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Yamaha’s CK61 and CK88 are not just stage pianos – they are portable keyboards that you can play anywhere.

The lightweight models inherit sounds from the CP and YC series.

Yamaha’s product roster is not exactly short on stage keyboards – it can already offer you the CP and YC models– but its new CK series sets itself apart by putting the focus on portability.

The 88-note CK88 and 61-key CK61 promise the sounds of the CP and YC keyboards in a more compact, lightweight form factor (13.1kg and 5.6kg respectively). Both models can be powered by eight AA batteries and have integrated loudspeakers, so the theory is that you can pitch up and play pretty much anywhere.

The soundset is as you would expect. Pianos, electric pianos, strings, brass, organs and “modern synths” are all present and correct, and you can spread these across three keyboard zones or layers to create more complex patches and increase your performance options.

Each part can be processed with the built-in effects – these include filters, envelopes, modulation processors, delay and reverb – and there’s also a final global effects section that features a master EQ.

In addition, Yamaha also promises intuitive control, with all important parameters right under your hands, and the three-part sound architecture is designed to make it easy to switch between sounds and combine them during a performance. The colour coding of the switches can be customised, so you can quickly see which parameters are active for each part.

There are dedicated organ drawbar controls, as well, and the aforementioned effects are said to be quick to adjust.

The CK61 (smaller version) features lightweight ‘Future System Basic’ (FSB) keys and has an action inspired by that of old Electone organs such as the FX-1. With a heavier initial key resistance and increased travel, Yamaha promised more expression and greater stability, and a feel that should be perfect for organs, electric pianos, strings, synths and more.

The CK-88 has ‘Graded Hammer Standard’ (GHS) keys for a more piano-like experience.

Other features include Bluetooth audio connectivity, mic/line-in, MIDI/DAW control and audio interfacing.

The CK88 and CK61 will be available in April priced at $1,899/£1,567 and $1,249/£1,008 respectively. Find out more on the Yamaha website.

Well, a good stage piano not necessary only has to sound great, but it also needs to be easy to use in a live performance. And Korg reckons that the new Korg Grandstage meets both of these criteria, equipped with seven sound engines and an extremely straightforward interface.

The Korg Grandstage stage piano features impeccable RH3 fully weighted hammer action, and advanced controller functionality. The all-new Grandstage pushes the envelope with five legendary grand pianos plus a new upright alongside 500 sound program. There is a big focus on acoustic pianos here, with the SGX-2 engine providing six of them. EP-1 deals with electric pianos; CX-3, VOX and Compact cover organs; and AL-1 and HD-1 are devoted to analogue modelling synthesis and PCM sound creation.

Other features include a 3-band EQ, layer/split capability, and the option to lock the front panel to ensure that settings are not accidentally changed in the heat of a gig. There are easy-to-use reverb and delay effects, while you can adjust the – crispness and expressivity, of sounds with the Dynamics knob. You can instantly recall sounds with the Favorite buttons, and the Grandstage creates smooth transitions when you switch between sounds.

The Korg Grandstage ships with a music rest, pedal and keyboard stand.

The Korg Grandstage are available in 73- and 88-note configurations.

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