Serendipity L-Thing vs D-Thing+ Give You New Ways To Play Moog DFAM & Labyrinth Synths


In the video, Sam Stosuur takes a look at the Serendipity D-Thing+ and L-Thing, two devices that offer new ways to play the Moog DFAM & Labryinth synths.

  • The D-Thing+ transforms the Moog DFAM, adding reset, swing, step control, micro-timing, shuffle, reverse, random modes, and MIDI/CV clocking — turning a brilliant but limited sequencer into a powerful performance instrument.
  • The L-Thing is built to pair with Moog’s Labyrinth, providing dual clocks, polymeter and polyrhythm modes, Euclidean rhythm options, and generative sequencing that pushes Labyrinth far beyond its stock behavior — while still working with any CV-capable synth.


Topics covered:

0:00 — Intro: Serendipity + what we’re testing

0:23 — Why DFAM needs this (no reset, studio workflow)

2:23 — D-Thing+ reset explained (DFAM’s biggest quirk)

2:52 — Step length control (1–8 steps)

3:43 — Multi menu: step loops beyond 8 steps

4:58 — Micro menu: per-step microtiming / swing feel

5:02 — Sequencer modes overview (normal, reverse, bounce, odd/even, shuffle)

6:34 — Random mode + MIDI/CV modes

8:35 — L-Thing intro + what it unlocks on Labyrinth

10:03 — Patching L-Thing to Labyrinth (clock + bit flip)

11:06 — Sync setup: D-Thing+ clocking L-Thing + reset in sync

11:34 — LFOs + using it with other Moog (Grandmother/Matriarch)

12:44 — Polymeter setup: beats/bar + length tricks

13:42 — Polyrhythm mode (firmware note + chaos)

14:59 — Fast performance tweaks / weirdness

17:56 — Wrap-up: who these are for + closing

For more info, visit the Serendipity site.

 

 

No Talking & Play: 50 Patches For Moog Labyrinth


Sound designer Anton Anru shared this video preview of Circuit Maze, a new collection of 50 patches for Moog Labyrinth semi-modular synthesizer.

“I wanted to fully explore Labyrinth’s capabilities, dive deep into its unconventional workflow, and have fun with its distinctive sequencing approach, which is unavailable on other synths,” notes Anru. “The result is a collection of 50 patches designed to inject unique and evolving patterns into any track or performance.”

The soundset is provided as a PDF document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. Anru adds, “If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.”

*Note: Because of the Labyrinth’s generative sequencing features, your sequences will be different from the ones demonstrated in the preview video.

Circuit Maze is available now for $24.95.

HOW TO Use The Moog Labyrinth As Your Main Sequencer


In the video, synthesist Matthew Piecora (aka EZBOT) digs into how he uses the new Moog Labyrinth synthesizer as the sequencer ‘brain’ for a compact modular techno rig.

As always with Piecora’s videos, he shares tips and tricks based on a deep understanding of his gear, and shows how to create a rig that works well for live performance.

“The Labyrinth is fine on it’s own, but what if we use it’s generative sequencer to sequence our other modules?” asks Piecora. “I am finding this workflow is fantastic for techno production, and sampling in general. The riffs that you can pull out of a quick session are awesome!”

Topics:

0:00 Start!

01:15 What we are working with

03:46 My techno rig for generative everything

10:02 Do this on your Digitakt kick drums

29:08 Nice minimal techno jam

30:17 Talking to the chat and goin off on tangents

48:44 Sampling the siren for a bassline

53:25 TECHNO

1:01:59 Labyrinth is a sequencing monster, too easy

1:19:23 TECHNO AGAIN

1:21:09 Digging this groove big time

1:22:17 CLOUDS for the win

1:27:44 ambient improv breakdown

1:39:40 HYPER FX TEMPLATE DEMO

1:42:56 SWEET SPOT just as we are leaving

View the video and share your thoughts on using the Labyrinth as a modular sequencer brain in the comments!