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Intuitive Instruments let us know that they’ve released a major update for their Exquis Expressive MPE controller.

The Exquis is an isometric keyboard MIDI controller, with 61 hexagonal RGB backlit keys that are sensitive to pressure (Z axis) and position sensing (X and Y axes).

Version 2 of the firmware and companion software introduces several new features and a complete graphic redesign, offering enhanced customization options for the keyboard.

What’s new in Exquis version 2:

• Up to 32 scales and 8 notes layouts onboard – In addition to a wide selection of factory scales and layouts, users can design their own custom scales and note layouts using Exquis’ companion software. Each key can be assigned individual MIDI values and colors, with the configurations stored directly in the keyboard’s memory for standalone use as a MIDI MPE controller. These custom files can also be shared with the community.
• Customizable MIDI Messages and Sensitivity Curves – MIDI CC values for the four rotary, clickable encoders and action buttons are now fully editable via Exquis’ companion software and saved to the device’s memory for standalone operation. Additionally, users can fine-tune sensitivity curves for all expressive dimensions -velocity, X, Y, and Z axes- ensuring optimal control and responsiveness.
• A Redesigned Graphical Interface – The Exquis companion software now features a completely redesigned graphical interface for quick and intuitive use. Designed to transform Exquis into a standalone electronic instrument, the app combines an enhanced looper (11 tracks, 44 loops) with a simple sequencer (11 events) and is compatible with all AU, VST, and VST3 plugins, running seamlessly on macOS and Windows.
• Adaptable to Any Configuration – One standout feature of the Exquis application is its ability to adapt to any note layout, saving it as a track parameter or even linking it to a plugin preset. This makes it possible to create hybrid instruments tailored to specific soundscapes, unlocking new creative possibilities.
• 250 Expressive Presets Optimized for Exquis – The update also includes 100 brand-new factory presets for the Vital and Decent Sampler free MPE plugins, complementing the refreshed 150 presets for the Surge XT free MPE plugin. All these presets are available directly within the Exquis app, ready to load in a single click, complete with optimized note layouts.

The Exquis is available now for $299.

2025 NAMM Show: MIDI cables are not inherently interesting, but CME is changing that with the C2MIDI Pro, a dual-purpose USB-C MIDI cable that also functions as a standalone MIDI filter, mapper, and router.

Unlike other cables, the C2MIDI Pro can be considered a ‘smart cable’, because it lets you pass MIDI through if you want, or manipulate the MIDI signal in musically useful ways.

“The C2MIDI Pro combines innovation, precision, and ease of use in a single cable. It’s not just a MIDI cable; it’s a game-changing tool for every MIDI enthusiast,” said Zhao Yitian, CEO of CME.

Features:

• Dual-Functionality: Operates as a USB MIDI Interface or a Smart MIDI Cable.
• Future-Proof Performance: Powered by a 32-bit processor, it ensures ultra-accurate transmission with high-speed optocouplers and four times the standard processing speed.
• Advanced MIDI Tools: Includes free UxMIDI Tools software (compatible with Windows, macOS, iOS, and Android) to configure the C2MIDI Pro as a filter, mapper, or router.
• Universal Compatibility: “Works seamlessly with macOS, iOS, Windows, Android, Linux, and Chrome OS.
• “Ultimate Precision”: Guarantees 100% exact transfer of dense MIDI data without latency, jitter, or dropouts.

At the 2025 NAMM Show, being held Jan 21–25 in Anaheim, CA, Behringer is offering a sneak preview of a new synthesizer, the JT-16.

The Behringer JT-16 synthesizer is another one of the company’s ‘flagship knockoff’ designs. It’s designed to be an inexpensive copy of the classic Roland Jupiter-8, but with double the polyphony, and modern connectivity.

The Behringer JT-16 has been in development for several years. It closely follows the the design of the original Roland Jupiter-8, but the copy is scaled down, reflecting the use of modern electronics manufacturing techniques.

The most notable differences from the original are expected to be the reduced size and weight, the expanded polyphony, and modern connectivity around the back:

The Behringer JT-16 prototype at NAMM was not plugged in when we visited the booth, so it may be too early in development for them to want to demo it.

Behringer has not announced details on the JT-16 yet, but based on what we currently know, we are not expecting the JT-16 to be available until sometime next year.