‘Maschine is alive and evolving’ New Maschine 3.7 Gets Major Update


Maschine 3.7 adds probability and Euclidean sequencing, and launches alongside a new Maschine Expansion packs.

In May, following a turbulent few years of leadership changes, mergers and financial struggles, Native Instruments was acquired by InMusic, joining a roster of brands that already includes the likes of Moog Music, Akai, Rane and Alesis.

While some longtime users might be wary of the move, it promises to bring stability to a brand responsible for some of the most notable – and widely used – product lines in the music technology space, including Kontakt, Traktor and Maschine.

Against this backdrop Native Instruments is also approaching its 30th anniversary, having released its first software instrument, the Reaktor precursor Generator, back in 1996. To mark the anniversary the company is releasing Maschine 3.7, the platform’s first major update since the InMusic acquisition, as well as three Maschine-focused sound packs. (Maschine 3.6 did land after the announcement, focused mostly on compatibility, bug fixes and UI/audio improvements).

The main focus of Maschine 3.7 is a trio of sequencing tools designed to add spontaneity and variation to patterns. The first of these is a random note generator designed to generate patterns based on probability. This can be used to create randomised percussive, melodic or chord patterns. Users also get the option to control the level of velocity randomisation within the notes created.

This is joined by note probability, which lets users dictate a chance level for each note in a sequence. This dictates the level of randomisation for each note every time the sequence cycles. Probability Lock allows users to capture a cycle of randomised notes, offering another way to generate pattern ideas using the randomisation tools.

The third new tool is a Euclidean sequencer, a popular tool in the modular realm that lets users program sequences by distributing events as evenly as possible over a set number of steps. Here, a real time mode lets Maschine users alter the step length, events and rotation in real time to create shifting patterns. These are undoubtedly welcome additions to the Maschine toolkit.

Native Instruments is clearly aware of the need to reassure longtime users that Maschine hasn’t been forgotten with the move to InMusic, issuing a press release that pitches the update as: ‘New update. New sounds. Continued support. Maschine is alive and evolving, and this update packs in a host of fresh features.’

Alongside the new features for Maschine 3.7, the company is launching new Maschine Expansion packs. The first of these, Thirty, is a compilation of sounds ‘resampled’ from the company’s own back catalogue, drawing on samples from Reaktor, Spotlight Series, Play Series, Massive X and more to create 30 Maschine kits, 89 loops, 291 drum samples and 85 one-shots. Whether you call this a celebration of NI’s legacy or a bundle of repackaged sounds probably depends on how generous you’re feeling towards Native Instruments.

The second pack is named Paris Heat and focuses on the classic French house sound of the ‘90s and early-’00s. This totals 40 Maschine kits, 108 loops, 314 drum samples and 127 one-shots, aiming to capture the crunchy drum machines, filtered samples and warm synth tones that defined the sound.

The final pack is more forward-looking. Titled Rage Circuit, it focuses on the sound of the EDM-adjacent trap sub-genre associated with artists like Lil Uzi Vert and Playboi Carti. The pack is created in collaboration with US producer Snipe Young, who has worked with the likes of Beyonce and Justin Bieber, and has created a variety of other NI and Akai sound packs in the past.

“30 years is a moment worth celebrating. This milestone couldn’t be reached without the producers and musicians who took NI’s instruments and made history with them,” says Tim Adnitt, Senior Director of Product Management at Native Instruments. “Maschine 3.7 gives those producers and musicians new ways to write, sequence, and perform, and with Thirty, Paris Heat, and Rage Circuit arriving together, this is one of the biggest weeks for Maschine sound content we’ve ever had.”

Maschine 3.7 is available now as a free update for Maschine 3 users. The new packs are all available now. Paris Heat and Rage Circuit are $49/49€ each, while Thirty is available for $30/30€. Visit the Native Instruments site for more info.

 

 

Elektron Bans Discussion Of Firmware Mods From Its Forum, Elektronauts


Swedish gear manufacturer Elektron has announced that it is banning discussion of specific firmware hacks or mods from its official forum, Elektronauts, because of concerns over protecting its intellectual rights and the potential for ‘bricking’ hardware.

Elektronauts has long been a hub for discussion around not only the company’s instruments and gear, but also the craft of electronic music-making more broadly.

Recent months have seen a rise in virtual hardware and firmware mods being shared on the site. Examples covered here include Elektron Monomachine Alternate Firmware, an Open-Source Project Brings New Features To Elektron Octatrack, and a New Project That Brings Elektron Monomachine, Machinedrum To Your DAW, in what the company is calling a “surge” in custom firmware fuelled by the increasing popularity of AI-assisted coding, prompting the company to put its foot down and prohibit the facilitation and promotion of mods and hacks across both Elektronauts and Elektron’s social media channels. The policy applies to currently supported instruments, legacy Elektron machines and even gear from other manufacturers.

Elektron shared this statement:

“We wanted to contribute to the discussion around hacking that has developed here on Elektronauts and other forums in recent weeks.

Firstly, we very much understand the excitement around exploring firmware and hardware and modding instruments. That spirit of curiosity and experimentation is, after all, a pretty important part of our own early story here at Elektron.

But importantly, as many of you have already mentioned, Elektronauts isn’t the place to be sharing hacks, or facilitating or promoting the modification of firmware on currently supported machines or those from preceding generations. That includes sharing, requesting, or directing people to the files, tools, repositories, or instructions needed to do so. We would always warn against modifications to our firmware and/or machines that could brick them (potentially rendering them unusable), prevent future updates, affect warranty coverage, and in some cases raise concerns around Elektron’s intellectual property. Something that looks like a simple change in isolation can lead to major problems elsewhere, particularly when a later official OS arrives, and can confuse users about which features are officially available on our machines.

For this reason, we’ll be removing topics or comments that we consider to cross that line, including in relation to gear from other manufacturers. The same applies to our official social platforms.

This policy also covers all legacy machines. We also need to protect Elektron’s intellectual property, and therefore do not permit the development or distribution of firmware or hardware that makes unauthorized use of it, for profit or otherwise.

General discussion around the topic is one thing, and not something we seek to inhibit, but we draw the line at distributing actionable material or actively encouraging people to install modifications that could damage their machines.

Curiosity is understandable. Bricked boxes – as we are sure people will understand – less so.

If anything here requires further clarification, please contact our Support team directly.”

This trend is not limited to Elektron. Third party developers have announced projects to create virtual machines for a wide range of synths in recent months, along with alternate firmware for vintage machines from Roland and others.

These hacks and mods can being new life to old hardware, and let vintage digital synth firmware work within modern workflows. But developers have to walk a fine line to ensure that their projects do not infringe on company’s copyrighted code.

How do you think companies like Elektron and Roland should handle this emerging trend?

 

Minimal Instruments Nagi Offers A No-Code Route To Building Native Audio Plugins


Nagi is a new desktop application for designing and building native audio plugins, with no manual coding required.

Nagi’s workflow combines a visual node editor, Faust DSP code and an interface designer in a single application, with an integrated audio preview that lets users hear a patch before compiling it.

The node editor provides audio, MIDI and parameter ports and includes ready-made nodes for functions including oscillators, filters, dynamics, reverb, chorus, flanger, de-essing, formant filtering and stereo imaging. Users can switch from the visual graph to Faust code when more detailed DSP control is required.

Nagi also includes an AI assistant that can generate Faust DSP or GUI layouts from natural-language requests.

Features:

  • Visual node editor for building DSP signal chains
  • Audio, MIDI and parameter ports on a single canvas
  • Ready-made nodes for oscillators, filters, dynamics and effects
  • Reverb, compressor, chorus, flanger, de-esser, formant filter and stereo imager nodes
  • Knob, slider and button nodes that bind directly to parameters
  • Integrated Faust DSP editor
  • Full Faust standard library support
  • Syntax highlighting and inline diagnostics
  • Built-in GUI/interface designer
    • Knobs, sliders, buttons, meters and spectrum displays
    • Envelope displays, filmstrip animations, keyboards and preset browsers
    • Per-widget range, skew and response-curve controls
    • Local AI assistant for generating Faust DSP or GUI layouts
  • AI-generated material can be replaced or added to an existing project
  • In-app audio preview before compiling
  • Native VST3 and CLAP plugin output
  • Windows, macOS and Linux support
  • Universal macOS binaries for Intel and Apple Silicon
  • MIDI instrument plugin support
  • Project files stored locally without requiring an account to build

Nagi is currently available as a public beta. The core application is free to download, patch and build plugins, with no account required for those functions. During the beta phase, the Nagi Pro evaluation license is listed at $0 and supports three machines. Final pricing is to be announced.