Archive for January, 2026

Korg Phase8 Review & Demo


Host Ziv Eliraz – in the latest loopop video – offers an in-depth review and demo of the Korg phase8, an electro-acoustic instrument, based on the concept of acoustic synthesis.

Eliraz takes on in-depth look at the new instrument, explores its sonic range and shares his take on the pros and cons.

Topics covered:

0:00 Intro
1:45 Overview
3:15 Vel & env
3:55 Buttons
5:30 Air fader
6:00 Shift
6:20 Pluck
6:50 Drones
7:20 Drone jam
7:50 Build & IO
8:15 In the box
8:35 Mod left
8:55 Mod right
10:25 Mod center
10:50 Settings
11:25 Center #2
11:45 Step seq
12:35 Live seq
13:55 Automation
15:25 MIDI
15:45 Pros & cons
19:00 Three jams

Watch the review and share your thoughts on the Korg phase8 in the comments!

 

Akai MPC XL Review & Hands-On Demo


Host Ziv Eliraz – in the latest loopop video – takes an in-depth look at the Akai MPC XL, introduced at the 2026 NAMM Show.

The MPC XL Akai’s next-generation large-format MPC, replacing the previous-generation MPC X and X SE.

Eliraz offers an overview of the new features in the MPC XL, the new software features, and pros and cons compared to the competition and previous MPCs.

Topics covered:

0:00 Intro
1:30 Overview
2:50 MPCe Pads
3:35 3.7 MPCe
3:55 Quadrants
4:40 Pad presets
7:25 Macros
9:00 Crossfade
9:20 Articulations
9:40 Touch strip
10:40 Note strum
11:20 Step buttons
12:20 Drum seq
11:35 Note seq
14:00 Step edit
14:40 Automation
15:05 Other modes
17:00 Buttons
18:15 VU meters
18:45 Power
19:55 I/O
21:40 Pro-pack
22:00 Pros & cons

Watch the MPC XL review, and share your thoughts on it in the comments!

 

New Audio Interface With ARM-based DSP, Symphony Nova


2026 Winter NAMM Show: Apogee has added to its line-up of Symphony desktop audio interfaces with the release of the Nova, which comes packed with DSP for onboard effects processing.

In fact, one of the Nova’s big USPs is that it offers simultaneous realtime DSP processing on all four of its mic inputs, meaning that multiple sources can be tracked with a consistent sound. This could be useful when you’re recording drums, small groups, multi-speaker podcasts or a selection of live instruments.

The majority of the effects are contained within Apogee’s enhanced ECS Channel Strip, which runs on the Nova’s onboard ARM processor. This contains a 4-band EQ, high-pass and low-pass filters, a compressor and saturation/drive. There are also realtime reverb and delay processors.

The advantage of having everything in the interface, is that you should have zero-latency monitoring even when the processing is activated, as there’s no need for your computer to get involved.

Similarly, there’s also realtime speaker correction on every analogue output so that you can correct any room imbalances. Again, this is handled by the hardware rather than using a plugin in your DAW.

Of course, the focus of any audio interface is its sound, and Apogee is promising pristine gain, low noise and consistent performance across all inputs. Guitarists can take advantage of the clean DI capture and a new re-amping section, and the combination of high-gain mic preamps and aforementioned processing is designed to make this a one-stop box for podcasters.

Other connectivity includes MIDI I/O and ADAT expansion should you need to add more preamps and converters.

The Symphony Nova is slated for release in the second quarter of 2026 and will cost $1,499. Find out more on the Apogee website.