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Native Instruments Launches Traktor MX2


It’s almost six years since Native Instruments last launched an official mixing controller for its DJ software Traktor.

The past 18 months have seen a renewed DJ focus from NI though, with the launch of updated versions of the company’s X1 and Z1 controller devices followed by version 4 of Traktor Pro late last year.

Now Native Instruments has announced the launch of Traktor MX2, a next-generation 2-channel DJ controller built for DJs at every level. MX2 combines a streamlined layout with powerful performance tools and a high-quality, built-in audio interface. MX2 puts everything the user needs at their fingertips, including the full version of Traktor Pro 4 software and a two-month Beatport Streaming trial for new customers.

The MX2 is undeniably visually striking, thanks to its assorted light-up pads and colour-coded under-lighting. The colour of the pads themselves is fully customisable, allowing users to shape the look and functionality of the MX2. That under-lighting can be used to indicate when a track is about to finish or when a loop is active.

The layout of the MX2 is quite similar to that of NI’s previous S2, though with some updated functionality. Each deck has a touch sensitive jogwheel with both jog and turntable modes, allowing them to be used for scanning through tracks, nudging timing or scratching.

Below each jogwheel is a bank of eight performance pads. These can function as hot cues, but also be used to step sequence using Traktor’s Pattern Player. The pads can also be used in Flux Loop mode in order to perform quick loops without losing the timing of the playing track.

The pads are also designed to control Traktor’s stem separation functionality, which was added with Traktor Pro 4. This allows tracks to be broken into drum, vocal, bass and instrument stems, which can then be muted and mixed individually.

The MX2 also offers hands-on control over Traktor’s performance effects. Its central Mixer FX section lets users introduce one-knob macro style controls. The pair of Deck FX units, meanwhile, allow users to combine effect modules from Traktor’s range of 40 processor types.

A creative performance toolbox. Traktor MX2 gives DJs everything they need to express themselves and stand out with sound, rhythm, and effects:

  • Mixer FX made simple – Instantly create drops, buildups, and transitions with a single dial. Nine one-knob effects, from filters to reverbs and delays, let you build tension and release with ease.
  • Deck FX for deeper shaping – Take tracks into new territory with more than 40 studio-grade effects. Layer, stretch, or transform sounds in real time across two assignable FX units.
  • 16 RGB performance pads – Four versatile pad modes unlock new creative possibilities:
    • Hotcues – Jump to peak moments, skip breakdowns, or trigger drops with a single press.
    • Flux Loops – Add energy with stuttered loops that stay in sync and return seamlessly to the flow.
    • Pattern Player – Turn the pads into a step sequencer to program hi-hats, snares, or percussion on the fly.
    • Stems – Split tracks into vocals, drums, bass, and instruments to remix live and create unexpected blends.

Light up your mixes. Even in the darkest booth, Traktor MX2 keeps you connected to your performance.

  • The illuminated bottom shell warns you when a track is running out or looping, so you’re always one step ahead.
  • Customizable pad colors let you personalize your setup to match your flow and stand out on stage.
  • Two touch-sensitive jog wheels provide precision control for nudging, scratching, and scrolling; with both Turntable and Jog modes.

Sound great anywhere. Wherever you play, from house parties to underground clubs, MX2 delivers high-fidelity 24-bit/96kHz audio through its built-in interface. Powered by iZotope’s Ozone Maximizer in Traktor Pro 4, your mixes stay punchy, polished, and distortion-free.

According to Native Instruments: “MX2 combines a streamlined layout with powerful performance tools and a high-quality built-in audio interface. Whether you’re just starting out or looking for a portable setup that’s club-ready, MX2 puts everything you need at your fingertips, including the full version of Traktor Pro 4 software.”

Beatport Streaming included. Traktor MX2 comes free with a two-month Beatport Streaming subscription for new customers, so you can start DJing in seconds without building a downloaded library. Choose from millions of club-ready tracks, all ready to mix, with curated playlists and charts to spark inspiration.

Native Instruments’s  Traktor MX2 is available worldwide, and retails for € 399 (MSRP) / US $449 (MSRP) / £ 349 (MSRP). Get all the details at Native Instruments site.

 

Cherry Audio Intros Trident Mk III Software Synth


Cherry Audio has added another software emulation of a vintage synth to its rapidly expanding stable of virtual instruments.

Today, Cherry Audio introduces the Trident Mk III, a new software synthesizer based on the Korg Trident keyboard, originally release in 1981. Trident was followed up in 1982 by Trident Mk II.

The Trident is an orchestrator-style synth design that features polysynth, string and brass sections.

Cherry Audio describes the Trident as an “eight-voice, 16-VCO, 16-memory-slot beast that was equal parts orchestra-in-a-box, multi-timbral wall of sound, and Swiss army synth rolled into one.”

While Trident never quite carved out the same reputation as some of Korg’s more enduringly popular instruments, the synth made its way on to more records than you might expect, popping up on memorable cuts from Yes and Orchestral Manouevres in the Dark, along with Parisian synth-pop act Phoenix’s 2009 hit 1901.

Cherry Audio says that they’ve “meticulously recreated each section of the original Trident hardware”, and expanded on the original’s capabilties with new features. The voice count has been increased to 16 for each section, and now includes velocity sensitivity and aftertouch, as well as polyphonic aftertouch.

The official intro video:

Trident Mk III’s synth section is fully polyphonic with two oscillators and a filter per-voice, while the brass section and string sections retain the paraphonic structure of the original Trident, their multiple oscillators running through a single shared filter and envelope stage to produce a cohesive, ensemble-like character.

The plugin’s three timbres can be mixed, transposed and panned in the Master section and split or layered across the keyboard in the Motion panel, which also features a 32-step polyphonic sequencer and dual multimode arpeggiators.

Trident Mk III also boasts a comprehensive selection of effects that go well beyond the original’s flanger, ensemble and vibrato: offering 17 effects across four customizable chains, Trident Mk III features a compressor, ring modulator, 7-band EQ alongside multiple delays and reverbs.

Features:

  • Based on the 1981 Mk I and 1982 Mk II versions of the Trident analog polyphonic multitimbral synthesizer
  • All three sections — Synthesizer, Brass, and Strings — have been recreated and enhanced with expanded functionality and modulation options
  • Up to 16 voices for each section
    • Polyphonic Synthesizer section with dedicated mixer
    • Paraphonic Brass and String sections with dedicated mixers
  • Support for velocity and aftertouch (including polyphonic aftertouch with compatible controllers) and pedal expression, independently assignable to the sections to control volume, filter, and modulation
  • Synthesizer Section
    • Voice Modes: Monophonic, two Polyphonic modes, or 2, 4, 6, or 8 Unison
    • Two VCOs: one with sawtooth, pulse width, and PWM waveforms; the other with sawtooth, triangle, and pulse width
    • VCF per voice with LP, HP, Band, or Notch response and keyboard tracking, based on the original’s SSM 2044
    • Two envelope generators (EG)
    • Syncable dedicated Modulation Generator (LFO) with triangle, sawtooth, ramp, square, and sample & hold waveforms, with delay and retrigger
  • Brass Section
    • Dedicated filter with cutoff, resonance, EG intensity, auto damp
    • Dedicated vibrato with delay and EG
    • Silence note and multi-trigger options
  • String Section
    • Dedicated filter with attack/release envelope
    • Equalizer
    • Bowing control
    • Vibrato with delay
  • Master Mixer with stereo panning, transpose, and master tune
    • Pitch bend and vibrato joystick controls, with glide for the synthesizer section
    • Hideable switching lower panels for Keyboard, Motion (a new feature), and Effects
    • Independent key range assignment for all three instrument sections for layering and splitting, with crossfade, assignable through draggable zone handles or “Quick Split” templates
    • Motion Controls
    • 16×2 polyphonic step sequencer with start, stop, and auto start options, with accurate DAW clock and step synchronization
    • Patterns can be programmed to record real-time notes or as steps, with ties, accents, and Pattern A and Pattern B variations and combinations
    • Two assignable dynamic arpeggiators with four modes – Arp, Leap, Order, and Random
    • Swing, Chance, and Feel groove controls for both the sequencer and arpeggiators to add degrees of randomness to arpeggiated patterns
  • Integrated Effects
    • Four independent customizable chains of effects, one for each instrument section plus global, with a global effect modulator
    • 17 studio-quality effects that can now be arranged, saved, and recalled within its four effects chains:
      • BBD Flanger (new, based on the Trident original)
      • Compressor
      • Digital Delay
      • Digital Reverb
      • Distortion & EQ
      • Dual Delay (new)
      • Dual Ensemble (new)
      • Dual Phaser
      • Envelope Filter
      • Flanger & Chorus
      • Galactic Reverb
      • Lo-Fi (updated)
      • Lushverb (new)
      • Ring Modulator (new)
      • Seven Band EQ
      • Spring Reverb (new)
      • Tape Echo (new)
    • Persistent mini UI Effects controls for on/off, solo, bipolar modulator amount slider, and dry/wet mix for each effect. Global FX on/off, level, and stereo expand.
  • Over 380 presets in 14 categories, accessible in a convenient preset browser
  • Standalone virtual instrument and plug-in versions included
  • User-adjustable oversampling control
  • Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global)
  • Cherry Audio’s Focus zoom-in feature, as well as standard UI zoom and resize via drag
  • Complete documentation available directly online from the instrument or in downloadable PDF format

Priced at $69, Cherry Audio’s Trident  mkIII is available now for macOS and Windows in VST/VST3/AU/AAX formats. A free 30-day trial is available.

OSC OSCar Getting Official Reissue From PWM Instruments (Sneak Preview)


In his latest video, Starsky Carr talks with Paul Whittington from PWM Instruments about their upcoming reissue of the OSCar synthesizer.

The Oxford Synthesiser Company introduced the OSCar synth in 1982. It’s a 2-oscillator hybrid monosynth, with digital oscillators and a resonant multi-mode filter.

Video Summary:

The legendary OSCar synthesizer is back! In this video, I’m joined by Paul from PWM Instruments, who recently acquired the rights to the Oxford Synth Company. In this he talks us through their new synth – a modern recreation of the iconic OSCar – a secret weapon for artists like Jean-Michel Jarre, Ultravox, Stevie Wonder, Orbital, and Underworld – and explains how the new OSCar stays true to the original’s gritty charm while adding modern upgrades for today’s producers.

Its currently at prototype stage – but the proof of concept has been demonstrated, so the next stage is to mould it into a commercial product.

The OSCar reissue is currently in the prototype stage, with a release expected sometime in 2026.