Archive for July, 2021

Behringer TD-3 bassline synth takes it “to a whole new level” with a devilish modded version

 

It is worth noting about Behringer’s recent activity. First it announced a ‘new’ MKII version of its RD-8 drum machine – itself an emulation of Roland TR-808, of course – and now we have the TD-3-MO, a modded-out edition of the company’s TD-3 bassline synth.

 

This revision has an even more curious backstory; it’s a second-generation version of the TD-3 (a reboot of Roland’s TB-303 bassline synth) that appears to be based on Robin Whittle’s tricked-out Devil Fish 303. So, you might say that it’s a revised clone that’s also inspired by a previous mod project.

 

You may recall that Behringer provoked Whittle’s ire in 2020 when it posted a mock-up of a ‘Murdered Out’ TD-3 that appeared to bear similarities to the Devil Fish design. Though the name and colour scheme have changed, the TD-3-MO looks pretty much the same.

 

What this means in practice is all-new circuitry, a sub-oscillator for extra grunt, additional parameter controls, patching capabilities, a MIDI CC-controllable cutoff filter and more.

 

Features:

 

  • Analog signal path
  • Sawtooth and square waveform VCO with transistor wave-shaping circuitry
  • 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls
  • 16-step sequencer with 7 tracks, each with 250 user patterns
  • Filter frequency fully controllable via MIDI C/C
  • Sub-harmonics oscillator with switchable output level
  • Analog slide circuitry with external slide control
  • Slide Time control allows for variable slide time (up to 6 times longer)
  • Sweep Speed switch features 3 accent speed modes (slow, norm, fast)
  • Accent Sweep switch features 3 sweep combinations with high resonance mode
  • Filter FM control modulates frequency of the filter from the audio output of the VCA
  • Muffler circuitry features post VCA distortion with full bass response
  • Dedicated Accent push button to manually activate the accent
  • Soft Attack control for wide range of attack times for non-accented notes
  • Normal control for wide range of decay time for non-accented notes
  • Accent control for wide range of decay time for accented notes
  • Filter Tracking control for filter frequency tracking of the current note
  • Overdrive control adds insane spice and edge to your sounds
  • CV and Gate in/out connectivity
  • 16-voice Poly Chain allows combining multiple synthesizers for up to 16-voice polyphony
  • 15 controls and 33 switches
  • MIDI and USB implementation with MIDI channel and Voice Priority selection

 

Check out the video above for more details on the new features, or head to the Behringer website.

 

The TD-3-MO will be available priced at $199, with two options:

 

Silver Edition – TD-3-MO-SR

Amber Edition – TD-3-MO-AM

It is said to be shipping now.

 

 

Spitfire Audio Jangle Box Piano, to your DAW

 

Spitfire Audio has followed-up its emulation of the Mrs Mills Piano by bringing you another classic Abbey Road Studios keyboard instrument, the Jangle Box Piano. This forms part of the company’s Originals plugin series.

 

This famous Challen ‘studio’ piano is slightly smaller than a standard upright and was used by The Beatles on The Fool on the Hill.

 

Its name comes from the fact that the ‘jangle’ piano features brass-tipped strips of felt that can be dropped between the hammers to create a hard, percussive tone. It can also be played without these; in this guise the sound is darker and more mellow, with long sustain.

 

Spitfire Audio’s plugin gives you close, room and vintage signals, with the last of these comprising samples that were captured using vintage ‘60s equipment.

 

The six presets cover both tack and non-tack modes, and the six controls include the option to adjust the volumes of the sustain pedal and hammers. There are also Expression, Dynamics, Reverb and Tightness controls.

 

Find out more on the Spitfire Audio website.

 

The Jangle Box Piano weighs in at 8GB and is available now priced at $29.

 

 

MOTU Updates Digital Performer To Version 11

 

MOTU has released Digital Performer v11, a major update that adds Nanosampler 2.0, Articulation Maps, MPE support, Audio Retrospective Record, native Apple Silicon support and more.

 

What’s new in DP 11:

 

Articulation Maps

With DP’s new Articulation Maps feature, users can take full control of the expressive depth of today’s most advanced orchestral sound libraries, including VSL, East West, Spitfire, Cinesamples and many others. Users can create or import articulation maps to build dynamic instruments and ensembles, allowing them to play, record or program expressive performances with unprecedented realism and musical impact.

Each articulation can be mapped to a symbol, stem ornament, alternate notehead or custom text (such as con sordino) in DP’s QuickScribe notation editor. Symbols remain connected to their orchestra library sounds, so that what you see is what you hear. Because notes remember their symbol, users can instantly switch maps at any time (to a different sound library, for example). In addition, each articulation can trigger multiple forms of output, from on-velocity changes to note stacks, providing support for even the most advanced orchestra libraries, such as the VSL Synchron engine. DP’s Graphic Editor provides clear, intuitive editing of articulations in separate lanes.

 

Support for MIDI Polyphonic Expression (MPE) and Per-Note CCs

In DP 11, users can record multi-channel output from an MPE controller — such as a Roli Seaboard — as regular MIDI notes with encapsulated MPE expression data. After recording a range of gestures (strike, pressure, slide, glide and lift), users see a single stream of normal MIDI notes each containing their own note-specific controllers (generated by the performance) superimposed on top of each note for easy and intuitive editing in DP’s familiar piano roll. Or users can view and edit each controller in a separate lane using DP’s familiar and powerful continuous controller (CC) editing tools.

A new Scale tool allows users to increase or reduce the amount of expression by dragging up or down. MX4 and DP’s other included synth plug-ins are MPE-enabled, so users can get started with their MPE controller right away.

 

Audio Retrospective Record

DP11 adds audio to its Retrospective Recording capabilities. Now, DP always listens to both MIDI and audio input sources, capturing everything, even when not recording. Like magic, users can immediately recall any audio or MIDI material they’ve recently played. For both MIDI and audio input, Digital Performer ensures that you’ll never lose that precious, fleeting creative moment.

 

Nanosampler 2.0

This major upgrade of Nanosampler serves as every DP user’s go-to virtual instrument for creating unique beats, instruments and sounds. Drop in a sample and start stretching, slicing, randomizing and transforming audio into just about any sound or instrument you can imagine.

New features include: three playback modes (Classic, 1-shot and Slice), ZTX time stretching, beat slicing with Randomize and Auto Randomize, Repeat, Reverse, and a ground-up rewrite of the UI.

 

Support for macOS Big Sur and Apple Silicon Macs

DP11 is fully qualified for macOS Big Sur (11.x) and the latest generation Apple silicon Macs. No Rosetta required. Optimized for native multi-core performance, DP’s audio engine prioritizes audio threads on high-speed cores and reserves CPU bandwidth for critical, time-sensitive processing.

 

Clip Triggering With Novation and Akai Pad Controllers

Gain complete hands-on control of DP’s extensive Clips window with popular pad controllers like the Novation Launchpad Pro mk3 or Akai APC-40. Trigger individual clips or entire scenes (sections of songs). Apply filter sweeps and other effects processing as you go: Digital Performer is now a powerhouse live performance platform that can take your shows wherever you can imagine.

 

New Control Surface plug-ins for Native Instruments and Icon

DP 11 includes new control surface plug-ins for the current Native Instruments Komplete Kontrol lineup, including the M32, A-Series, and S-Series MK2 controller lines, plus hot new iCON Control mixing worksurfaces like the QCon Pro G2/EX, Pro X/XS, Platform Nano and Platform M/X series. These state-of-the-art control surfaces empower your DP workflow so you can work faster and more intuitively.

 

Enhanced Avid EuCon Support

DP’s EuCon plug-in has been substantially updated, including support for the Avid S6 console. In addition, you can now use a EuCon-compatible worksurface with DP running on Windows 10.

Other enhancements:

  • Live Performance Mode — All effects processing is done in real time, rather than pre-generated, for instant responsiveness in critical performance situations.
  • Chunk Folders and Playlists — Organize sequences and songs into folders and playlists. Playlists are perfect for building set lists for live shows.
  • Chunks List Split View — Improves chunk list management. For example, search for a chunk in one list section and then drag it into a folder or playlist in the other.
  • Multi-channel MIDI Tracks — You can now record and play multiple channels of MIDI data in a single track. Channel info is stored with each MIDI event in the track.
  • Enhanced View Filtering — Quickly show/hide individual MIDI channel data and/or specific event types with the expanded Track Selector.
  • Enhanced Support for MCU and HUI-compatible Control Surfaces — Includes improved automation toggling, scrub modes, send mode, loop toggle and much more.
  • More Control Surface Enhancements — V-Racks can now be displayed on all control surfaces (that support them). New track pinning modes ensure that you always see the tracks you need. New track indicator lights in the Sequence Editor and Mixing Board show which tracks are currently active on any control surface.
  • Track and Clip Effects — Every audio track, MIDI track and clip now has a transpose setting that leaves the original data unaffected. MIDI tracks and clips also have a quantize setting.
  • Intelligent Audio Interface Selection — On macOS, if you haven’t yet selected the audio hardware you wish to use with DP, it finds the best option for you.
  • Clips Window Enhancements — The ‘New Empty Clips Scene’ command fills empty cells with new empty clips. The ‘Double Clip Loop’ feature doubles the length of the looped portion in a clip.
  • List Font Scaling — Resize the text in DP’s list windows, independent of the scaling for the rest of the UI, with three independent controls for List windows, Project Notes and Lyrics.
  • Text Rendering and dialog box scaling on Windows — Optimized for the latest text rendering engine in Windows 10, DP’s text appears significantly crisper. DP also resizes system dialogs and menus appropriately for the size and resolution of your computer screen.
  • Dynamically Resizable Channel Strips — DP’s faders resize when you make the Mixing Board and Channel Strip windows taller (or shorter).
  • ‘Transpose Exclude’ option — A new track setting locks tracks from Transpose operations.
  • New Scale Tool — Quickly scales per-note expression data by simply dragging vertically.

Digital Performer 11 is available now, priced at $499, with upgrade pricing also available.