Music News & Music Videos

Supreme Court Rules Trump Tariffs Illegal, But Don’t Hold Your Breath On Getting Your Money Back


The US Supreme Court today made news by determining that that President Donald Trump violated federal law when he unilaterally raised taxes for Americans by imposing massive tariffs on imports from around the world.

Conservative Chief Justice John Roberts’ opinion states that allowing Trump to impose taxes, without clear congressional authority, is an “existential threat” to the existence and prosperity of the country.

Trump responded by criticizing the Court as “lap dogs for RHINOS and the radical left” and “very unpatriotic and disloyal to our Constitution.” He also announced that he will be imposing a new 10% global tariff, and that the administration will not be refunding the taxes that Americans have paid.

The Trump Administration’s tariffs have been a controversial topic for musicians since they were announced last year. And musicians have seen gear prices jump, and it’s often clear that the tariffs were the cause.

Last year, the National Association Of Music Merchants warned that the tariffs would raise instrument prices and hurt music manufactures and retailers. And – while the administration has promised that other countries are paying the tariffs – many found that prices at US retailers were suddenly much higher than prices at European retailers.

While many companies avoided discussing the tariffs to avoid the minefield of opinion that has accompanied them, a few have been upfront about the tariff’s impact.

The Behringer Swing is currently priced around $75 in Europe, but is listing between $129 to $169 in the US.

Sonicware – maker of the Liven line of synths – updated its site to show the impact of the Trump adminstration’s tariffs. Roger Linn announced last year that he had to raise prices on his products because of the tariffs and inflation.

Even Behringer has quietly pointed this out. Last year, they started listing their international product prices in US dollars – with US prices often 30% higher.

A less obvious impact of the tariffs is that they have caused a significant slowdown in US gear manufacturing.

US manufacturers can’t predict what their component costs will be in a month, so they’re taking less risks and introducing fewer new products. One manufacturer told us last year that they’d made a large PCB order and that – by time it shipped – their cost had more than doubled, because of the tariffs. Companies like Future Retro have put some new product plans on hold, because of the uncertainty the tariffs have created.

The 2026 NAMM Show was smaller than in recent years, because fewer companies had new products to introduce.

This slowdown was reflected at the 2026 NAMM Show, which was much smaller than it has been in recent years. Organizers eliminated the basement booths, closed off parts of the remaining floors and reduced the Show from four days to three.

While there were many interesting new introductions this year, many gear makers skipped the show completely, because they did not have anything new to introduce.

What Happens Now?

Politicians on both sides of the aisle have praised the Court’s decision.

Sen. Mitch McConnell, R-Ky said “The use of the International Emergency Economic Powers Act to circumvent Congress in the imposition of tariffs….isn’t just bad policy, – it’s illegal.”

And Sen. Rand Paul, R-Ky released a statement, staying “The Supreme Court defended the Constitution by rejecting the use of ‘emergency’ powers to impose taxes. Tariffs are taxes and the power to declare them belongs to the Congress.”

Democrats went further, with Sen. Elizabeth Warren D-Ma. saying “No Supreme Court decision can undo the massive damage that Trump’s chaotic tariffs have caused. The American people paid for these tariffs and the American people should get their money back.”

Politicians appear to be responding to economic reality and public opinion.

When Trump introduced his tariff plans last April, economists predicted that they would lead to slowing growth, high prices and fewer jobs. The most recent numbers from the US Commerce Department confirmed this, with GDP dropping to 1.4%, inflation rising to 3%, and unemployment rising.

These trends are reflected in public opinion. According a recent poll by Fox News, 63% of registered voters disapprove of Trump’s handling of tariffs, and 65% disapprove of the administration’s response to inflation.

Don’t Hold Your Breath….

While Trump’s tariffs are historically unpopular and the Supreme Court has declared many of them to be illegal, the decision doesn’t roll back all of Trump’s tariffs.

Taxes on some items – including semiconductors -have been imposed using different justifications. And Trump has responded to the Court’s decision by announcing a new global tariff tax of 10% on imports on just about everything else.

And, if you’re an American hoping to get back some of the estimated $1,700 you’ve paid because of these tariffs, don’t hold your breath. Trump has no plans to refund the money, and economists are predicting a long legal battle over the refunds.

Unfortunately, these things add up to continued chaos in the economy, challenges for manufacturers trying to make plans for the future, and higher prices for US consumers.

It’s likely to take weeks, if not months, for US gear manufacturers and retailers to understand what their new costs will be for importing components and products. Even when this becomes clear, US companies are likely to be paying much more than their international competitors for imported components, because of Trump’s tariffs. Because of this, we expect that it will be several years before the music gear industry recovers.

And – for the gear that retailers have in stock, don’t expect price drops. That stock was purchased with the higher taxes in place, and retailers have no promise of getting a refund. So, it’s unlikely that we’ll see gear prices drop in the near future.

TL;DR Version: US gear prices probably won’t drop in the near future.

What do you think about the Supreme Court’s decision? Have the tariffs affected your gear plans? Let us know in the comments!

 

 

 

Tangerine Dream – 50 Years of Phaedra: At The Barbican Review

 

 

 

 

 

Tangerine Dream’s 50 Years of Phaedra: At The Barbican – a live album that captures their performance of the group’s landmark album on its 50th anniversary – is now available.

Phaedra, originally released in 1974, is considered by many to be Tangerine Dream’s most important album. It features what some consider to be the group’s classic lineup – Edgar Froese, Christopher Franke, and Peter Baumann – and the music ranges from pastoral Mellotron flute soundscapes to driving sequenced space rock.

Half a century later, Tangerine Dream’s modern trio – Thorsten Quaeschning, Hoshiko Yamane and Paul Frick – performed the landmark album at London’s Barbican, reimagining it for a new era.

There are two main parts to the performance. The first half celebrates the 50th anniversary of Phaedra, by featuring a live performance of the full album, along with an improvised session, Hippolytos.

The group rearranges the album tracks to make them effective as a concert piece, and this works very well. Quaeschning starts things off with a solo performance of Sequent C, and continues with the group performing Mysterious Semblance at the Strand of Nightmares. Both arrangements stay close to the originals.

The group continues by sandwiching the track Phaedra inside the improvised Hippolytos. This works very effectively, because the group works with a palette of sounds that recalls TD’s ’70s sound, and uses phrases and sequences that take inspiration from Phaedra.

This flows directly into Phaedra 2024, a take that recreates the original’s spacey phased sound, but uses a more driving take on the sequence. It’s a great arrangement that preserves the spirit of Phaedra, while also making the track sound as modern and relevant as ever.

The second half of the performance will be more familiar to anyone that’s followed the latest incarnation of Tangerine Dream. The band plays an hour of their greatest hits, including “Quantum Years’ arrangements of tracks like Sorcerer Theme, Dolphin Dance and White Eagle. This section highlights that TD’s ‘greatest hits’ are evolving with their audience. It includes tracks like Los Santos City Map from their soundtrack to Grand Theft Auto V, and Continuum & Raum from their most recent album. They wrap the concert up with an encore, Phaedra 2022.

The performance offers excellent sound, with crowd noise primarily limited to the beginning and end of the two main sections.

The album is offered in two physical formats. The vinyl version features three LPs in a gatefold sleeve, with an 8-page printed booklet. The CD version features two discs in a tri-fold sleeve, with a smaller version of the booklet. The album notes feature Froese’s take on the creation of Phaedra, comments from Bianca Froese-Acquaye on the albums continuing relevance and Quaeschning discusses some of the challenges and decisions behind arranging the classic album as a concert piece.

The performance at The Barbican was sold out, and it’s clear from the audience reaction captured in the recording that the performance was a crowd-pleaser. The new album captures that magic, and makes the case that – even after more than 50 years – there’s still a place for Tangerine Dream.

50 Years of Phaedra: At The Barbican is available now on CD & vinyl.

 

 

 

Roland TR-909 vs TR-1000 Head-To-Head Comparison


Synthesist Starsky Carr – in his latest video – shares a head-to-head comparison between the classic Roland TR-909 and the new TR-1000 drum machine.

“I put the Roland TR-1000 head-to-head with my original Roland TR-909 to see how close we can actually get”, notes Carr, “and more importantly, where the differences really matter.”


Topics covered:

Kick, snare, clap, rim & tom comparisons

Analogue voices vs ACB models (and why that’s ironic…)

The real difference between main outputs and individual outs

Why the 909 sounds more “band-limited” and less hi-fi

Frequency analysis & Match EQ deep dive in Logic

The exact EQ curve to give your 909 samples that crusty main-out character

Why obsessing over 1:1 matching might be missing the point

Carr argues that the key to recreating the classic 909 sound isn’t tweaking the TR-1000, but band-limiting the output. He demonstrates to how to recreate this, using Logic’s Match EQ.

Is the Roland TR-1000 close enough to replace the TR-909? Check out the comparison and share your thoughts in the comments!