Suno Studio 2.0 ‘It’s Second Generation DAW ‘


Suno Studio 2.0 adds an AI chatbot that can control your project, transform sounds and generate custom plugins.

Suno has introduced Suno Studio 2.0, the second generation of the company’s browser-based DAW, which places the capabilities of Suno’s generative AI models in an environment that musicians and producers will be more familiar with, while offering greater creative control over their output.

While Studio’s abilities have previously been limited in comparison to conventional DAWs, Studio 2.0 finds Suno introducing standard features that you’d expect to find in more traditional music software, like MIDI support, parameter automation and latency compensation, alongside more advanced AI-based features, such as the new agentic AI chatbot Studio Chat.

Suno says MIDI integration has been the most requested feature for Studio from its user base, and in its latest version you can import, record and edit MIDI on the timeline or in the newly-added MIDI editor, just as you would in any other DAW, and there’s audio-to-MIDI conversion onboard too.

Unlike most DAWs, however, Studio flips that on its head, converting MIDI to audio using Suno’s generative engine. This feature transforms, or “covers”, MIDI clips on any instrument track into audio clips that feature a different instrument, timbre or style (specified using the chatbot) while preserving the pitch, rhythm and dynamics from the original MIDI part.

New MIDI clips can also be created using Studio Chat, allowing you to generate melodies, chord sequences or drum patterns from text prompts.
Studio also equipped with a horizontal channel strip for each track that runs along the bottom of the interface – a familiar workflow for anyone that’s used a DAW before – which can be populated with software instruments, like the new Wavetable synth, or a number of newly-added stock audio effects, including reverb, delay, compression, distortion, EQ and noise gate.

Alongside the introduction of a more traditional music production workflow, Studio 2.0 brings a number of AI-powered features you won’t find in many DAWs. The most notable of these is Studio Chat, an agentic AI chatbot that can control the DAW in response to your instructions, generating sounds, organizing your project or editing MIDI and audio.

The most unique aspect of Studio Chat is its ability to build customized audio effects. AI-powered vibe coding tools that turn prompts into plugins are nothing new, but this is the first time we’ve seen this kind of capability baked directly into a DAW.

In the video demo embedded above, Suno’s Henry Phipps generates a basic rotary cabinet-emulating tremolo effect, but promises that the possibilities for plugin generation are “very broad”. (While plugin creation doesn’t currently require credits, Suno says that “a credit structure may be introduced in the future”.)

In a press release, Suno says that Studio 2.0’s new features were developed in response to lessons learned from user feedback. “Over the past year we have seen artists at every level spend hours at a time using our tools, and their feedback and ideas have shaped our understanding of music-making,” the statement reads.

“Perhaps our biggest takeaway from spending time with artists is their deep appreciation for the instruments and tools that have earned a place in their studios. There is a long lineage of pre-AI music technology that many musicians (along with us folks building Studio) love and rely on.

“These modern music foundations, like guitars, drum machines, synths, effects and step sequencers are tried and true, and those familiar ways of interacting with sound ought to be available in the next generation of music software, including Suno Studio.

“Studio has always been about helping you turn a spark of inspiration into a finished work you can call your own. Studio 2.0 is the next step in that direction, giving you more ways to get inspired while providing access to the workflows you’re already most comfortable with.”

Suno Studio 2.0 is available now for subscribers to the platform’s Premium tier, which is priced at $30/month or $24/month billed annually. Find out more on Suno website.

Third-Party Integra-7 Editor Provides Native Control For Roland’s Rack Synth


Integra-7 Editor, also called i7Ed, is a third-party native editor for the Roland Integra-7 sound module.

It communicates directly with the hardware over MIDI/SysEx and provides access to parameters that otherwise require navigation through the module’s front panel.

The editor supports Linux and Windows and provides access to Studio Set settings, all 16 Parts, PCM and SuperNATURAL tones, effects, Master EQ, and system settings.

Features:

  • Native editor for the Roland Integra-7
  • Direct communication with the hardware over MIDI/SysEx
  • Linux support
  • Windows support
  • Access to Studio Set parameters
  • Editing access for all 16 Parts
  • Access to PCM tones
  • Access to SuperNATURAL tones
  • MFX editing
  • Chorus editing
  • Reverb editing
  • Master EQ editing
  • Access to Sound system settings
  • Access to Sync/Tempo settings
  • Access to MIDI system settings
  • Access to Motional Surround settings
  • Access to Control system settings
  • Command palette for locating parameters by name
  • Searchable dropdown menus
  • Individual sections can synchronize their state on demand
  • Each section can be opened in its own window

Integra-7 Editor is available now for Linux and Windows for €59.00

Dusk Audio Releases Free Tape Echo 2 Plugin For Linux, Mac + Windows


Dusk Audio has released Tape Echo 2, a free three-head tape delay and spring reverb plugin that models the tape transport, record and playback chain, tape aging, regeneration, and mechanical behavior of a tape echo.

Tape Echo 2 is a free, unofficial copy of the Roland Space Echo that they say is modeled from the record head through the output amplifier. Its three playback heads share a single ‘motor’, with their positions determined by fixed mechanical ratios. Changing the Repeat Rate therefore changes the timing of all active heads together, with motor inertia producing a glide between speeds.

The plugin also models tape saturation, wow, flutter, hiss, level variation, tape splice dropouts and self-oscillation. A spring reverb uses three unequal modeled springs, and 12 modes provide different combinations of the three playback heads and reverb.

Features:

  • Three playback heads driven by a single modeled motor
  • Twelve echo modes covering individual heads, multiple-head combinations and spring reverb
  • Head 1 delay range of approximately 70 to 178 ms
  • Heads 2 and 3 use fixed mechanical ratios relative to Head 1
  • Combined multi-head modes produce rhythmic repeat patterns
  • Motor inertia produces gradual changes in repeat speed
  • Eleven host-tempo synchronization note divisions
  • Tempo synchronization respects the physical range of the modeled tape transport
  • Three Tape Age conditions: New, Used and Old
  • Tape Age simultaneously affects wow, scrape flutter, hiss and playback-level variation
  • Modeled tape saturation and record/playback chain
  • Regeneration control ranging from a single repeat through cascading repeats and self-oscillation
  • Self-oscillation is modeled through tape saturation, record-chain compression and tape-flux behavior
  • Spring reverb modeled with three unequal springs
  • Two allpass diffusers create a denser spring-reverb tail
  • Twelve echo/reverb routing modes
  • Record Input switch can mute the tape feed while leaving the spring reverb active
  • Independent Echo and Reverb volume controls
  • Independent Echo and Reverb panning
  • Bass and Treble controls for the echo return
  • Dry/wet Mix control
  • Record-path VU meter with analog-style ballistics
  • Peak indicator referenced to digital full scale
  • Automatic tape splice dropout as the modeled tape join passes the heads
  • 13 factory presets
  • Resizable interface
  • Full parameter automation support
  • Supports sample rates from 44.1 kHz to 192 kHz
  • Linux support with VST3, LV2 and CLAP formats
  • Windows support with VST3 and CLAP formats
  • macOS support with VST3, AU, LV2 and CLAP formats
  • Requires a 64-bit DAW supporting a compatible plugin format
  • Open-source software released under the GPL-3.0-or-later license

Tape Echo 2 is available now as a free download. Dusk Audio states that all of its plugins are free and open source. Version 1.0.0 supports Linux, Windows and macOS in the plugin formats listed above.