Elektron Acquires By Swedish Media Group Investment Company Bonnier Capital


Elektron Music Machines AB, the Swedish manufacturer behind electronic instruments such as the Digitakt sampler, has been acquired by investment firm Bonnier Capital.

Bonnier Capital today announced that it has acquired Elektron Music Machines AB, says day-to-day operations will continue unchanged

A press statement from Elektron today confirmed that the “team, brand and product development focus” of the company will remain intact, and day-to-day operations will “continue as usual” for customers, partners and the broader Elektron community. Elektron will maintain “full independence” and will continue to operate from its headquarters in Gothenburg, as well as its subsidiaries in Los Angeles and Berlin.

“Joining Bonnier marks an exciting new chapter for Elektron,” reads a statement from Elektron CEO Alexander Hellström. “It gives us the support and strategic backing to keep doing what we love most – creating inspiring instruments and pushing the boundaries of sound and performance.

“At the same time, this is just the beginning of a more ambitious journey ahead. Together with Bonnier Capital, we see strong opportunities to grow further, as we expand our role in shaping the future of electronic music creation.”

Hellström, along with Elektron’s former CEO and owner Jonas Hillman and other members of its management team, will reinvest in the company alongside Bonnier Capital, a decision that the press statement says “reaffirms their ongoing commitment and active participation” in the company’s future.

“Elektron has built a truly distinctive position at the intersection of technology, creativity, and music culture,” says Bonnier Capital’s Investment Director Jonas Von Hedenberg.

“We are deeply impressed by the team’s craftsmanship and vision, and we see strong alignment with our long-term approach to building enduring, creative businesses in the music industry. Our ambition is to support Elektron’s continued growth while preserving the unique identity that has made it so respected by artists worldwide.”

Bonnier Capital is the investment arm of Bonnier Group, a family-owned Swedish media group of around 175 companies founded in 1804.

Though the purchase of a controlling stake in Elektron Music Machines AB marks its first investment in the electronic instrument sector, there are several music-related companies in Bonnier Capital’s existing portfolio, including music creation app Starmony and COLORSXSTUDIOS, an “aesthetic music platform” with a popular YouTube channel and broad social media following.

Founded in 1998 by Daniel Hansson, Anders Gärder and Mikael Räim, Elektron was acquired by Jonas Hillman in 2005, who became the CEO and majority owner. In 2016, Swedish private equity firm Arctos Equity Partners acquired a 28% stake in the company to fund product development and international expansion.

Bonnier Capital’s acquisition is a significant change in ownership for one of the most respected hardware manufacturers in electronic music-making.

Elektron is a beloved manufacturer with an innovative design philosophy that’s been hugely influential over its 28-year history – whether that “unique identity” will ultimately be sacrificed to meet Bonnier Capital’s growth ambitions remains to be seen.

For customers, partners, and the wider Elektron community, Bonner says that the day-to-day operations, product development, and existing commitments remain unchanged.

 

Reason 14 Now Available As Beta Release, Here’s What’s New


Reason Studios has announced Reason 14, a major update to their flagship DAW that features an all-new Track Panel, Rack per Track architecture, and the RV-9 Reverb.

It’s currently available as a beta release.

New in Reason 14:

  • The new Track Panel provides a full overview of devices, signal chains, send levels, and panning for the selected track—reducing the need to move between views. Combined with Rack per Track, which gives each track its own dedicated Rack column, navigation becomes more immediate and intuitive
  • Reason 14 introduces important updates to the sequencer, including:
    • Track Folders for better organization
    • Looped clips for faster arrangement and editing
    • Improved piano roll editing, including velocity handles
  • Another key feature in Reason 14 is RV-9 Reverb Station. RV-9 combines algorithmic and convolution techniques to deliver richer, more detailed spatial effects. It includes a full range of reverb types—from realistic spaces and hardware to unique granular and spectral algorithms—along with modern features such as shimmer, ducking, and integrated EQ.
  • Other updates include:
    • Dark Mode Mixer.
    • MIDI note chase.
    • Automatic tempo detection for imported audio.
    • Updated Factory Sound Bank ,with over 900 new drum samples and new patches.
    • An updated Rack Extension SDK, with improved interface capabilities.

Reason 14 is available now as a public beta and due for release in May.

Pricing:

  • Reason 14 starting at $299 / €239 / £299
  • Reason 14 upgrade starting at $99 / €79 / £99
  • Reason Rack 14 starting at $199 / €159 / £199
  • Reason Rack 14 upgrade starting at $79 / €69 / £79

Subscription:

  • Reason+ subscription (including Reason 14 and Reason Rack 14) starting at $169 / €135 / £169 per year
  • Reason Rack subscription starting at $99 / €79 / £99
  • Customers who purchased Reason 13 or Reason Rack 13 after March 1, 2026 qualify for a complimentary upgrade.

Visit the Reason Studios site for details.

 

Make Noise Introduces Gestural Time Extractor Eurorack Module


Make Noise has introduced their latest module in the New Universal Synthesizer System, the Gestural Time Extractor.

The Gestural Time Extractor (GTE) is an analog pulse extractor and Channel Index Translator. From the motion of the signal at the Span input, GTE derives up to eight individual channel pulses, as well as a GTE pulse stream, representing the speed of motion of the input signal, and two gate outputs representing activity at the even and odd channels.

The Space parameter determines the threshold proximity of the channels to each other and thereby also the sensitivity and reactivity of the GTE and other outputs.

When the Clock input is in use, the GTE’s output channel will only change upon reception of a trigger or gate, allowing for changes to easily be synchronized with other existing events in the system.

With all controls set to starter min-max positions, the GTE also operates as a Channel Index Translator for PoliMATHS and other New Universal Synthesizer System modules that generate Channel Index signals, allowing the accurate derivation of individual channel gates from activity at the respective channels of the source module.

The GTE can be used to generate repeatable and controllable rhythm and timing information from any analog synthesizer signal, whether arbitrary or targeted, and is also useful for individual voice timing signal generation within a multi-voice N.U.S.S. system.

 

Features:

  • Extract rhythms, clocks and pulse streams from any control voltage source
  • Opens up the patch programmability of the N.U.S.S.
  • Synchronize GTE to any clock source with the Clock input
  • Use GTE to synchronize any event in your system with Activations from PoliMATHS and MultiWAVE – regardless of Span mode
  • Compact and powerful analog module
  • Pairs well with MATHS, PoliMATHS or Jumbler

The Gestural Time Extractor is available now for $179 USD.