Archive for November, 2021

SP-1200 Reissue Now Available To Pre-Order

E-MU co-founder Dave Rossum has announced an official reissue of the SP-1200 sampler, described as ‘an authentic reissue of the iconic classic SP-1200 sampling percussion system’.

 

The Rossum SP-1200 reissue is engineered by the original designer and built and tested in the United States to his standards.

 

The Rossum SP-1200 sampling percussion system is a faithful reproduction of the sampler it’s based on, with a few key enhancements made “where they were compatible with the original design.” Rossum has replicated the electronics – analog and digital – as accurately as possible, retaining many authentic components and creating a sampler that authentically reproduces the sound and feel of the vintage instrument.

 

The original SP-1200 had an unmistakeable sound, characterized by audible aliasing and imaging artifacts produced by pitch-shifting samples. In an effort to preserve the gritty sonic character of the original, Rossum has retained the 12-bit linear data format and 26 kHz sampling rate found in the 1987 version.

 

As for the updates, Rossum has integrated a new memory card storage system that expands sampling memory to the maximum limit that the original sound engine can handle. Users can now work with samples of up to 20 seconds, twice the 10-second limit of the original unit.

 

The SP-1200 comes packaged with a 3.5′ floppy disk that’s loaded with modified software that allows users to import vintage SP-1200 disk images in the .HFE format, transferring sounds and sequences from the original units to the reissue through a standard MIDI cable.

 

In addition, Rossum has added sample monitoring capabilities. Users can now monitor the output of the machine’s input filter and amplifier through dedicated monitor output TRS jacks. Rossum has also redesigned the power supply, adding a power brick with an XLR-style, locking connector that, in conjunction with the four-layer circuit boards, brings down the noise floor and reduces the chance of unwanted interference and hum.

 

One component that the designers could not replicate was the original SSM2044 analog filter. Rossum has produced a new SSI2144 IC filter in partnership with Sound Semiconductor, which reprises the same analogue circuit in order to maintain the sound of the SP-1200 original filter.

 

Dave Rossum discussing his approach to creating the SP-1200 reissue:

 

 

Other updates:

 

Users can now monitor the input to sampling (the output of the SP-1200’s input filter and amplifier) at the mix output, or it can be switched out of the mix output by plugging a cable into its new dedicated monitor output jack, just like SP-1200’s individual channel outputs removes them from the mix output.

 

Rather than the fluorescent-illuminated backlight included with the first original SP-12 units, the classic 2-line, 16-character display is backlit using RGB LEDs, inspired by the LED-lit backlight displays equipped in later SP-1200 units. A new Set-up Special Function (#26) integrated into the Rossum SP-1200 reissue’s operating system allows users to adjust the brightness and color of the backlight.

 

SP-1200’s black play buttons use custom replica button caps and durable, low-resistance switches, chosen for their ideal travel and rated to keep their same feel for years. Dynamics can be performed using exactly the same classic technology invented specifically for SP-12 in 1984, and is faithfully maintained in the reissue.

 

As with all SP-12 instruments, the dynamics can be optionally disabled (Set-up 14) and Multi-Level mode is featured, allowing any dynamics to be performed with a lighter touch.

 

The SP-1200 reissue also features a new power supply and newly-constructed, four-layer circuit boards that lower the noise floor and avoid undesirable hums, without compromising the unique artifacts and dynamics of original SP-12 series instruments. The rear panel runs cool to the touch, and no vents are necessary in the rear panel.

 

Visit Rossum website to pre-order the Rossum SP-1200, with units expected to ship in January 2022.

 

 

 

 

 

Zplane TONIC plugin can detects the key and scale of any recording

 

 

Zplane TONIC is the latest in an increasingly long line of plugins that can detect the key of any audio you present it with. In fact, it will show you ‘compatible’ notes and chords in the relevant scale.

 

Tonic will actually display up to three potential keys, with a graph showing the probability of each one being accurate. A preview tool enables you to try out notes and chords to ensure you have got it right.

 

In addition, Offset in root tuning is also taken into account; recordings of acoustic instruments or those that were captured by analogue equipment may not be perfectly tuned to A=440Hz, so Tonic can detect and show the base tuning for the recording, and suggest keys based on that tuning offset.

 

“Many music-makers may have immense talents for creating unique and artistic music, while at the same time also struggle with some fundamental music theory such as determining the key of a piece of music”, reckons Chad Carrier, Product Manager at Zplane development.

 

“We created TONIC as a super easy-to-use tool that will help producers, remixers, beatmakers and performers by letting them know the keys for their music and audio, and show them the notes and chords that work within that key.”

 

Find out more on the Zplane website.

 

TONIC runs in VST/AU/AAX formats on PC and Mac and is currently available for the introductory price of €29, regular price €39.

 

 

 

Strymon Intros StarLab Time-Warped Reverberator For Eurorack

 

Strymon has introduced StarLab Time-Warped Reverberator, a modular reverb effect in Eurorack format.

 

Strymon StarLab reverb promises to time-warp you to places that other Eurorack modules can’t.

 

Following up 2018’s Magneto tape delay, Strymon has stepped back into the modular world with StarLab, which is described as a “time-warped reverberator”. The company says that it set out to create “the highest quality reverb possible for modular systems,” and one that comes with plenty of control.

 

You can choose from three reverb textures – Sparse, Dense and Diffuse – with each offering a different flavour. There’s also a delay – an expanded reverb pre-delay, in fact – along with a range of modulation effects that can be used on their own or in addition to StarLab reverb.

 

In addition, there is an LFO, and if you switch to Karplus-Strong mode, StarLab becomes a delay-based, CV-tuneable monophonic string synthesis voice.

 

You can go even deeper with the Size/Pitch knob, which changes the reflection density and response of the reverb while retaining the integrity of the audio within the reverb. You can also add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer.

 

Add a filter section – which enables you to sculpt both the reverb signal and the Karplus-Strong string synthesis voice – and an Infinite button (this freezes the audio at the input to the reverb core, while allowing any new audio to be processed by the reverb on top of the frozen audio) and you have got a serious, if slightly bewildering proposition.

 

Features:

 

  • Three selectable reverb types for a wide variety of ambient textures
  • DELAY/KARPLUS section with feedback
  • Delay assignable to output for mod/verb and delay/verb effects
  • Four-octave Karplus-Strong string synthesis mode with damping control for string/verb full voice capability
  • LFO section with various waveforms to modulate delay time, reverb size, or tone filters
  • FILTER section to sculpt the high and low EQ of the reverb and DELAY/KARPLUS section
  • HARMONICS section to enhance the aural spectrum of the reverb
  • Adjustable SHIMMER for adding pitch shifting of up to +/- 1 octave to the reverb
  • GLIMMER for dynamic enhancement of harmonics
  • Adjustable reverb core size to increase or decrease the space for reflections, allowing for pitch control of the
  • regenerating reverb content
  • 4-pole 24dB/octave variable resonance low pass filter
  • INFINITE freezes the input audio prior to the reverb tank
  • Independent WET and DRY level controls

 

An in-depth demo from sound designer Pete Celi:

 

Video Chapters:

 

00:00 What is StarLab?

00:27 Control Layout

01:00 Sparse Reverb Texture

02:42 Size/Pitch Control

03:54 Dense Reverb Texture

05:06 Diffuse Reverb Texture

06:18 Infinite Button

07:03 Filter Section

08:18 Low Pass Filter Q

08:59 Harmonics Section

10:03 Shimmer Interval

10:50 Regenerating Shimmer

12:00 Glimmer

13:12 Expanded Pre-delay

14:55 Echo Feedback

16:09 Tap/Trigger CV Input

17:22 Input Gain

18:20 LFO Target: Delay (Mod Effects)

19:23 Externally Clocked Delay + Mod

20:05 LFO Target: Pitch

20:59 Size/Pitch Quantize

22:09 LFO Target: Filter

23:21 LFO Shape: Envelope

24:13 Karplus-Strong String Synthesis

25:59 LFO in Karplus Mode

27:17 CV Tuning in Karplus Mode

27:54 String Damping

29:06 Fine Tune

29:41 Karplus Mode LFO Target: Filter

30:43 Portamento (Glide)

31:25 Karplus with Input

32:12 Tuned Infinite Voice

33:02 Onboard Favorites

 

 

Find out more on the Strymon website.

 

The Strymon StarLab is available now for $649.