Archive for November, 2024

ValhallaSupermassive Update Adds A Realistic Reverb Mode That Makes It More Useful Than Ever – Download It Right Now!


Our all-time favourite free plugin just got another major update – are you downloading it right now?

When it comes to reverb and delay, developer Valhalla DSP is up there with the best in the game. You’ll find its VintageVerb and ValhallaDelay plugins on the hard drives of countless pro producers, and at $50 a pop they’re something of a bargain as well.

Valhalla’s greatest contribution to the music making world however, is its brilliant free plugin Supermassive. Now, as has become something of a pre-Black Friday tradition, that effect has been updated, hitting version 4.0 and adding a new reverb/echo algorithm named Pleiades.

First launched in 2020, Supermassive is a reverb/delay plugin that specialises in unusual and unnatural ambiences. The majority of its 21 reverb modes are designed to create extremely long and high-density feedback lines, which can create ethereal washes of ambience and long, swelling delay lines. (Pro tip: feed any sound source into its Planetarium preset to create instant ambient drones.)

Version 4.0 is something of a change of tack though. Whereas previous versions have specialised in reverb effects that are unnatural sounding by design, the Pleiades algorithm is tailored to more natural sounding ambient effects.

“Pleiades has a very fast attack, and a filtered exponential decay,” Valhalla explains. “The reverb structure is inherently dense without coloration, and the echo density can be increased by turning Density up to 100% without sounding metallic. The goal of Pleiades is to create transparent, open sounding reverbs, but it also excels at modulation effects and chorused delays.”

While it’s just one more mode to add alongside 20 others, Pleiades is significant in that it has the potential to further expand Supermassive’s usefulness beyond its remit as a go-to creative effect into more functional mixing territory. Given that flexibility, you might wonder why it’s still free.

“ValhallaSupermassive started out as a collection of weird algorithms that were interesting from a technical perspective, but not necessarily useful as standard reverbs,” the developer explains. “Supermassive has proven to be massively inspirational, not just as a product on its own, but in the development of new algorithm topologies that will be useful for future Valhalla products.

“There are certain internal limitations placed on the Supermassive algorithms: no more than 16 delay lines, a single quadrature oscillator, fixed lowpass/highpass filters shared by all delays, and so on. The limitations are useful for encouraging experimentation: how many ways can we snap together this limited set of Legos? We find these limitations inspiring, and look forward to upcoming Valhalla plugins where these limitations are removed!”

Hear the new sounds in action via the demos below:

If you’ve made it this far without already heading over to the Valhalla site to download Supermassive 4.0, we highly recommend you do that now. It’s available for both Windows and Intel/M1/M2/M3/M4 Macs.

Recreates The Rowdy Bass Patch & Chord Stabs From Caribou’s Honey On UDO Super 8


Musician and songwriter shows you how to cook up two of Honey’s primary sounds using one of this year’s hottest synths

Released back in May, UDO Super 8 remains one of 2024’s most impressive synth.

Described by UDO as a “hybrid-analogue” synth, Super 8’s architecture is based on high-resolution, FPGA-based digital oscillators and two analogue filters.

Taken from the album of the same name, Caribou’s Honey is a high-voltage slice of bassline house that’s been near-inescapable on the DJ circuit this summer, its wub-wub bassline and AI-warped vocals popping up in sets from Four Tet, Fred Again, Ben UFO et al.

In a video demo uploaded to UDO’s YouTube channel this week, musician and songwriter Hazel Mills walks us through how to recreate two sounds from Honey, one of 2024’s biggest tracks, using one of 2024’s biggest synths: the Super 8.

In the video, embedded above, Hazel Mills takes on both Honey’s rowdy bass patch and the chord stabs that appear in the build-up to its face-melting drop, cooking up imitations that sound impressively similar to the original sounds on her UDO Super 8. Even if you don’t have the UDO Super 8 at home, you should be able to follow along with most software synthesizers.

Pairing up the synth’s two oscillators with dual sawtooth waveforms, Mills captures the staccato articulation of Caribou’s chord stabs with careful application of the filter envelope, before dialling in pitch modulation and detuning and recreating the glitchy, ratchet-esque ornamentation using Super 8’s onboard delay. The bass patch is a slightly simpler affair, shaping a bolshy square wave with the synth’s envelopes and polishing it with a touch of filter resonance.

Topics covered:

0:00 Intro

0:23 Chord stabs

02:13 Sequence + variations

03:12 Bass

04:47 Combo

View the video and share your thoughts in the comments!

A ‘Universe of Filters’: Polyverse Music Filterverse Now Available


Polyverse Music has announced Filterverse, described as ‘the most powerful and musical multi-filter plug-in available today’, is now available to order.

Using Filterverse, any audio can be transformed into a melody, beat, or evolving soundscape, very different from the source material.

Filterverse was previously introduced as a beta release.

Official intro video:

Features:

  • Massive filter collection from timeless to futuristic
  • Refined algorithms capture filter behavior in minute detail
  • Many filters self-resonate and create pleasing saturation
  • Optimized for audio-rate modulation
  • Combine 3 different filters using extensive routing options
  • 8 different modulation sources available at once
  • Modulators can cross-modulate each other
  • Hundreds of presets by world-renowned producers
  • Intuitive user experience focuses on immediate results
  • Full stereo modulation, panning, and mid-side capabilities

Filterverse is available in VST2, VST3, AudioUnit, and AAX formats, making it compatible with the widest variety of host applications including Ableton Live, Apple Logic, Avid Pro Tools, Steinberg Cubase, FL Studio, Reason, PreSonus Studio One and many more. It can be used in 64-bit instances in Windows 7 and later, as well as in macOS 10.13 and later on both Intel and Apple Silicon CPUs.

Filterverse is available for $99 (full price $149). Bundle discounts are also available.