Free Audio Effects For Real-time Performance & Sound Design, Tape Fiasco


Developer Jonas Eriksson has introduced Tape Fiasco – one of the most creative audio effect plugin.

Tape Fiasco combines together three time-based effects in a single plugin: a granular time-stretcher, a glitchy, rhythmic stutter effect and a tape-style varispeed function. Each of these modules can be used independently or chained up with the others via configurable signal routing. It is designed for real-time performance and sound design, offering tempo-synced operation, envelope follower modulation, and extensive parameter control for each effect section.

It’s Stretch effect records incoming audio into a buffer and plays it back using overlapping grains, offering control over playback speed, grain size, pitch, tempo and stereo spread, with options for randomization and reversing, so there’s a whole lot of flexibility here for creating granular soundscapes.

Tape Fiasco’s tempo-synced Stutter module captures slices of audio and repeats them rhythmically – it’s a classic effect that you’ll have heard before in glitch and IDM, but there’s a huge amount of control available over timing, pitch and dynamics, along with rhythmic and probability-based variation. There’s also a multimode filter built into the Stutter module with with formant and comb modes alongside the conventional resonant low- and high-pass.

Lastly we have the Varispeed effect, which simulates the sound of a tape machine varying in playback speed. Once again, there’s a lot more versatility on offer here than you might expect: tape-modelled wow/flutter, a DJ-style scratch effect, two flavours of distortion and a compressor thrown in for good measure.

All of that adds up to a powerful effects processor that can be utilized across multiple contexts, whether you’re adventuring into experimental sound design or just looking for a way to add a little sonic flavour to a vocal line or guitar riff.

Tape Fiasco is available in VST3/AU formats for macOS and VST3 for Windows, but it’s only been tested on Ableton Live 12.2 with macOS Sequoia 15.1.

Head over to Jonas Eriksson website to download Tape Fiasco.

Wee Noisemakers PGB-1 Is ‘The Ultimate Pocket Synth’?


Synthesist Floyd Steinberg shared this overview and demo of the Wee Noisemakers PGB-1, a credit card sized groovebox that pushes the envelope on what’s possible with tiny ‘noisemakers’.

With 16 tracks, 16 patterns, and a song editor, the PGB-1 lets you create music not only with the internal synths and samplers, but also with external MIDI gear.

Topics covered:

00:00 hi, what is this?

00:50 hardware & architecture overview

02:15 creating a new song

02:32 song, tracks, patterns, and their roles in a song

03:11 bass drum track

03:35 synth parameter setup, using the touch strip and the arrow buttons

04:55 parameter locking: synth parameter control, repeats, and more

05:25 snare and hihat

05:52 bass track

06:22 custom oscillator shapes!

07:26 chords

08:12 sampling (here, using the internal microphone)

09:15 adding a chord progression

10:22 adding more patterns and adding them to your song

11:40 pattern chaining

11:56 live effects: stutters, filters, repetitions…

13:02 conclusion: wow

14:04 demo track: PGB-1 internal synths while sequencing XSynth

16:58 price, where to get it, and some thoughts

17:29 do the YouTube thing

Wee Noisemakers calls the PGB-1 “The Ultimate Pocket Synth”. Does it live up to the hype? Watch the video and share your thoughts in the comments!

The Wee Noisemakers PGB-1 is available now, priced starting at about $300 USD.

 

VAEMI Electromagnetic Field Microphone Lets You Listen To The Invisible


Volt Age Electronic Musical Instruments (VAEMI) shared this video demo of the El-Ma Ørsted V2, a new device that lets you ‘listen’ to electromagnetic fields.

The El-Ma Ørsted can detect radio waves, electromagnetic fields emitted by electronic devices, and environmental electromagnetic interactions. Its most fundamental difference from a conventional radio is its ability to capture a wide frequency range that covers the entire electromagnetic activity of its surroundings. This characteristic makes El-Ma Ørsted a unique instrument for experimental music, sound art, and environmental sound exploration.

The device’s unusual name is based on “El-Ma”, an abbreviation of “electro magnetic”, and the last name of Hans Christian Ørsted, a physicist and chemist known for his discoveries in the field of electromagnetism.

El-Ma Ørsted V2 – Evolution in Design

El-Ma Ørsted V2 preserves the electronic infrastructure and sonic character of the previous version, but has been redesigned in a more compact form. The new model features a rear battery cover that allows the 9V battery to be inserted and removed quickly and easily.

Electronically, El-Ma Ørsted V2 delivers the same sensing sensitivity and sound character as the previous version, using the same components and coils.

Technical Specifications:

  • Bandwidth: up to 140 kHz
  • Components: Carefully selected, RoHS-compliant electronic components
  • Manufacturing: High-quality printed circuit board (PCB)
  • Power: Operates on a 9V battery
  • Battery Life: Over 150 hours of operation with a standard 9V zinc-carbon battery
  • Efficiency: V2 offers longer operating time compared to the previous model
  • Sensing: True stereophonic perception via two receivers
  • Output: 3.5 mm stereo jack
  • Dimensions: 105 mm (length) × 68 mm (width) × 25 mm (height)

The El-Ma Ørsted V2 is available now for $89 USD.