DAWs Controllers

Bitwig’s First Hardware Product, Connect 4/12 Now Available


Bitwig‘s first hardware product introduced at NAMM this year is out now: Bitwig Connect 4/12.

More than an audio interface, Bitwig Connect 4/12 is a class-compliant, 4-in/12-out CV and MIDI-enabled audio interface with monitor- and DAW-control functionalities and a unique Bitwig Mode. As a bridge between software and external gear, Bitwig Connect is the perfect device to mark our debut into hardware.

Key Features:

The Ultimate Studio Sidekick.
Bitwig Connect is a three-in-one audio/MIDI interface, monitor and DAW controller. Six mode buttons allow its 360-degree, touch-sensitive dial to adjust interface parameters or control software. It can set input gain, regulate the volume levels for two sets of monitors and a pair of headphones, or even move the playhead and control any Bitwig Studio parameter with exceptional resolution.

The front panel gives the user immediate visual feedback, with accurate input and output meters and a ring of 32 RGB LEDs around the dial to visualize parameter values and automation data. Plus, gain settings are accessible and saved within Bitwig Studio, to pick up right where you left off next time you open it.

Bring Bitwig Studio to Life.
Connect’s unique Bitwig Mode puts Bitwig Studio at your fingertips with DAW controller functionalities. Seamless integration makes writing automation, fine-tuning settings, and navigating the timeline in Bitwig Studio with Connect’s main dial intuitive and precise. Get quick access to any control with the high-resolution dial by hovering over it with your cursor, and lock a selected parameter to Bitwig Connect by double-tapping. The LED ring indicates its current task by matching the color of the parameter or track in Bitwig Studio so you’ll never get lost.

CV Connects the Best of Both Worlds.
With two DC-coupled inputs and four outputs easily accessible via 3.5 mm minijacks directly on the front panel, Bitwig Connect is a superior choice for musicians with CV-enabled hardware. That means it goes both ways: To external devices from Bitwig Studio or other programs, and from hardware sequencers and modulation signals into the software realm.

Thanks to factory calibration, Bitwig Connect plays pitch-perfect and without offset with Bitwig Studio right out of the box. And since jacks can also be used for audio signals, they can act as additional ins and outs for line-level signals, making them useful to all types of users.

Audio Quality at the Top of Its Class.
The hardware inside ensures pristine recordings with every take. Bitwig Connect uses balanced connections, a premium mic preamp, and high-quality instrument/line inputs feeding into tried-and-true AKM converters capable of up to 192kHz, 24-bit resolution. That means the user can capture any source with ultra-low noise floors.

Ready To Go.
Connect’s robust steel chassis is built to endure travel and performance. USB-2 bus powering with the USB-C connector means there’s no external power supply needed, so it can accompany you from the studio to the stage. With hardware this tough, you have a companion for life.

The Story Behind Bitwig Connect 4/12.
The concept behind Bitwig Connect was driven by two key goals: to create an audio interface that seamlessly integrates hardware and software, and to offer a way to physically interact with Bitwig Studio.

Bitwig Connect bridges the user’s hardware devices, like synths and modular systems, and Bitwig Studio’s comprehensive Hardware Out tools (CV in/out, Analog Clock, MIDI CC, etc.). Its bidirectional CV capabilities extend Bitwig Studio’s unique modulation system and The Grid to your hardware, and vice versa. Bitwig Connect makes this connectivity seemingly effortless with plug-and-play simplicity and visual feedback.

The second idea is embodied in the high-resolution main dial, which offers precise control over everything in Bitwig Studio. Designed to complement your mouse, keyboard, and other MIDI controllers, this intuitive dial delivers a tactile, haptic experience.

Combined Audio Devices in Bitwig Studio 5.3.
Bitwig Studio 5.3 adds major improvements to the program’s audio settings, such as auto-configuration and Combined Audio Devices. The latter option allows macOS and Linux users to integrate Bitwig Connect into their existing audio routing setups by combining multiple interfaces.

Bitwig Connect 4/12 is available starting today for €499/ $599 /£439, via the Bitwig webshop, and from select partners and retailers worldwide. [Please note, the USD price may be adjusted based on changes to international tariffs.]  Shipping starts April 28. Check Bitwig’s Buy Local page to find a dealer near you.

PreSonus Studio One v6.5 Updates Adds Dolby Atmos Integration & More


PreSonus has dropped the latest iteration of Studio One, version 6.5, and with it comes a slew of updates for spatial audio with Dolby Atmos. You can now record, edit, mix and monitor up to 9.1.6 channels.

The Dolby Atmos renderer is now natively integrated into the multi-channel mixing workflow and there’s also a parallel headphone output for Binaural monitoring.

In addition, to further aid you in your multi-channel projects, version 6.5 also comes with a new Surround Panner and Dolby Atmos Object Panner, with support for 3rd-party panner plugins also included.

The power of your machine will dictate how smoothly all the object panning and rendering works.

Take a look at the new renderer and panner in action:


New features in Studio One 6.5

  • Recording and Mixing
    • Spatial audio recording, editing and mixing with mixing and monitoring layouts up to 9.1.6 channels
    • Dolby Atmos Renderer natively integrated
    • Parallel headphone output for Binaural monitoring in Dolby Atmos
    • NEW Surround Panner and Dolby Atmos Object Panner
    • Support for 3rd-party Panner Plug-ins
    • Surround Panner in Sends
    • Extended export/mixdown for multichannel audio
    • Dolby Atmos (ADM) export with multiple simultaneous downmix formats
    • Extended audio I/O setup
    • Dolby Atmos Renderer remote panel in Mixer
  • Plug-ins and Instruments
    • Updated plug-in set with multichannel support
    • Speaker mapping for native and 3rd-party plug-ins
    • Flanger/Phaser with additional surround modes
    • Surround Chorus
    • Updated Mix Tool with multichannel level controls,
    • Mute and Solo options
    • NEW Surround Delay
    • NEW OpenAir
    • 2 convolution reverb with location images
    • New impulse response library with true 7.1.4 HDIRs
    • IR Maker supports up to 9.1.6 for capturing custom impulse responses
    • Improved Bitcrusher
  • Arrangement and Editing
    • Loop length tooltip shows loop length in ruler timebase
    • Drag & Drop copying of plug-ins in Inspector
    • New commands for “Write Automation to Start/End”
    • Tab through automation lanes when renaming
    • Legato command extends note events to Part end
  • Score Editor
    • Display chords from Chord Track
    • Rhythm Slashes
    • Custom string tunings
    • Display and edit guitar bends
  • Tablature Rhythmic Display
    • Reset option for Drum Maps
    • Reworked Text Editor for Lyrics
  • Mastering
    • ARA plug-in support on Project Page
  • Browser
    • Merge option for multichannel audio files
  • Start Page
    • New “Mix in Surround” Smart Template
    • Interactive Dolby Atmos tutorial
  • General
    • DAW Project format support (Import and Export)
    • Public beta version for Ubuntu Linux
    • Studio One Remote 1.8 update features touch-enabled surround panning

PreSonus Studio One 6.5 is available now as a free update for version 6 perpetual license holders as well as current Studio One+ members. For more information head over to the PreSonus website.

Asparion D700 is a Modular DAW Controller


The Asparion D700 is a modular DAW controller that you can configure to your own specifications and make as big as you like (within reason). There are three elements to it, and these can be combined however you like.

The centrepiece is the D700 FT, a mixer-style device that features, eight rotary encoders, eight LED rings, and eight touch-sensitive 100mm motorised faders. There are also 44 programmable LED push buttons, including transport controls. The FT also handles connectivity via a USB-C port and expression and sustain pedal inputs.

If you want more control than you take a look at the D700 F. This is similar to the FT but loses those transport controls and a few other buttons, bringing the total down to 32.

Whereas, the D700 S is an OLED display that features three lines of text with up to 12 characters per track.

You can combine FT and F units to create a control surface with up to 64 faders, which supports standard MIDI, Mackie HUI, OSC and MQTT. Everything can be configured in the dedicated software app, while the anodized aluminium, laser-printed casings are designed both to look good and be robust. The confidence in the build quality is backed up by a three-year warranty.

The D700 is set to be released at the end of Q3 this year priced at $1,399 for the FT, $1,249 for the F and $179 for the S. A bundle containing an FT, an F and two S modules will be available for $2,799. More modules could be in the pipeline, as well.

Find out more on the Asparion website.