Moog Subsequent 25 Analog Synthesizer

Whenever Moog releases a new synth it is a norm getting a little excited about it. And the Moog Subsequent 25 or Sub 25 is no exception. It is the successor to the Sub Phatty.

The new Moog Subsequent 25 is a two-note paraphonic analog synth paired with a 25-note keyboard, making it the most compact of Moog’s current crop of non-modular synths. It packs two oscillators, which are accompanied by an additional sub oscillator and noise generator. These can be used in two ways – Unison mode, in which the three oscillators are stacked, and the new Duo Mode, which is inherited from the Subsequent 37 and allowing users play two distinct notes with the individual oscillators.

In addition, the synth includes full MIDI implementation for the knob-per-function front panel, and a free editor/librarian application allowing users to save and recall an unlimited number of sounds. Other improvements inherited from the Subsequent range include reshaped gain staging for the ladder filter, increased headroom and improved keybed. The Multidrive circuit has been retuned as well, and according to Moog, this now extends far beyond the level of grittiness achievable from the Sub Phatty.

Other highlights of the Subsequent 25 include an input for processing external audio, CV inputs to control pitch, filter, volume and a gate trigger, plus a high-powered headphone amplifier.

The Sub 25 takes what made its predecessor such a powerful and aggressive tone monster and just goes bigger.

The Moog Subsequent 25 is available now.

Moog Subsequent 25 Analog Synthesizer

Moog ONE Polyphonic Analog Synthesizer

 

 

The new Moog One could be the Moog polysynth that you have always wanted. Any Moog synth launch is greeted with excitement, but when it is the company’s first polysynth in more than three decades, it is a particular big deal. The new Moog One is described as an “analogue dream synth”, and boasts what Moog is said to be calling the most advanced architecture ever for one of its instruments.

 

Available in eight- and 16-voice versions, the Moog One comes with three VCOs and two independent analogue filters (a variable state filter and a Moog ladder filter) that can be run in series or parallel. On top of that there is a dual-source variable analogue noise generator, an analogue mixer with external audio input, four LFOs and three envelope generators.

 

In addition, the Moog One is tri-timbral, so you can effectively play three synths simultaneously. These can be split, layered or zoned across the keyboard, all within a single preset. Each of these synths can have its own parameter settings, note range, arpeggiator, sequencer and effects, so the sound design potential is massive. On the effects, you get plenty, which can be applied on the aforementioned per-synth basis or to the master bus. The likes of chorus, delay, phase, bit reduction and vocoding are supplemented by a range of Eventide reverbs. The effects are digital, but you can ensure an all-analogue signal path if you ‘true bypass’ them.

 

The Moog One is capable of storing tens of thousands of presets, all of which can be browsed from the central LCD panel. You can also assign presets to the front-panel Performance Sets for quick access, while a Snapshot button enables you to capture all current settings immediately. Presets can be shared via USB drive, too, so it is easy to take the sounds of one Moog One to another. In terms of control, you get 73 knobs and 144 buttons, while additional parameters can be accessed from the LCD centre panel. The synth has a handcrafted ash cabinet and an aluminium front panel, while the 61-note keybed comes from Fatar. An assignable pressure-sensitive X/Y pad provides further expressivity options.

 

The new Moog One will exceed your every expectation as it inspires your musical creativity and opens portals to a vast sonic universe.

 

The Moog One is available for $5,999 for the 8-voice and model, $7,999 for the 16-voice model. See the Moog website for details.

 

 

 

 

Minimoog Voyager XL Synthesizer

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The Minimoog Voyager XL is a new addition to Minimoog and synthesizer family. The NEW! Minimoog Voyager XL Synthesizer is a monophonic analogue performance and production synthesizer. The semi-modular synthesizer is designed to commemorate the 40th anniversary of the Minimoog and to mark an important milestones in the Moog synthesizer legacy. Based on the Model D and legacy sound engine, it incorporates the entire sound resources and functions of Minimoog Model D and Voyager, including exclusive features from high-end Moog’s modular synthesizers legacy.

The Minimoog Voyager XL features a 100% analogue sound engine, 61-note velocity sensitive keyboard with after-pressure and is identical to the Voyager 44-note keyboard, extensive front-panel patchability, a 500mm ribbon controller with pitch and Gate CV Outputs, touch surface controller, pot mapping and a host of MIDI control functionality.

Under the hood, the notable Minimoog Voyager XL‘s intuitive user interface, touch surface and rugged design make it incredibly ideal for today’s performance, sound design and production. The high-end musical instrument is akin to a monster analogue mono-synthesizer.


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