales. Key signature can also be automated or even modulated using Project Modulators, unlocking tons of potential for tonal experimentation.

Scales are now visible when editing notes in the Piano Roll, and existing notes can be quantized to sit within the relevant scale or snapped to a chosen scale when drawn in. Six Note FX devices have been updated to work in tandem with Bitwig’s new scale awareness, including the Key Filter device, a note transposition device that filters incoming notes to match a particular scale or key, alongside Arpeggiator, Randomize and more.

Bitwig’s visual interface has also received a refresh in version 6, becoming more customisable and efficient to use. Editing tools are now accessible from a slim window on the right-hand side, including three new tools, Audition, Spray Can and Step Input. Audition does what it says on the tin, enabling you to preview any track or clip individually with a single click. Spray Can sprays a row of notes or automation points at the currently selected beat interval, while Step Input lets you enter notes in the Piano Roll via MIDI input without hitting record.

Major changes include:

• An extensive upgrade to automation editing, touching everything from smoother editing gestures to new behaviors such as spread and hold.
• Automation clips, which open up new possibilities in a familiar format.
• Clip Aliases – a new way to handle repetition and structure
• Project-wide key signatures.
• Bitwig Studio’s visual interface has been improved, making it easier to adjust to specific workflow needs.
• New and improved tools, such as the Spray Can and Audition tool, join enhanced editors for both expression editing and layered editing of audio and notes.

Overall, Bitwig Studio 6 looks like a comprehensive update that makes this already-capable DAW even more powerful, bringing Bitwig users a bundle of long-requested features that promise to dramatically enhance workflows and make composition and arrangement faster and more intuitive.

Though Bitwig has a reputation as a forward-thinking DAW geared towards electronic and experimental music-makers, this update expands its appeal for a more conventional audience, focusing deeply on core DAW functionality rather than flashy new devices and modules (though users got plenty of those in recent updates) and making Bitwig Studio an even stronger competitor for more established rivals like Ableton Live and Logic Pro.

The official preview for Bitwig Studio 6:

Bitwig Studio 6 is now available as a beta release. The beta is free to all Bitwig Studio, Producer, and Essentials users with an active Upgrade Plan (as of August 27, 2025). Users will find the beta installers in their user profile.

The company is planning releasing version 6 this fall. Visit the Bitwig site for details.

Developer Michael Tyson of A Tasty Pixel has released Loopy Pro 2.0 for iOS – a major update to their über-looper application.

Tyson says that this is the biggest update yet for Loopy Pro, and it opens up a whole new world of possibilities.

Loopy Pro is like “musical Lego”. You can add loops, one-shots, and buttons to the canvas along with customized sliders, dials, XY pads, clip slicers, encoders, grids, and more. You can use your iPad or iPhone stand-alone, or connect audio interfaces, MIDI controllers and external instruments.

Here’s what’s new in Loopy Pro 2:

• MIDI CLIPS & SEQUENCER
  • Record, edit, and play back MIDI directly in Loopy Pro. Sequence beats, melodies, or automate your performance — right on the canvas.
• POLYPHONIC CLIP PLAYBACK
  • Play audio clips sliced or pitched across your controller. Turn any clip into a playable instrument.
• BUS-TO-BUS ROUTING
  • Route audio between buses for advanced mixing setups and custom FX chains.
• GROOVE QUANTIZATION (“WARP”)
  • Quantize audio and MIDI clips to swing, randomness, or your own groove — tight or loose, your choice.
• REVISED MIXER
  • Collapse groups, see signal sources clearly, and stay focused even in big projects.
• DOCKABLE PLUGIN PANELS
  • Pin plugin windows to screen edges to keep your workspace clean.
• MORE MIDI & CANVAS TOOLS
  • On-screen dockable MIDI keyboards
  • Rotary encoder widget
  • “Next Empty Clip” action targeting
  • New “Assign Clip Settings” and “Clip Offset” actions
  • Better canvas editing: select, move, scale multiple items
  • Improved widget controls: radio buttons, dials, retriggering
• WORKFLOW IMPROVEMENTS
  • Auto Count-Out for overdubs
  • Merge clips with the new Append action
  • Latency compensation for MIDI controllers
  • Plugin preset import/export
  • 128 parameter save/restore slots
  • Copy/paste multiple actions
  • New “Correct Clock Tempo” action
  • Cleaner UI for clip and color settings
  • Support for the APC Mini Mk2 and APC Key 25 Mk2
• UNDER THE HOOD
  • Faster performance, reduced CPU usage and power consumption
  • Updated Rubber Band time stretching library — cleaner, higher-quality pitch/tempo control
  • Better undo handling and session stability
  • Lots of small UI and interaction improvements

Loopy Pro 2.0 Tutorial Videos:

Loopy Pro 2.0 for iOS is available now for $29.99. You can also download it for free and use for 7 days to try it out.

Developer Iftah Gabbai has released Sting 2, a major upgrade to the M4L acid line generator.

What Gabbai has to say about it:

“It’s an expressive, improvisational acid line performance system.

Sting can generate anything from random to acid patterns and morph between them fluidly. It features a new generation algorithm, advanced editing, expressive control, generative sequencing, and modulation capabilities, along with a set of live performance oriented features. These include a dedicated Push takeover mode that transforms Sting into a hands-on live performance system when used with Ableton Push 2 or 3.

All of Sting’s parameters are logically laid out and fully controllable via Tabbing, making it accessible to blind, visually impaired, and sighted users.”

Sting is available now, as either a free or paid download. The developer notes, “Both versions are identical, you can decide whether you want to support my work.”