Neve 1073SPX-D “The World’s First Genuine 1073 Interface”


For over sixty years, Neve preamps have stood as a pinnacle of studio technology, empowering engineers, artists, and producers to unleash their creativity.

The Neve 1073 is one of those pieces of studio gear that gets mentioned in hushed tones along with names like Pultec, Fairchild, the Space Echo and 1176.

The preamp and EQ was originally developed by Rupert Neve back in 1970 and installed in a recording console at Wessex Sound Studios. That console was first used by King Crimson and later by acts including Queen and the Sex Pistols and its sound and reputation quickly spread, largely down to the character imparted by its 1073 preamps.

That sound comes when the transformers in the 1073 are pushed – but not too hard – into saturation, adding a wonderful controllable colour that delivers both punchy mid and warm low frequencies.

The preamp became so in demand that AMS Neve has continued to produce a classic version of the 1073 to this day.

There are also many other modern variations on the 1073 theme, with Neve producing everything from the 500-series version, the 1073LB, to the two-channel, 3-band EQ 1073DPX.


Now, the 1073SPX-D takes this legacy to new heights, seamlessly blending analogue tradition, with digital innovation.

Now small home studio setups, or artists on the road can access the famed 1073 sound. The 1073SPX-D combines the legendary 1073 preamp with a USB and ADAT interface for the first time ever.

The new 1073SPX-D is the first official Neve 1073 interface. It features a full 1073 channel strip front end with a three-band EQ, and combines it with USB and ADAT digital connections, all in a 1U, 19-inch rack unit.

The 1073SPX-D is effectively a nine input (one analogue, eight ADAT) and 12 output (four analogue, eight ADAT) interface. It can be used as a hardware insert in your DAW, so any track can be routed through the interface’s analogue circuitry and benefit from that 1073 charm.

There’s obviously some decent analogue to digital technology required so Neve has packed in “pristine” 192kHz and 24-bit AD/DA conversion.

The interface is said to be plug-and-play for both Mac and PC users and also features balanced inserts, metering, a high-powered headphone amp, and an output fader.

Robin Porter, the Chief Engineer at AMS Neve says: “Now small home studio setups, or artists on the road can access the famed 1073 sound directly from their desktop or laptop computer, without the need for additional equipment.

“When our team began development of the 1073SPX-D, a no compromise approach to circuit design was applied throughout, ensuring that the 1073SPX-D remains true to the Neve name, and delivers the sound quality that our customers demand”.


The Neve 1073SPX-D will cost £2,295 (around $2,900) and you can get more information from the AMS Neve website.

 

 

Song Athletics Launches Sloppy Drums Sample Pack


Song Athletics Sloppy Drums sample pack inspired by J Dilla and Madlib. It is made up of loose and limber drum patterns fit for use in hip-hop and neo-soul.

Song Athletics is a new company launched by former Spitfire Audio CEO Will Evans. Late last year, it launched with Some Drums, a sample pack featuring drum loops recorded by drummer Marc Pell on a ’60s Ludwig kit.

This week, Song Athletics returns with another drum-focused sample pack, Sloppy Drums. Inspired by the laid-back, off-beat stylings of J Dilla, Madlib, Flying Lotus, and Thundercat, the pack is said to capture the sound of “studio drums that will give your music a lazy complexity”.

Performed and recorded by drummer Chris Boot, known for his work alongside Lone, Daughter and Georgia Anne Muldrow, Sloppy Drums features a Rogers USA ’72 Fullerton kit. As is typical of Dilla and Madlib, the drum patterns found in the pack are loose and lazy, hanging behind the beat to create a heavily swung and rhythmically flavourful feel reminiscent of hip-hop and neo-soul.

Sloppy Drums Sound Demo:

Sloppy Drums is priced at £25, the pack is comprised of 40 loops, 30 stems and 60 one-shots, all royalty-free and ready to use in your productions. Find out more on Song Athletics’ website.

 

 

Panda MIDI introduces Future Impact V4 Bass/Guitar Synth Pedal


Panda Audio has introduced the Future Impact V4, an updated version of their bass/guitar synth pedal.

The Future Impact is an example of Internet forums actually being a force for good.

The Future Impact began life back in late 2014, when enthusiastic members of the Talkbass.com forum tracked down Andras Szalay to ask him if he’d be able to reissue the discontinued Deep Impact, which he had designed for Akai in the 1990s. Szalay agreed, but with more ambitious plans: the Future Impact was developed not as a reissue, but as an entirely new and vastly-improved synthesizer and effects pedal.

The Future Impact V4 features a completely new hardware and software platform.

Here’s what’s new:

  • Latest 32-bit ultra-high quality A/D and D/A converters;
  • New, app-based loading system expands the digital hardware with new apps;
  • Vastly advanced pitch tracking, based on 30+ years of experience;
  • CV/Gate output to drive analog synthesizers with guitars;
  • Hard Sync between oscillators to open new sonic worlds;
  • Sturdier knobs from metal provides longer life cycle;
  • On-pedal edits can be saved into program memories;
  • Total compatibility with all previous Future Impact patches.

Panda says that the Future Impact has been used by Bootsy Collins, Chris Wolstenholme (Muse), Doug Wimbish (Living Colour), Mohini Dey and others.

Future Impact V4 is available now, with an intro price of €299 price (normally €359).