At the 2025 NAMM Show, held Jan 21–25 in Anaheim, CA, Nord introduced the Nord Organ 3, the latest generation of their Organ series, the company unveils earlier this month which they say “delivers a massive leap forward in sound, design, and performance.”
At its core is a refined B3 emulation, a newly developed rotary speaker emulation, synth bass, expanded effects section and “vastly improved” Vox and Farfisa models.
The Nord Organ 3 features two, high-quality 61-key triple-sensor, semi-weighted waterfall keyboards. A redesigned panel layout with an OLED display ensures intuitive control, giving instant access to sounds and parameters.
Connectivity options include two 1/4″ TRS balanced audio outputs, an 11-pin Leslie connector for rotary speaker cabinets, 5-pin MIDI I/O, a Bass Pedal 5-pin MIDI input, and an Aux output for optional Bass/Pedal routing.
Features:
General
New panel design with OLED display
Triple sensor keybeds
LED indicators for preset drawbar settings
Aux output with routing options for Bass/Pedal drawbars and more
Per program Transpose function
11-pin Leslie connector
High level output
B3 Organ
Enhanced B3 organ model
New and improved Chorus/Vibrato
Transistor Organs
Improved Farfisa and Vox organ models
Rotary and Amp modeling
New Rotary Speaker emulation
Multiple options for microphone placement
3 Drive Type options
New British amp and speaker emulation
Additional settings for Rotary Speaker
Pipe Organs
Two distinct Pipe Organ emulations
Bass Models
New Synth Bass options based on classic pedal synthesizers
Effects
Brand new Spring reverb
Expanded Reverb section with Pre-Rotary option
Delay with new Analog mode and Feedback filters
New Modulation effects including Phaser, Tremolo, Ring Mod, Flanger and Chorus.
At the 2025 NAMM Show, the MIDI Association officially introduced Network MIDI 2.0 (UDP), a new standard that defines how to connect MIDI devices (MIDI 1.0 and MIDI 2.0 protocol) via Ethernet and wireless LAN.
The initial version was ratified by the MIDI Association and AMEI in November 2024.
Features:
Long distance
Ethernet cables can transmit data up to 100 meters (330ft) without any signal loss or degradation.
Wireless can reach up to 45m (150ft) with direct line of sight (actual distance depends on a number of factors)
Low latency
Typical latency on Ethernet is under 1ms. Wireless LAN latency depends on connection quality and technology, but typically under 5ms.
High bandwidth
100MBit/s or more on Ethernet, 1MBit/s or more on wireless LAN
One cable/wireless link is enough for many logical connections
Ground isolation
On Ethernet, connections are electrically isolated, reducing the chances of electrical grounding noise issues.
Auto-Discovery
Can select devices to connect by name
Off-the-shelf parts and infrastructure
Standard cables (Cat5, Cat6, etc.), routers, switches, and components are readily available and cost effective
Many transports for audio already use Ethernet or IP-based protocols. Some of those are open standards (i.e. AES67) and some are proprietary. Being able to run MIDI 2.0 as a control protocol over the same links that run audio can greatly expand the use of MIDI 2.0.
Wireless MIDI 2.0 using Wireless LAN
The same protocol can be used on wired connections via Ethernet, and wireless connections on wireless LAN, also in mixed environments.
Logical connection setup (Session Management)
The user has full control over which device is able to send/receive MIDI with which other device (or application)
Connections can be changed without having to move physical cables.
Many MIDI streams (sessions) can be configured on the same cable
Simple security mechanisms available in Network MIDI 2.0 help prevent unauthorized access
Peer to peer connection is possible without the need to route data through a computer.
Software implementations do not require OS support
Here’s an overview from Pete Brown (Microsoft engineer & MIDI Association Exec Board Chair), via Sonic State:
Details on Network MIDI 2.0 are available at the Association site.
At the 2025 NAMM Show, muSonics debuted an updated version of the Vanilla Synthesizer, an all-in-one, normalized MU-format modular synthesizer, and introduced the Continuo Arpeggiator/Sequencer.
The muSonics Vanilla Synthesizer has been available for about a year as a hand-assembled, through-hole “man-sized” synth. But muSonics head Suit & Tie Guy says that he’s redesigned it, using surface mount design, so that he can manufacturer it in bigger volumes.
Other key updates:
The Vanilla Synthesizer is now normalized, so that it can be played without any patching. Jacks are switched, though, so you can override the internal normalization.
The back features connections for CV & Gate, balanced XLR and unbalanced quarter-inch output & MIDI.
In addition to the updated Vanilla Synthesizer, muSonics shared a preview of a new sequencing module:
The muSonics Continuo is a new standalone arpeggiator/sequencer in Moog format, taking four spaces.
The Continuo has MIDI In/Out, and quarter-inch jacks for Shift In, Stage One Input (reset), Time Input, and Pitch & Gate outputs.
Here’s a video overview of the new muSonics gear from the NAMM Show floor, via S0nic State:
The Vanilla Synthesizer is available now for $3,300. The Continuo is available as a public beta for $500. Visit the muSonics site for details.
