AAS Releases Objeq Delay 2, Acoustic Filter & Delay Plug-in


Applied Acoustics Systems (AAS) announced the release of Objeq Delay 2, the brand-new version of their acoustic filter and delay plug-in.

Dual modulators provide LFOs, dynamic touch, and pitch tracking — used independently or combined for intricate, evolving effects. Four delay topologies range from straightforward one-tap to complex four-tap with psychoacoustic panning. AAS’s morphable acoustic filter weaves through it all, transforming these powerful tools into something entirely new.


Next-level delay — Introducing Objeq Delay 2. Objeq Delay 2 reimagines delay by merging classic techniques with acoustic resonance. Four delay topologies range from “elegantly simple” to “intricately novel,” with select modes featuring immersive psychoacoustic panning. Dual modulators provide LFOs, dynamics-based controls, and pitch tracking, enabling evolving and responsive effects. AAS’s morphable acoustic filter weaves through it all, transforming these powerful tools into something entirely new.

“Objeq Delay 2 grew out of everything we learned building the original, and then pushed further than we initially imagined,” says Eric Thibeault, lead product designer at Applied Acoustics Systems. “The four topologies each bring a distinct creative angle, the additional modulator adds real expressiveness throughout, and the redesigned acoustic Objeq filter—with its morphable objects and frequency-response inversion—gives the whole thing a sonic character that I think adds to any production arsenal.”

New Objeq Delay 2 features include:

  • Four delay topologies — one-tap, two-tap, four-tap, and split, each designed for a different kind of echo, rhythm, and spatial motion.
  • One extra modulator — for complex, evolving effects.
  • New Objeq module — features morphable object types and frequency?response inversion for a wider range of resonant colours.
  • New user interface — fresh look with improved visual clarity.
  • Brand-new library — 100+ inspiring presets for instant use, exploration, and discovery.


Objeq Delay 2 runs on both macOS and Windows in 64-bit hosts that support the VST3, Audio Units, and AAX Native formats.

Objeq Delay 2 is available now. Normally priced at $99 US, Objeq Delay 2 is available at a 20% discount until May 5, 2026.  The upgrade for Objeq Delay 1 registered users is priced at US$49, but until May 5, is available for only $39.

For additional information on the new AAS Objeq Delay 2 Acoustic Filter and Delay plug-in, go to the AAS website.

 

Tentij Instruments Orb Optical Reed Bass


Tentij Instruments shared this short demo of the Orb Optical Reed Bass, a fully analog, two-octave bass piano that is designed to recreate the character of a vintage Wurlitzer in a lower register.

It’s designed for creating basslines with a distinctive low-end growl

Here’s what they have to say about it:

“At the heart of the instrument are optically amplified carbon-fiber reeds, paired with true hammer action. This combination gives the keys a light yet responsive touch and produces a deep analog bass tone.

Tuning is easily done from the outside with the included tool, no need to open the instrument.

The ORB MK1 comes with a ¼” jack output (line-level), USB-C port, and tone and volume knobs with color-coded LEDs. All this makes it a versatile and studio-ready instrument that is surprisingly compact.

Each ORB MK1 is handmade with careful attention to detail. Its vintage-inspired exterior reflects the classic roots of the instrument, while the innovative internal mechanism features a fresh, modern approach to electric piano design: old-school aesthetics with new engineering.”

Here’s a look inside the Orb, and how you can adjust the action:

The Tentij Instruments Orb is available for €1,499.00. A Pro edition is also available.

 

UDO Audio DMNO Multitimbral Polyphonic Synthesizer Review + Demo Round Up


The UDO Audio DMNO Multitimbral Polyphonic Synthesizer is now available and, along with it, several reviews and demos.

The DMNO is an 8-voice, 2-part multitimbral synthesizer, featuring two independent 4-voice analog-hybrid synthesizers, each equipped with their new Dynamic Multi-Core Stereo VCF.

In the first video, embedded above, loopop synth guru Ziv Eliraz shares his usual in-depth take, covering the DMNO’s features, workflow and pros and cons.

Below, synthesist Starsky Carr offers his take on the DMNO:

In the next video, composer and sound designer Hazel Mills, demoing the patches that she contributed to the DMNO’s preset library:

In the final video, synthesist Martin Stürtzer shares an improvisation featuring the new UDO DMNO.

Here’s what he has to say about it:

“Part 1 starts with a deep unison drone, followed by a pad sound played on the upper layer. Then I change the patch to a modulated pad sound.

Part 2 shows the DMNO with sequencer patterns. The DMNO is a lot of fun to program, I made the five patches today.

The delay is from the internal effects, I added an external reverb to the sounds. Recorded and mixed in Bitwig 6.”


Watch the UDO DMNO synth reviews and demos, and share your thoughts on it in the comments!